Translations depicts the cultural take over of Ireland by the British
Empire, yet it cannot be said to be simply pro-Irish.’ Consider this comment. English Literature Coursework- ‘Translations depicts the cultural take over of Ireland by the British Empire, yet it cannot be said to be simply pro-Irish.’ Consider this comment on the play.
The Cultural take over of Ireland by the British Empire is a central issue in Translations. Friel examines this issue by describing the effects that certain changes have on individual characters; Irish and
English. One may think a play with this issue could not help being biased towards the Irish. However, Friel ‘did not wish to write a play about Irish peasants being suppressed by English
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Hugh refuses to translate the word ‘always’ for
Maire showing that he is very aware of the change that surrounds the
Irish, believing that it is a ‘silly word’ under the inconstant circumstances. Therefore his drunken weakness can be seen as a result of the English colonisation and is pro-Irish.
The character of Manus is rather more complicated than that of Hugh and our perception of him changes as the play develops. During the play Manus refuses to apply for a job at the international school his father applied for because he felt that he ‘couldn’t go up against him’. This enforces Manus’ loyalty towards his father and perhaps is an indication of Irish faithfulness compared to English disloyalty; disloyalty which is seen when Yolland explains that his father got him a job but he ‘missed the boat’ and, not being able to return home and face him, joined the army. Yolland also shows disloyalty to his own country and language when he decides that ‘there is no English equivalent’ for a sound like Bun na hAbhann’ and wishes to live in
Ireland because it is ‘heavenly’. As an audience, we find ourselves praising Yolland and respecting him for his capacity to embrace other cultures. We also respect Manus for his sense of duty and loyalty towards Ireland. Friel plays with our emotions in this way making us hypocritical as
The short stories of Ireland are distinct and many times distinctly Irish. “The Limerick Gloves” by Maria Edgeworth, “The Pedlar’s Revenge” by Liam O’Flaherty, “The Poteen Maker” by Michael McLaverty, and “Loser” Val Mulkerns are each distinct Irish short stories that deal with Irish topics in original ways. These stories are stylistically and thematically Irish. They are moralistic and offer clear themes that pertain to Irish values. This analysis will explore the Irish-ness of the works and explore their meaning when held against Irish literary tenants.
Gish Jen’s “Who’s Irish” tells the story of a sixty-eight-year-old Chinese immigrant and her struggle to accept other cultures different from her own. The protagonist has been living in the United States for a while but she is still critical of other cultures and ethnicities, such as her son-in-law’s Irish family and the American values in which her daughter insists on applying while raising the protagonist’s granddaughter. The main character finds it very hard to accept the American way of disciplining and decides to implement her own measures when babysitting her granddaughter Sophie. When the main character’s daughter finds out that she has been spanking Sophie she asks her mother to move out of the house and breaks any further contact
children to raise. He was not getting enough attention as he wanted at home, he got his
Eric Rauchway, it says, “A lot of fathers had a habit of taking off to look for work. This left the family at home, waiting and hoping that the old man would find something. And there was always the Saturday night ordeal as to whether or not the old man would get home with his paycheck.” This meant that every week there was a question in the back of everyone’s mind of whether or not they will get food that night or if they will lose their house that night. It was an uncertain and unhinging time for everyone. As also seen in the article, “Sometimes men who left to look for work never came back, finding homes in doorways or subways or the communities of shacks on the edges of cities or landfills.” This is saying that the men would most likely feel ashamed and not be able to return home without a job so sometimes they wouldn’t return home. As also stated in the article “They (the fathers) knew how closely their children watched them, how much hung on their ability to get even a little work, how much joy it could bring to a house or at least how much sorrow it could hold
The book, “The Irish Way” by James R. Barrett is a masterpiece written to describe the life of Irish immigrants who went to start new lives in America after conditions at home became un-accommodative. Widespread insecurity, callous English colonizers and the ghost of great famine still lingering on and on in their lives, made this ethnic group be convinced that home was longer a home anymore. They descended in United States of America in large numbers. James R. Barrett in his book notes that these people were the first group of immigrants to settle in America. According to him, there were a number of several ethnic groups that have arrived in America. It was, however, the mass exodus of Irish people during and after the great
1. The Scotch-Irish were staunch libertarians, and acted upon their feelings. Sex ways and dress ways had close ties to each other in the backcountry. To talk about sex and sexual behavior was also acceptable in this culture. The dress women and men wore was meant to arouse the opposite sex. Anglican missionary Charles Woodmason wrote, “They draw their shift as tight as possible round their Breasts, and slender waists (for they are generally very finely shaped) and draw their Petticoat close t their Hips to show the fineness of their limbs– … –indeed nakedness is not censurable without ceremony.” Woodmason was appalled at how these women carried themselves, but to the women, they were sexy. Men even dressed in ways to show off
Reginald Byron, in Irish America, has pro vided a thorough historical and ethnographic picture of Irish American ethnicity in Albany, New York. In addition to deepening our knowledge of the immigration of Irish people to the United States in the nineteenth centu ry, Byron also forcefully argues against total izing narratives of ethnicity. By focusing on an Irish population that constituted a significant portion of the population of Albany, we can see that ethnicity is a complex phenomenon. Byron begins his discussion of the Irish in
He new if he stayed; something would have gone wrong, but something still went wrong. His cousin broke his leg and his mom lost her job.
Violence, terror, suffering and death. The conflict that has been burning in Northern Ireland seems to be an unstoppable battle and it has flooded over the land of Northern Ireland. The struggle for power and the persistence of greed have fueled the raging fires of the opposing groups. The conflict in Northern Ireland has been discussed continually over the past few decades. Ever since the beginning of the “Troubles,” organizations have been scavenging to find a plan that will cease the violence. Throughout my research for this project, the questions of what are the main sources of conflict in Northern Ireland and why have they continued today guided me to many fascinating pieces of evidence that
The passage to be studied is from Act 3, scene1, from the play, ‘The Duchess of Malfi’. The importance of this passage, and where it fits into the play, is explained in the first paragraph. The following paragraph will highlight some of the distinctive features of its language, starting with the beginning of the passage and comparing it to the end of the passage. The analysis of the text will cover rhythm, sounds, punctuation, repetition, alliteration, enjambment and caesura. Using these techniques Webster helps the reader to extract meaning, characterisation and the themes of the play. Finally, the third paragraph will show how the distinctive features of the language can be translated into performance using lighting, tone of voice, props, costume, sound and space. The language used in the text of the play is the source to its meaning and performance.
The Easter Rebellion, was an armed uprising of Irish nationalists against the rule of Great Britain in Ireland. The uprising occurred on Easter Monday, April 24, 1916, and centred mainly in Dublin. The chief objectives were the attainment of political freedom and the establishment of an Irish republic. Centuries of discontent, marked by numerous rebellions, preceded the uprising. The new crisis began to develop in September 1914, following the outbreak of World War I, when the British government suspended the recently enacted Home Rule Bill, which guaranteed a measure of political autonomy to Ireland. Suspension of the bill stimulated the growth of the Citizen Army, an illegal force of
The Republic of Ireland cannot be adequately examined without including the large role played by the Catholic Church in political development and policy making. The Catholic Church has validated itself as an influential institution since the Norman invasion of Ireland in 1169. The original intent of the invasion served to spread the papacy, and with Ireland, the Church would come to achieve arguably the most Catholic country to exist in the world. The Republic of Ireland evolved through many centuries in order to achieve a true Irish State. The Anglo-Irish War proved significant in achieving the latter goal by ridding the southern sector of Ireland from the centuries of grueling oppressive rule and discrimination under Great Britain
Culture can be viewed as the customs, arts and social interactions of a particular nation, people, or other social group. It can also be defined as an appreciation of the arts and human intellectual achievement (Examples of Culture). Ireland is the land of many cultures ranging from a cosmopolitan style around the Dublin and city areas to the South-Western areas which are like a blast back in time many centuries. Thousands of Irish are involved and practice in the art of musicals, dance, and storytelling. A great many also work in industries, producing items such as glass, ceramics, ironwork, wood-turning, linens, embroidery, and knitwear (Britannica, 2017). Irish pubs are a huge way of life in the communities, it’s where the locals meet and converse and enjoy some of the world finest beer and whiskey. The diversity of the Irish culture is that of one many people seek out to visit and take part in.
June 23rd, 2016, 51.9% of the UK electorate voted to leave the European Union. The then French Prime Minister, Manuel Valls, described the decision to leave the EU as an “explosive shock” and stated that “now is the time to invent another Europe” (BBC news). What has followed since is a period of economic “turmoil and uncertainty” (Mazars). However, this “explosive” decision could be used to Irelands advantage and as a tool to “invent” another Ireland. Ireland presently has all the means and resources to capitalise on the multinationals that are sure to move out of the UK following Brexit. Ireland is in a prime position as a relocation spot for these multination’s due to its attractive corporation tax of 12.5%, one of the lowest in Europe,
For my research task I had picked Irish English (also known as Hiberno English). As English was first introduced to Ireland by the time of the Norman invasion. By the Tudor period, the Irish culture and language re-claimed its use in the territories it lost. However, the renewal of English expansion following the Tudor conquest of Ireland revived the use of their language, specifically during the plantations and the introduction of the Penal Laws, which banned the use of Irish. By the 19th century, English was the language that was spoken most in the whole country. It has reserved this position till the present day. Even though some people had their first language as Irish also was fluent in English.