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Themes In The Gilded Six Bits

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All That Glitters isn’t Gold The word gild is most often defined as covered thinly with gold, be that it may, a lesser known definition is to give an attractive but often deceptive appearance. Zora Neale Hurston uses many references to both these meanings in “The Gilded Six Bits.” Hurston was a modernism author during the early 20th century. She uses several themes relative to Modernism, including the idea of collectivism versus individualism and alienation, but particularly decadence. The numerous references to the variations of gild within the “The Gilded Six Bits” truly shows the use of decadence and that money cannot buy one’s happiness. The specious story begins in the town of Eatonville, Florida during the midst of the Great Depression. The narrator describes the home of Missie May and Joe Banks, which is within the first all-black town incorporated in America, “It was a Negro yard around a Negro house in a Negro settlement…But there was something happy about the place. The front yard was parted in the middle by a sidewalk from gate to door step, a sidewalk edged on either side by quart bottles driven neck down into the ground on a slant.” (Hurston 884) At first, one would just assume that this house resembles a happy, perfect home of a loving couple. Everything is prim and proper, as it should be. The narrator leads on, “A mess of homey flowers planted without a plan but blooming cheerily from their helter-skelter places. The fence and house were whitewashed. The

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