Another part of Art Tatum’s legacy that was crucial to jazz was his individual style and technique. When Tatum was a teenager, he was influenced by the “Harlem style,” also known as stride. Stride is a piano style that requires an aggressive, competitive, and joyous approach, all of which Tatum had. He drew his stride inspirations from Thomas “Fats” Waller, a renowned pianist, vocalist, musical satirist, and songwriter. However, it was not through the stride style in which Tatum became famous, it
depression of the 1930’s impacted Jazz music. When the stock market crashed in the start of the 1930’s, many Americans lost their jobs and homes, and as a result, couldn’t afford the luxury of spending money in entertainment. Music stores were selling less records. Although, poverty was prevalent during this period, Jazz music became an outlet for Americans. Places like “The Savoy” ballroom in Harlem would fill up because of the new Jazz style that was being played: Swing music. The predominant style of
Jack Teagarden, Louis Armstrong, and Troy Andrews. Jack Teagarden Jack Teagarden was an American jazz trombonist and singer (“Jack Teagarden” 1). Many people around the world have come and watched him perform. He was one of the earliest white bluesman (“Jack Teagarden” 1). He came from a jazz-playing family and was mainly self-taught (“Jack Teagarden” 1). He played in several jazz groups across America’s Southwest (“Jack Teagarden” 1). Teagarden was one of the great horn players of the
the title itself is symbolic of the blues in the matrix of the African-American culture of music and suffering. To understand the significance of the blues, one must first define the blues, where the blues originated, and how it is related to suffering and how it is communicated in music. The American Heritage Dictionary defines blues as (1) a state of depression or melancholy, and (2) a style of jazz evolved from southern American Negro secular songs. It is also inclusive of pensive reflection
Coleman Hawkins “I think he was the most interesting jazz musician I’ve ever seen in my life. He just looked so authoritative . . . I said, ‘Well, that’s what I want to do when I grow up.’”(DeVeaux, 35) Cannonball Adderley said these words when he first saw Coleman Hawkins with the Fletcher Henderson band at the City Auditorium in Tampa, Florida. Just as Hawkins influenced one of the greatest alto players in history, he has influenced many people to become phenomenal saxophone players.
Cool The word cool is very relaxed, never goes out of style, and people will never laugh at someone for using it. Getting at the nature of cool is further complicated by the fact that it has become fashionable in recent years to boast about not being cool. Perhaps the word is being pushed into its next stage of evolution by the freaks and the nerds whose childhood unpopularity is a badge of honor and whose brave new world of geekery is vindication. Coolness is an admired aesthetic of attitude, behavior
Dizzy Gillespie deservedly ranks amongst the most influential and innovative jazz musicians of all times. Every note played with his trumpet captivated a legion of devout followers from all different age demographics and cultural backgrounds. Only Miles Davis and Louis Armstrong can tread the waters of his talent and his ever-growing legend, which was propelled by his revolutionary style. The Bebop revolution would have been a real yawner without notable Dizzy Gillespie tracks and stunning collaborations
people. Mr. Hancock, though it might not seem like it at first, is a leader. Through jazz, he has taught people that stepping outside the box is good and that leaders don’t necessarily need to dictate who their followers are. “It's time for people to create the kind of world we want to live in, and the path toward peace will come through global collaboration,” says Mr. Hancock (Jones, 1). Mr. Hancock composes his music from the heart; while writing his album, Future 2 Future, he spent over a year recording
worker boots were most popular at that time. Mod Music The early mods listened to smoother modern jazz. Due to jazz music of Black America mods distinguish them from the mainstream. They were attracted by the cool look and elegant clothing by jazz musicians and their different styles. They always preferred to hear British bands that played Rhythm and Blues. Mods also preferred “The rolling stones and The Small Faces”. They were mainly in the Jazz and R and B. In mid after the cold war black serviceman
would be jazz. What is it about this indigenous form of American music that makes it an especially appropriate choice? The most evident reason that soundtrack of jazz is essential is because of the role that it plays in the story and how it ties into the plot. However, there is a deeper reason that a soundtrack of Jazz is quintessential for the novel. In the Hotel on the Corner of Bitter Sweet, by Jamie Ford, ideas of racism and the bonding of the discriminated races is a prevalent theme. Jazz originated