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    of dancers who think too much or too little about body image varies on a range of levels. How this effects job opportunities and status in the dance industry is very vital to a dancers behavior and place in the dance culture. When once thinks of stereotypical dancer, there are many different point of views that come into mind. Judging by the type of dance and what setting the dancer is in this self image and body imagine can be on a huge variety of differences. Self image as a dancer is a hard concept

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    Demonstrate an understanding of the processes involved in creating and developing a group dance performance with a particular focus on choreography Introduction Choreography is the act of creating movement to produce dance. It is a creative process that requires knowledge of how the process functions (Minton, 2007). Smith-Autard (2010) believes there is a vast difference between dancing and choreographing. Dancing can be enjoyed for pleasure and the expression of feeling- but to choreograph movement

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    something so drastic happened that it changed someone’s entire life? Allow me to tell you a story of a little boy, only the age of five, that I painted in the canvas of my imagination. This little boy, let’s call him Dakota, had such a talent for dance. And he loved it. He loved it so much he took as many classes as his family would allow. He would practice in his room, and he had huge dreams of dancing where everyone could see. Of showing love and joy and passion through what he loved to do. But

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    back to those days in a heartbeat because even though they were horrible at the time, I made some great memories and grew closer with the girls in Tiger Mystique. Looking back to those rehearsals make me emotional because from the time we learned the dance to performing at nationals, we got tremendously better and I’m so proud of how far both choirs have come. About a month later, we performed our opening numbers at the talent show. It was alright but there was still a lot of room for improvement. From

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    Choreography with the body as site of the investigation and choreography without the body are, for me, interlinked. Even as the choreographer leads the creative process they can be affected by the uniqueness of the dancers they are working with in the same way that choreographer Rosemary Butcher is often affected whilst creating works. (Butcher, 1965) Through giving the dancers tasks where they have freedom to respond by creating movements their own way, by giving words or phrases to respond to and

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    floor, I was unsure of what I was about to see. I was glad I didn’t really have any preconceived ideas about what was going to take place because STOMP was very different from what one usually expects when going to the theatre or a dance concert. A blend of mime, dance, theatricality, and music performance, this the show was definitely high energy and unique. During many of the pieces, the performers would use everyday objects, both as props and as a way to make music. The very first piece of the

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    this observation dancers were observed from the classroom to the stage. I participated in the dance class and watched from aside on stage. This was specifically this weekI focused on the language and communication between the dancers and dance teachers/professors based on their interactions or lack there of. This was done in the dance room and in the theater, which have different affects on the dancers. Dance, defined as moving rhythmically to music and typically following a set sequence of steps,

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    Mats Ek

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    Bibliography Introduction In this essay I will present one of the greatest choreographers of the 20th century, Mats Ek. I will describe his specific stylistic characteristics, themes and dance vocabulary bringing as examples some of his most important re-adapted works such as Giselle, Swan Lake and Sleeping

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    master didn 't say that we couldn 't have real fun. Why don 't we dance since we 're here?" Sebastian asked, holding out his hand. "Um.. but.. I kind of don 't remember how to dance." I said, scanning my brain for any trace. "But if you were royal, you 'd had to dance at least once. So, even though you don 't remember, you will once we start dancing." The butler informed, not waiting for me to respond and threw us both in the dance. I sighed. I can 't break out of it now.. oh well. We danced, it

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    the body just like any other sport out there. The competition in the ballet world is just as fierce as any Division I athletic program. The male and female performers practice, train and eat to develop peak performance. The effortless grace of the dance requires the highest level of skill. One of the largest ballet competitions in the world

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