As of recently, I had visited the UNM Art Museum to explore their various exhibits. There were four art exhibits at this art museum; Mata Ortiz, The 22nd Annual Juried Graduate Exhibition, Remnants: Photographs From the Disfarmer Studio, and Lightning Speak. Each exhibit portrayed similar characteristics, such as color, seating, and physical space. As with each art gallery, white is the primary neutral color used to display each piece. The white posts used to display certain pieces and walls gave a very modern and clean feel to the museum. As for seating, I was much too immersed into the art pieces to notice any seating areas during each exhibit. But I’m quite certain there weren’t any in most of them except for The 22nd Annual Juried Graduate …show more content…
In Duncan’s book “The Art Museum as a Ritual” he explains the meaning behind art museums, and how they are like rituals and are “complex entities in which both art and architecture are parts of a larger whole.” In most ways, Duncan is correct about art museums being like rituals. They are typically isolated, quiet, and have strict rules on what you are allowed to bring and do within the museum. Each piece is displayed beautiful in its own exclusive space. They also highly protect their pieces and maintain them on a daily. Most people don’t typically go to museums for a “fun experience” rather they go for a more rich and enlightening experience; almost something you can’t replicate elsewhere because atmosphere and ambience is so important. The reason why I bring up atmosphere and ambience is to connect it to Duncan’s claim that “art museums appear as environments structured around specific ritual scenario.” Ambience and atmosphere are important aspects to museums in order to feel like rituals. The atmosphere is museums often feel like a “pseudo-sacred kind of place filled with a ritual-like atmosphere.” Duncan claims that “it is, in my view, precisely the complexity of the art museum - its existence as a profoundly symbolic cultural object as well as a social, political, and ideological instrument - that makes the notion of the museum as ritual so attractive,” which means he believes that museums act as a cultural object for social and political means. He believes that art museums “constitute one of those sites in which politically organized and socially institutionalized power most avidly seeks to realize its desire to appear as beautiful, natural, and legitimate.” They are incredibly excellent places to study the history of cultural forms. He believes they aren’t ritual structures, but rather they stand “as ritual structures,” since they contain vast
Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.
The North Carolina Museum of Art (NCMA) holds many works of art from all types of cultures from around the world. The Torso of an Emperor in the Guise of Jupiter from Roman culture and the Torso of Aphrodite from Greek culture, are but two of them. It is unknown who the artist was for either of them, but the work has lived on for centuries. During the time period the gods were known for their perfection- like body and extraordinary looks. Since the sculptures highlight only the torso of the body it represents that only image matters and the brain does not.
Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of
The Carnegie Museum of Art was a museum created to focus on the art of tomorrow rather than already popular art and artists of today. A necessary part for that dream of Andrew Carnegie to become a reality is having a place to house these art pieces. While of course he could have just found an empty warehouse and placed all the art there that would neither have given the pieces of art justice nor would anyone want there personal collection to be placed on display there. Instead, in order to have a successful art museum you have to house the art in a place that does it justice. Museums heavily rely on their architecture to accurately portray and supplement the showpieces within the museum. Carnegie’s art museum
Countless art has been sought-after throughout history. Explorers, scientists, art collectors, politicians, and entrepreneurs from Western nations have sought out and removed art from the lands of great civilizations, often with the assistance and participation of local people and governments. Even as cultural property faces immediate danger today in conflict zones like Syria and Mali, there is circumstantial evidence that some nations are awakening to the political and foreign policy benefits that can flow from the repatriation of cultural patrimony. While on a different scale from World War II, historic structures, religious monuments, and other priceless ancient times continue to suffer collateral damage and manipulation in armed conflict. Relics have been stolen, smuggled and sold in what is a reported multibillion dollar underground market. They have become the illicit prizes of private collectors and the subject of legal claims against museums. Of the countless museums subject to legal claims, The Metropolitan Museum of Art in New York City happens to be one of them. “The Metropolitan Museum has acquired thousands of works and objects of art from the antiquities”. “For the past several years, the government of Turkey has warned U.S. and foreign museums (including The Metropolitan Museum of Art), that unless ancient objects from Turkish soil are given up on demand, Turkey will stop lending artworks” (The Committee for Cultural Policy, 2015). Turkey continues to up the
The first room of the museum pulled in the audience with artwork from the 20th century. Although it may seem like artwork put together at the last minute, if you look closer, you will see something entirely different. Each piece had so much detail and unique qualities, such as style and art form, that you haven't see in many other museums before. It is important to appreciate the erratic design and character of each piece of art, but after seeing the entire museum, it is easy see the monumental difference between art now, and the art of our past. Art of the past showed a lot more
The Patricia & Phillip Frost Art Museum located in the Florida International University (FIU) campus is a major cultural institution and has been opened since 1977. The building has three floors and several galleries to display numerous art works. In the first floor there is a gallery exclusively for kids. Here you can find all sorts of art stations to have kids develop and explore their creative and artistic side. The second floor is dedicated to the traveling exhibits; during the visit of this paper the museum had two traveling/special exhibits in display. One of the exhibits was by the Cuban artist Carlos Luna, Green Machine and the other by a traveling photographer Richard Saxton, Creole World. In the third floor of the museum there
After visiting the Museum of Fine Arts in Houston for the first time, I observed many interesting works of art representing various time periods. Of all the paintings that I saw last week, two landscaped pieces seemed to stick out in my mind; Andre Derain’s The Turning Road and Thomas Hart Benton’s Haystack. Though these two art works are similar in subject matter, they clearly reflect the different styles and time periods of their artists; the abstract Derain being a Fauvist and the more realistic painter Benton representing the American Scene style as a Regionalist.
For this assignment I visited the David Owsley Museum of Art and chose the three pieces of art that really stood out to me. I chose the artwork, Book of Hours, Christ, and, Virgin and Child with St. John the Baptist. I found these to be the most interesting and have the best depiction of religion in the Middle Ages. Visiting the Museum gave me a lot of insight about the middle ages and appreciation for that time.
Next, each room of art were unique. When I get into each room, some things that surprise me that each room was very exclusive, original and uncommon. Also, the rooms were very enlightened and I personally felt that each room had something for everyone in the family. Another thing that I noted of the museum was the accessibility of each floor, so anybody can go and have a great time without
On September 18,2017 I visited the University Galleries located at Texas State University had an amazing piece of art on display called The Last Supper: 700 Plates Illustrating Final Meals of U.S. Death Row Inmates created by Julie Green. Once entering the exhibit the viewers’ attention focuses on the deep black letters painted onto the wall, revealing the statistics of the death penalty in the United States. Moving throughout the room the inmates last meals were painted onto ceramic plates varying in size and style. Julie Green displayed the ceramic plates in a thick horizontal line on all four walls of the exhibit giving the viewers’ an understanding for each meal. Specifically on plate 66 the artist caught my attention with the color, texture, and lines illustrated throughout the ceramic plate. The plate was from an inmate in California who requested white meat chicken from Kentucky Fried Chicken, a buffalo steak, sugar-free pecan pie, sugar-free black walnut ice cream, Indian pan-fried bread,
Washington, D. C. is not only one of the most popular tourists destinations in the United States, but because it is the capital of the United States, there is an enormous amount of history associated with the city. In fact, you could never see all of the great sites in one visit, but if you only visit this city once, there are three sites that you must see on your trip. The following is a brief description of these sites.
The Museum of Fine Art in Houston, Texas has a variety of art collections. To be precise, the canopic jar is mounted on a large pedestal among other sculptures. This Canopic Jar was made in Egypt during the dynasty XXVI, 664-525 B.C. It was made from limestone. The jar was masterfully carved from stone and subsequently painted over. It is a historical masterpiece and it is relatively in good condition. Such stone jars were used to house the organs of the deceased. Their organs were put in these canopic jars during the mummification process. The lids of these stone jars have a human face. The faces were carved to represent the four sons of the god Horus. The three-dimensional jar is solid and quite large. It is well displayed in a spacious environment. The lid of the jar is organic due to the life-like face that stares back at the viewer. The rest of the jar is cylindrical with graceful proportions. The size of the jar interpenetrates with the surrounding space. It turns in space and it was meant to be viewed from several points of view. Its cylindrical nature makes the viewer’s eye wander all around its form to take in its splendor.
I chose to visit The Utah Museum of Contemporary Art. Succeeding as a designer in the fashion industry has become more competitive than ever. Especially, with television shows like Project Runway and America’s Next Top Model glamorizing the industry. Its clear cut, you have to stand out from the rest of the competition to succeed. You have to show the world why you’re the next best designer. Standing out requires a lot of creativity and imagination. To me , contemporary art helps me think outside of the box, it inspires me the most. I love wearable Avant-garde clothing. The definition of avant-garde as listed on Dictionary.com is; the advance group in any field, especially in the visual, literary,
Like many other places in South Boston, the Museum of Fine Arts and History is deceptively small, but musty and brimming with reminiscence of times past. Squatting on the curb of the downtown road since 1993, the museum belies its significance. Composed of plain red brick atop a sheet of cracked pavement, it is as humble as any house along the road.