Video Director Research Paper

The Cutting Edge: The Magic of Movie Editing is a documentary about the art of film editing and the immensity of the job an editor is given. The reasoning of the film is to show the impact editing truly has on movies and our emotional attachment towards them. This documentary shows clips from different films to prove to it’s viewers the substantial effect editing has. Directors and editors speak out about the significance of editing, something not many viewers know nor think about.

Post-production is overlapping with production.The digital non-linear system replaced linear taped-based process reducing the cost of editing. The parallel process not only saves editing time but also develops the

With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.

“The first step towards becoming a filmmaker is to earn a bachelor 's and/or master’s degree” (Study, 2017). Obtaining a degree will give the education I need to start on my path to making films. Utilizing the knowledge of storytelling, storyboarding, hiring the crew and equipment, to create a short or feature film.

Their earnings vary due to geographic location. Since a large majority of the special effects are used in movies, California offers the highest yearly wage of $85,000 per year,New York has a range of $41,000

Talent and experience are very important to getting a job in this field. Producers need good business sense to handle finances. Movie and play producers need to have enough personal contacts to

We have different ‘jobs’ to do. Some people are born to talk and talk. Other people are just to be camera men. We work together to produce the best production we can.

There are various elements that contribute to the significance of a film. Cinematography, is one important element in which the camera is used to capture visual images through a number of other controllable elements such as; camera lens, framing, scale, movement etc. Editing is another fundamental component of film studies in which different shots are put together in a coherent sequence in order to make meaning of a film.

Editing is all about bringing a creative force into a film. The process could mean fixing a number of things like moving things around, meaning to arrange, select, and assemble - this goes for every component in the film. What you visualize, hear, with the use of special effects all are components that are edited and added to the film in a unique way to create a good story. The movie to be analysis is the film Forrest Gump with editor, Arthur Schmidt, he won an Oscar at the 67th academy awards for best film editing. Arthur Schmidt had three responsibilities as an editor in the film, which are spatial relationship, temporal relationship, and rhythm.

A DIT can be defined as an assistant and consultant of the cinematographer with knowledge in the areas of camera software, image quality, colour correction, and managing the workflow of a production (Van Hove 2013). DITs have an important role in both pre-production and post-production phases: Before shooting, they will consult with the cinematographer and decide on camera settings such as recording format and colour space, and will also come up with some LUTs (Simpson 2017). On set, the DIT will maintain the workflow of the

Previously, editing used to be a challenge for most filmmakers. Often, they relied on manual methods when filming to add effects to the films. Incorporating visual effects to the film was a demanding task that

No longer is box-office the main source of revenue for studios as it was in the early days of Hollywood. Today only 6 conglomerates are responsible for almost all of the world's filmmaking. Lucrative licensing deals, merchandising, spin-offs, television shows and so forth have become more important than the actual box-office generated. According to Jay Epstein "Even though today's system of filmed entertainment shares much of the same physical geography, nomenclature, and mythology as the studio system that preceded it, it did not evolve out of it… it appeared with surprising suddenness, and replaced it." He argues that a handful of aspiring businessmen took the reins of the industry and steered it to where it is today. These 6 conglomerates hold 72% of the total market share and have an average of $26.5 billion revenue, while the total box-office revenue in the U.S. in 2000 was only $7.6 billion8. Film production today is not the expression of the director, writer or producer but more their attempt to capitalize on the medium. Modern films cost an average if $100 million in advertising and production cost, while the average box-office of

The production designer is responsible for producing design ideas for costumes, wigs, props, special effects, make-up and graphics (AGCAS, 2013). In other words Jane is the blue print to the script.

Even if one plans on becoming a director and not a screenwriter one needs to know what kind of scripts to look for. This is very important for a beginning small movie director since the reader will most likely be writing their own scripts to get some recognition. A script is a document that outlines every aural, visual, behavioral, and lingual element required to tell a story, according to the dictionary definition at www.Wikidpedia.org. It is crucial to remember that film is a visual medium. One doesn’t tell the audience the story, one shows them. So what one will be writing is not a novel but more like explaining a dream on paper. One must learn to write a screenplay visually. As famed director Darren Aronofsky said in an interview with a struggling screenwriter trying to get published,

To make a film, resources is required and a financial backer is involved (i.e. the producer) who is responsible for getting the film made. The artistic and creative input lies with the director and is separate from the financial responsibilities that lie with the producer. If it is the big budgeting films, many temporary crews may be needed. A film company employs all its workers just like other companies did. The producer and director use both their social networks and work networks to locate the necessary skills as well as appoint leading players responsible for appointing all the necessary crews required.