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    Essay on John Singleton's Boyz in the Hood

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    Boyz in the Hood is a statement of how urban youth have been passed a legacy of tragic indifference, and the writer has shown that it is an almost inescapable fate for those born into racism and poverty to repeat the patterns they wish to escape. The movie’s characters are clear representations of how the system fails young black youth in the United States, and the difference one mentor can make for these kids. During segregation young black children became targets for white brutality. This movie

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    Purpose The purpose of this paper is to explore the social learning theory using examples from a particular movie assigned by my professor, choosing a theory of choice. The movie that will be used in this research paper is Boyz n the Hood which was filmed from October 1 to November 28, 1990 and was released in the United States on July 12, 1991. The theory chosen to explain the movie is the social learning theory. What and How This paper will show what behavior and values are learned during childhood

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    We Watched As A Class

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    A. The first term to be discussed is Group. States by Henslin as “Set of people who interact on the basis of shared expectations and who possess some degree of identity”(145). A part of being in MS 13 is that all people involved are one group. They all follow the same “rules” and respect the same leader. In parts of the documentary we watched as a class, we seen how MS 13 is ran in some sorts like a business. Everyone in MS 13 has a job and duty to fulfill, and there are consequences for not following

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    In the process of creating the story Alice Hayes my partner and I frequently found ourselves questioning what would a person in her situation do and how can we tie this into what we discussed in class. But first we had to think of a character for our western, they had to be someone brave who had faced a tragedy that made them that way, but they couldn’t be like every cowboy western that we watched in class. It had to be something different, but still held the same values. This is what led to us making

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    Tattoos on the Heart is a novel by Gregory Boyle, a Jesuit priest and the founder of Homeboy Industries, a gang-intervention program. He invites the reader to gain insight into the need for solidarity in our world. With this quest for solidarity, Gregory Boyle invites the reader to develop compassion, to alter the margins, and to gain understanding of unconditional “no matter whatness,” love. To begin, Boyle focuses his novel most prominently on the quest for solidarity. Solidarity, as defined

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    paralleled the Issei and the Nisei conflicts in southern California Los Angeles. The children not wanting to follow the traditions of arranged marriage and wanting to marry for love. As stated in “City Girls” Matsumoto points out the generational disagreements on marriage: “The Issei and their children disagreed….as well as

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    children, usually in cohorts in a low-income neighborhood or city” (Vigil 226). In the movie, Doughboy and his friends are not shown as a subset of a widespread gang (although it can be inferred from their blue attire that they belong to the infamous Los Angeles Crips). Yet, they grow up together on the streets, find solace in one another’s company, and become involved in violent behavior during their adolescent years; therefore, they can be defined as a gang. Several factors play a role in the violent

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    Gangs are very dangerous to everyone in society. “Gangs are groups of people (mostly young males) who band together for protection and a sense of belonging. The U.S. Department of Justice officially defines a youth gang as a group of young people involved in criminal activity” (Gangs 1). There are about one million gang members in more than 20,00 criminally active gangs in the United States. Also, that group of about one million people, are accountable for up to eighty percent of our nation’s crimes

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    David Cameron, has warned Londoners that the flow of creative people from New York to Los Angeles could be sign of things to come for the big smoke. He believes that the recent trend of creatives leaving New York due to exorbitant living costs and a lack of suitable studio space could also happen in London, and sooner rather than later! Rohan Silver has warned that the flow of creative people from New York to Los Angeles could be sign of things to come for London Silva worked for the Conservative

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    Culture/pg. 34: the language, beliefs, values, norms, behaviors, and even material objects that characterize a group and are passed from one generation to the next. In the video documentary called Wetback, the culture of immigrants was very thoroughly seen. All of them struggle to find work at their home country, and they want nothing more than to provide for themselves and their family. They manage to live off of very little, but it is not enough and is obviously not the best way to go through

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