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The Lottery And The Possibility Of Evil By Shirley Jackson

Decent Essays

Literary devices are defined as techniques used by writers that help establish a special effect in their works. Various literary devices can be used to not only to convey a certain tone or mood in a piece of writing, but also in some cases add a unique and unexpected twist to a seemingly ordinary story. Shirley Jackson, the author of short stories “The Lottery” and “The Possibility of Evil”, uses both imagery and diction to establish a calm mood in the beginning of her stories; however, the usage of different types of irony at later points in the story makes both endings unique. The author uses diction in the beginning of both “The Lottery” as well as ‘The Possibility of Evil” to establish a normal and somewhat peaceful mood. Residents …show more content…

Little does the reader know that the stones being collected by the children would be used to stone an innocent woman to death in the end of the story. Similar to how the author used diction to establish mood, she used imagery as well. Although the towns in the stories are not what they seem, the author’s use of imagery helps the reader to imagine a quaint and beautiful town. Imagery is used in “The Possibility of Evil” to give the reader the impression that Ms. Strangeworth as well as the town she lives in are completely ordinary. Jackson explains, “The sun was shining, the air was fresh and clear after the night’s heavy rain, and everything...looked washed and bright” (Jackson, 1). Through the use of imagery, the reader can imagine a warm summer day in the small town. The author also uses the same device when describing Ms. Strangeworth. “Miss Strangeworth told the tourists, with a pretty little dimple showing by her lip” (Jackson, 1). Imagery is used in a similar way in “The Lottery”. The day the lottery takes place is described as a clear, warm, and fresh summer day. The flowers we blossoming and the grass was a rich green color. The dresses worn by many of the women are worn down and old, meaning that they are ordinary women and many of them are mothers. Though the author uses imagery and diction similarly,

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