Student Guide to Visual Rhetoric Visual Thinking Strategies 1. What is going on in this picture? 2. What do you see that makes you say that? 3. What else can you find? Visual Annotation Question Progression Description ‐What do you see? Make a complete description of the artwork. ‐Write about the subject or setting so that it can be visualized. ‐Cite specific details from the image in your description. Analysis ‐What is important to notice in this image? Make a complete analysis of the artwork. ‐Analyze the artwork by identifying the most important principle, and then explain how the element creates the principle. Use specific details from the artwork to support the answer. ‐Analyze: examine the parts of something and show how
The first thing one should notice is the emphasis on titular house. It completely stands out from the rest of the painting, not because
The center figure of this piece displays a graceful movement through the organic shapes. The background figures present a laboring movement through the geometric shapes. This contrast emphasizes the center figure. The proportion of the size in this artwork is very evident. The large center figure is proportionally bigger than the small background figures. Both principles help convey emphasis in this piece. The artist reveals an emphasis on the center figure through the colors and size. The large, white and black center figure differentiates from the small black background figures. These principles of design highlight the center figure as the focal point of this piece.
In this painting, two visual elements stand out over all the rest. These elements are that of color and texture. Color in art is an element that has to be phenomenal in order to get recognition and true appreciation from the viewers. In this painting, the colors are rich, vivacious and standout as dark, but bold representations of the uniqueness of it all. The use of brown and yellow and green and grey and white all come together in a harmony of color and unity. As for the texture in the painting, it is that of brisk and roughness that is nature. The sharp edges of the bucks rack and the cold, rough edges of the dead tree show
There square measure many variations between the wash and also the oil on canvas works. West created vital changes, all thought of enhancements, to his pen and ink wash study. within the study, a figure kneels with extended arms within the lower left corner. But, within the oil on canvas painting, this little figure has been replaced by a person holding a spear. Also, there 's a family fleeing the scene within the study, however within the painting the fleeing family was replaced by a youth United Nations agency is being smitten by lightning. There square measure varied additions within the painting. One figure currently holds Associate in Nursing empty cup. The sky currently bears figures that represent the Demons of Discord and Envy (Carey, 17), and 2 eagles that attacked a heron within the study ne 'er created it into the oil painting. all the same, the sketch continues to be thought of one in all West 's masterpieces, and this reality was even recognized throughout his period of time (Von Erffa, 145).
As a formal analysis, this artwork has a figure in the center of the page, which can be assumed to be the focal point due to its positioning in the center of the picture plane. Also, this artwork is monochromatic, and the only color used is the hue green. Towards the top left-hand corner, there are darker shades of green, which make this part seem to be in front of the rest of the picture by using overlapping to convey depth. Also, towards the right side of the picture, the people seem lighter and appear farther away than the dark shaded buildings Additionally, since the figure in the center of the work is larger and more detailed than the other figures, it appears that the center figure is closer to the viewer.
A. This research paper will be analyzed of a painting that I observed from the Norton
The three most significant art principles I found in this painting are the contrast of the light and dark areas, the focal point being his aunt, and the sense of unity conveyed. The contrast of colors shows the natural cast of shadows within an
The heavenly portrayal of the background and foreground shows a flawless use of space. The distance between the foreground and background was well selected for this piece. This is die to the fact that the two children are not close enough to exaggerate the way they look but they are also not too far away. The distance covered in the background communicates a message of clarity and relaxation that is evident in the children's faces. Two dimensional portrayal of the painting appears to fit the calculated purpose. The
The use of line in this piece is also very interesting. The artist employs a high horizontal line to create a plunging effect giving the piece more depth. Another use of lines in the image is to create focal points to attract the viewer. Lines are also used to separate the different sections of the painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers’ pleasure and admiration of the piece.
Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the
The shapes of the figures are sharply defined and the objects such as the table, book, and string instruments. There are diagonal rhythms throughout the painting in which it creates movement. The light source in the upper left allows the source light to have a more natural appearance throughout the painting. The shadows at the right-hand corner and the men wearing green in the middle contrast the main object with the most sources of lighting. The objects shadows and lighting create dimension and a vivid sense of more contrast. There are areas in the making with more contrast and the sharp contrast that creates movement in the painting. The shadows and the lighting throughout the painting show gradations and the highlights create more depth. Staring from the upper-left hand corner with the first figure of a gentleman wearing a hue of blue and yellow, the left side of his face and garment shows the source light in right above him. The source light above the
Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.
My analysis of how successful and how did this artwork affect the society and culture as its target
This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this
Many elements and principles are portrayed in this art piece. To begin with, the first thing I see and grabs my attention is the swirling wind. Rhythm and Movement can be seen and it creates a flow to the rest of the painting in which leads your eyes to follow along the path of the swirl and brings you to the next subject. It allowed me to view the art piece up to down and left to right, as I started from the swirl to the stars