Foyer

they're gone." he flushed the toilet, washed his hands and exited the bathroom. "WHAT. THE FUCK?" he yelled out as he looked the down the hallway and see Winona and David in the foyer. "Stark, make that two cars, I can't promise that Winona and David won't FUCK EACH OTHER IN IT!" he hissed at the two standing in the foyer and hung up the

On the basis of this we may say that on the one hand, an understanding of gender perception, gender role assignment, and gender subversion can be achieved only within a given socio-cultural context; and on the other hand, only a polyvalent and dynamic approach to the real workings and functioning of these sources can inform us. In order words we need to understand how concepts like monolingualism, multilingualism, Islam, and illiteracy work in real social everyday life. Thus, the question that theories

Our footsteps fell guilty on the marble floor. We continued across the foyer to a dreamlike bank of windows, turned left up a pale flight of marble steps…through the doorway and into the assembly room.” (Knowles 165) Through this passage, Knowles use of specific keywords to help develop the central theme by use of the setting

Can The Bracelet of Bordeaux qualify as a family movie? For those who frequently watch movies, it is only an unsaid fact that they develop a strong liking for a particular genre or genres of films. And once this bond is structured in one’s mind with a specific type of movie, one often expects to get the same kind of emotional fruit from the movie apart from being entertained in general, obviously. But it can be hard when a movie is chosen and it does not exactly delivers up to one’s expectations

To tell the story of the growth of early Los Angeles it is necessary to visit the culturally significant union station in old downtown on Alameda street. The buildings owes it begging to the American phenomenon of the railroad, the institution that allowed for American expansion into the modern era and more specifically the growth of the west coast metropolis of Los Angeles that prior was just a small Spanish town. Just across the street from the Avila adobe, one of the first and oldest existing

A local issue I want to address is the poor sanitation in King College Prep. For the longest since my freshman year, I have seen littering all around the school: breakfast bags, wrappers from candy, food in general. Not to mention, I sometimes see stains on the floor that come from fluids such as: milk, syrup, orange juice, apple juice, pop, etc. Furthermore, I want to establish the fact that the smell of the bathrooms is always bad and the toilets and urinals don’t always seem clean or have a good

is greeted with the beauty of rustic beams layered across the ceiling towards the peak of the hall's pitched roof. Stain glass, set within the home's perfectly rustic front doors, adds character and historic charm to the home's foyer. A sitting room, adjacent to the foyer features the home's rustic pitched roof, a large hearth, an iron-laced cottage-like bay window, and innumerable architectural details. A set of french doors flanking the room's far wall open the room to a more casual living area

frame with a solid mahogany double wooden door (2- 3x8) paired with two 2x8 engraved art glass panels on each side and an arch glass panel on top of the doorframe. After entering in the house, you will step in a 20ft ceiling grand foyer with 18x18in limestone floor and abounding natural light. Connecting at a 45degree angle to the right is a guest powder room and to the left, a guest wake-in coat closet. In front of you is a 20ft ceiling Great Room with a wall-to-wall ceiling high

seem to play all day long. The house is made of logs and fits the woodland aesthetic perfectly. It is as if this house was always here, almost like it grew out of the ground like the oaks, pines, maples and cedars surrounding it. Stepping into the foyer from the garage brings you to french doors that look out toward the pond. Soft, carpeted steps lead to a large master bedroom, bathroom, and

arrangements and stuffed mushrooms all over the house. This is called scene setting: where everybody is, who’s alive, who’s dead. This is Evie Cottrell’s big wedding reception moment. Evie is standing halfway down the big staircase in the manor house foyer, naked inside what’s left of her wedding dress, still holding her rifle. Me, I’m standing at the bottom of the stairs but only in a physical way. My mind is, I don’t know where. Nobody’s all-the-way dead yet, but let’s just say the clock is ticking