In the play, Tea House, by Lao She, was set in an old tea house in Beijing. The author explores the purpose of the tea house as a mean of gathering for people to tell their tales. It also serves as an organizing principle and a drama stage for people to re-enact people 's lives in Beijing, as an eyewitness to social and political changes. Lao She was a Chinese novelist and dramatist. Lao She was one of the most significant figures of the 20th century in China for his vivid use of the Beijing dialect in his literature. Unfortunately, Lao She committed suicide by drowning himself in a lake after being beaten and publicly humiliated by the Red Guards during the Cultural Revolution in 1966. In the play, Lao She places the character 's lives in different sociohistorical contexts in the hope that they will elicit a sense of direction, which according to him was lacking in modern Chinese history. Lao She sets out three acts. One in 1898, 1917, and 1945 that represented major stages in modern Chinese history from the collapse of the Qing Dynasty, the failure of the Republican revolution, and the downfall of the Nationalist government. The play also consisted of nearly seventy characters who came from different Chinese occupational background. There are tea house waiters, a Manchu, a eunuch, a fortune-teller, a marriage broker, a story-teller, an opera singer, a banquet caterer, a peasant, a gangster, a school teacher, students, soldiers, secret police, and a modern business person.
The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on
Individuals should learn to accept themselves for who they are, not what society wants them to accept. As we continue to evolve, we build up our own characters, and they are typically a mix of the ethnicity and culture we inherit from our family, various encounters in our life, distinctive identity and personality we have. Our character and identity is not something that we get easily, it's an intricate process. The story “The Other Family” by Himani Bannerji is based on a mother and a daughter who immigrates to Canada. They belong to a black family, but after the immigration they are living in the dominance of the white society.The school is considered as the hegemony of Canada and teacher is considered as the mainstream, it is a sort of social institution that a hegemony shape but they does not know the awareness of marginalized groups. The mother feels anxious when she sees a drawing of a white family by her daughter. It was the misperceptions of the kid that lead to forget her identity or she was too small to identify it. So to examine about the identity of the marginalized individual the beginning is to focus on the quality of the education. It is necessary for every school system to teach equality and inclusions of every group status so that the marginalized group are not left isolated from the society. Secondly, the fear of the marginalized parents from losing their kids in the mainstream society shows their lack of confidence in their own cultural pride. Since
The Cultural Revolution was a time of much confusion in china. The memoir Red Scarf Girl by Ji-li Jiang illustrates the chaos of that time. Ji-li’s experiences during this time period led to her point of view changing. Ji-li starts the Cultural Revolution full of progressive thoughts, but this quickly turns to confusion, and leads to an important choice, something that impacts the rest of her life.
“Your life does not get better by chance, it gets better by change.” Jim Rohns quote highlights the basis of Debra Oswald’s play Gary’s house, and also Miroshav Holubs poem The Door. This essay will explore the notion that change causes people to shift their thinking and actions after significant catalysts. Gary’s House illustrates many of the issues and predicaments confronted by the characters and how their alteration in behaviour can have a beneficial outcome for them or others around them. The concept of "The Door" is based on the idea of taking risks and embracing change. The poet uses persuasive techniques to encourage and provoke the audience to take action.
The piece describes what she envisioned her time in China would be like; visions of small talk and drinking tea danced in her head (Schmitt 125). This is a bit admirable to a more reserved person because it shows how outgoing she is when diving into a new culture. However, the reality of a language barrier and day to day behavior settled in. A series of uncomfortable exchanges illustrate the challenge of being accepted into a new culture. Described in the essay are people standing around in bath robes and under garments and popping in and out of rooms like some sort of clown
Mother Tongue is a story that describes how Amy Tan’s mother was treated unfairly because of her “broken English”. As the second generation of Chinese immigrants, Tan faces more problems than her peers do. Her mom, who speaks “limited” English, needs Tan to be her “translator” in order to communicate with the native English speakers. Tan has felt ashamed of her mother “broken” language at first. She then contemplates her background affected her life and her study. However, she changes her thought at the end since she realizes things behind language might be more valuable than language itself sometimes. Through the various different literary devices and rhetorical strategies such as the ethos, pathos, and logos appeals, as well as a
Reading the book, The Other Side of the River, by Alex Kotlowitz, the author writes about the relationship between two towns in Michigan, and the death of a young boy named Eric McGinnis. The two towns, Benton Harbor and St. Joseph, are called the “Twin Cities”, but are ironically not related in any way. St. Joseph is 95 percent white, while Benton Harbor is impoverished and is 92 percent black. Throughout the book Kotlowitz questions the residents from both towns and how they are affected by the environment around them. The author also starts with the climax on the first page of the book – the death of Eric, and uses this as an technique to tell the story of the disagreements between the two towns.
English is an invisible gate. Immigrants are the outsiders. And native speakers are the gatekeepers. Whether the gate is wide open to welcome the broken English speakers depends on their perceptions. Sadly, most of the times, the gate is shut tight, like the case of Tan’s mother as she discusses in her essay, "the mother tongue." People treat her mother with attitudes because of her improper English before they get to know her. Tan sympathizes for her mother as well as other immigrants. Tan, once embarrassed by her mother, now begins her writing journal through a brand-new kaleidoscope. She sees the beauty behind the "broken" English, even though it is different. Tan combines repetition, cause and effect, and exemplification to emphasize
Persona, the aspect of someone 's character that is presented to or perceived by others. So for someone to adopt a persona is them putting their self in the shoes of another character to give off a specific perspective or view. Diane Gilliam Fisher uses this effectively in the poems found in her book “Kettle Bottom”. She places herself in the positions of both the children and wives of the coal workers, as well as the immigrants who worked the coal mine. She took the stance of the company owners and operators, and even the news reporters who spoke of the rebellion that was starting to take place. She uses this technique to persuade her audience to see the wrong that was happening in the coal mines. In comparison, the cut scene from the film “Matewan” that was written and directed by John Sayles takes the view point of the actual Union members and the conflicts that went on between the workers their selves. Both, these interpretations of what was going on in the coal mines of West Virginia, gives the audience the same perspective that the owners of the coal mines were the antagonist in the story. In addition to both “Kettle Bottom” and “Matewan”, the article “The Second Civil War: Remembering the Battle at Blair Mountain,” written by Alan Grayson (SpeakOut), also takes a bias stance against the mining company owners. Grayson portrays the mining owners to be crooked and wicked people, who had no remorse for the troubled environment that their workers struggle through
When Frances Cornford wrote “The Watch”, she must have been in an unbelievably dark place; the poem is downright depressing. However, regardless of the macabre nature of the poem, it is executed in supreme fashion, and creates a real sense of dread in the reader. Cornford, a granddaughter of Charles Darwin, was not a particularly popular poet. However, in “The Watch”, she manages to convey a powerful message to the reader, and demonstrates her poetic skill in stride. The theme of this intriguing poem appears to simply be ‘Memento mori’, a reminder to the reader that death is inevitable and inescapable. Cornford conveys this message to the reader using an arsenal of literary devices, most notably the mood, tone, symbolism, and epizeuxis.
The Buddha in the Attic is an emotional novel written by Julie Otsuka in 2011. The novel is unique in the sense that it is written in the first person plural in order to tell the story of many characters simultaneously. There isn’t a set plot except for the chronological stories of multiple picture brides coming to America in the early 1900’s. Each chapter serves as a major section in the women’s lives and assimilation into American culture. The first chapter is titled “Come, Japanese”, which focuses on why the women are coming to America. They describe the decision, sometimes forced, and journey to come to America to meet their new husbands. Many did not necessarily want to come, but they were promised a better life by their husbands, and most of the families of each wife received some sort of endowment money. One of the wives’ said that she was forced to go to support her family, while her older sister was working at the local geisha house just to put food on the table. They described the crowded conditions and long journey of the boat ride, as well as the cliques made and friendships formed on the voyage. All they knew of their husbands at this point was from a letter that was usually not written by the husband, as well as a picture, which was usually of a different person. Each woman’s story was different, and they all had different motives for coming to America, whether to seek a better life or better yet, forget about their previous life in Japan. They all had
As she recalls back on this time by telling her daughter what she calls her Kweilin story, Suyuan describes her feeling during this horrible time as “And inside I was no longer hungry for the cabbage or the turnips of the hanging rock garden. I could only see the dripping bowels of an ancient hill that might collapse on top of me. Can you imagine how it is, to want to be neither inside nor outside, to want to be nowhere and disappear?” (22) At this point in her life Suyuan was separated from her husband who is in the military and eventually is forced to abandon her two young daughters. This aspect of Suyuan’s life parallels the life of Amy Tan’s mother. Daisy tan was also married to a military man during the Chinese Civil War and like Suyuan was forced to abandon her two daughters in Shanghai. This was an experience that would affect her mother for the rest of her life and a story she would continue to tell and never forget. The life of Amy Tan is also a parallel to the life of Jing-Mei Woo of “June”. As a young girl June was forced to play the piano and practice constantly to become the best like Amy Tan was as a child. Along with playing the piano Suyuan also had high expectations for June as far as her future. She wanted her daughter to be the best in her class and go off to medical school to become a well educated doctor, the same expectation’s Amy Tan’s mother had for her. Both daughters decided to follow their dreams and
The Welcome Table is a short story written by Alice Walker. It is written in third person point of view. “The omniscient technique is used in this story and is particularly effective in allowing the reader to understand the old woman’s predicament and how she, and others, dealt with it” (Clugston, 2010). In this essay, I will explain the meaning of this story as well as the realities to racism and hate.
In the autobiography Chinese Cinderella by Adeline Yen Mah, the narrator was influenced in many ways by the people around her. One character which influences the narrator’s life to a vast amount was her step-mother Niang. Her Aunt Baba also played a very big part on how Yen Mah turned out in her later and earlier years as well as everywhere in between. Her grandfather Ye-Ye was a constant support to Adeline Yen Mah.
Abigail’s Party is a play by Mike Leigh set in 1977 in Essex. One of the most prominent themes in the play is class mobility. This was a major interest in the 1970s and many lower middle class members of society were aspiring to be genuine middle class and beyond! The stereotypical ‘middle class’ social occasion would have been a dinner party, yet we find ourselves at a rather less ‘classy’ occasion in Abigail’s party. All of the characters in Abigail’s Party seem to symbolize an area of society: Laurence symbolizes the aspiring lower middle class, working man, trying to gain a higher social status; Susan symbolizes the already middle class citizen quite content to remain middle class; Angela and Tony together symbolize the lower middle class. Beverly is also lower middle class but you could argue that she is beyond categorization. At the time, in 1970’s Britain, class mobility was at its most agitated; therefore there was a sense of social aspiration and desire for improved lifestyles among the lower and lower middle classes.¬¬