Dark Shadows

her Mother’s eyes.” Shadow opened the door and reached for the light switch that his Master had installed after electricity was discovered. The transformation room was still dark even with the light on. No windows had ever been planned for this room because a Vampire had to be with his Mate during the transformation. The dark rock walls lent even more darkness to the room, and a somewhat eerie feeling. In the center of the room was a bed of stone about four feet high. Shadow had placed a down-feather

Outdoor Stage, France by artist Everett Shinn is 24 ¾ in. by 21 ½ in., or approximately 2 ft. high by 1 ¾ ft. wide. The painting is not imposing on the gallery floor, and has only a few feet of space on either side between two other paintings. The painting is on canvas, and is framed in a thick, gold frame with no glass. The media is oil paints, and the lighting in the gallery is such that there are no reflections in the paint when viewing from different angles. The subject matter of the painting

suddenly glistened with joy as he thought his efforts bore fruition. The joy was short lived however as The Shadow began to speak with a thunderous voice and said, “you have become the embodiment of the crass blob like creature that tried to kill you once. You are now a creature of the night as your heart is foul and forever wretched.” And just as The Shadow said his final word he melted into the shadows and back into the shadowy dominion in which he reigned. The man apparently took no heed to The Shadow’s

creature that had been sighted to be a scaly monster; he lived in the land called Shadow Mist. The land was grey, it was so grey it looked like there was gravel everywhere. I can 't even begin to tell you how awful the trees looked; they looked so brown like they were all painted in mud. The creature always slept but, even though the people knew this they never ventured to the land. There was a lizard called Humble, he was a dark green lizard with scales all over him. He always loved to help out the town

Today, I will be testing the effect of candle light in a room that has no other light sources. While doing this I will observing the effect of low light on cast shadows as well as the effect of candle light on walls. In addition, I be observing the shift in the intensity of light when adding two candles and later three candles. Before this I will be describing the candle in order to make sense of some of my observation in relation to the color of the candle and how that effects the light it emits

Carl Jung proposes the idea of a ‘shadow’, a reflection of our own, unconscious, personal demon that is always there. Although I am not sure I have fully grasped what his idea is, I would describe my ‘shadow’ as the doubt I have for myself. I always constantly doubt my abilities to do anything, whether it is something I have done a hundred times or am trying for the first time. Anytime I go to do something here is this shadow lurking behind me, saying I am not smart or able enough to do whatever

B. Go to LACMA (Ahmanson Building, floor 3) and find the following paintings by Rembrandt and Jan Lievens. 1. Rembrandt, Portrait of Dirck Jansz. Pesser 2. Jan Lievens, A Philosopher In Rembrandt’s painting, Portrait of Dirck Jansz. Pesser the subject is in formal wear. He is wearing a fashionable white collar and black wide brimmed hat. His is also wearing a black jacket that is high quality. In contrast Jan Lievens, A Philosopher is dressed casually in a navy blue cap and off white

world. I am the shadow that lurks, dark and foreboding, the very essence of fear. I am a forbidden wish, a thousand dreams, and a lifetime of hopes and wonders. I am the wind that slides through the trees at night, the silver bridge of moonlight that connects land and sky, the incandescent glow of fireflies like stars twinkling in a forgotten realm of darkness. My voice whispers in the depths of a crawling river, in the racing wind and the breeze through ferns and branches. My shadow flickers on the

The space is empty, only a shadowy figure can be seen. Their bright silver eyes pierce into my soul. A mischievous smile is drawn upon its face, sending chills down my spine. Their long curvy horns are attached to each side of its dark smoky face. Their long tail is divided into three wispy strands. It approaches slowly, as if waiting for an opportunity to strike. I try to escape, but my legs are under a wave of fear. The figure is closing its distance, raising its arm out towards me. I prepare for

which is why Tarzan is not an appropriate movie. The movie may have a happy ending, but the parts that lead up to that ending are not as happy as one may think. Connie Zweig and Jeremiah Abrams are the authors of “The Shadow of Everyday Life.” They describe The Shadow as having “negative emotions and behaviors—rage, jealousy, shame... suicidal and murderous tendencies" (Zweig 324). All of these are presented in the movie. At first, Tarzan begins with a couple that escape a burning ship and