unrequited love essay

wore his nerdiness like a Jedi wore his light saber….Couldn’t have passed for Normal if he’d wanted to” (21). This first chapter portrays an Oscar cloaked in nerdiness, no real friends, and a propensity to fall in love and lust with, “every girl in the vicinity” (23). He falls in love with Ana his senior year of High School. Ana, however, has cast him into the friend’s zone and soon returns to her abusive boyfriend. Rejected and dejected Oscar returns to food and science fiction to soothe his

Written during the Elizabethan era where gender roles played an important part in society and relationships, A Midsummer Night’s Dream by William Shakespeare portrays the interaction between both sexes, and the women’s response to the expectation of such norms. Although the characters: Hippolyta, Hermia, Helena, and Titania, are portrayed as objects (both sexual and material) contingent upon their male lovers, they are also given empowerment. During the Elizabethan Era, and present throughout MND

James Joyce’s, Araby, is an emotional short story that centers around a nameless boy living in Dublin, with his aunt and uncle, who has a consuming crush on his friend’s sister. His love for her leads him to the Araby bazaar, and there he comes to a realization about his immature actions. This event is the basis for the entire story, but the ideas Joyce promotes with this story revolve around the boy’s reactions to his feelings about his crush. Joyce spends much of the story describing the boy’s

Love in the Time of Cholera is a skilfully crafted novel in which Gabriel Garcia Marquez takes the reader on the labyrinthine love journey of the two characters, Fermina Daza and Florentino Ariza. The novel, which is told by a non-judgemental omniscient narrator, reveals love in a multi-faceted manner that may seem conventional on the surface, yet, the portrayal of love has been adeptly designed to incorporate the novel’s historical context. The story takes place between the late nineteenth and the

the least. His poems about Lesbia and their relationship display a wide range of emotions which change from a relationship of tenderness and love, to one of uncertainty, to one of sorrow and disappointment. They rapidly fall in and out of love with another. Their affections for one another are fickle and constantly changing. They have a mercurial kind of love. Catullus obviously loved Lesbia deeply, but he also feels intense dislike, disappointment and contempt towards her. Through it all, it seems

human affection is recognized as the source of her displeasure under the hand of Junker custom, a desire nineteenth-century Germany had not catered for, as Effi assures her mother: “I'm for share and share alike, and naturally for love and affection too” (Fontane 23). Fontane highlights throughout his novel the lack of and consideration for human affection within the design of Junker norms and conventions. With marriage being identified as a branch of the tree of Junker convention, marriage is ultimately

conflict might just be inside the soldier. O’Brien reflects this in his writing technique, using a blend of fiction and autobiographical facts to present a series of short narratives about a small unit of soldiers. While a war story, it is also an unrequited

His single mindedness and impulsive action make him incapable of loving anyone else. Above all, his loss of perseverance allows him to become hopeless to achieve what he desires: mutual love. All in all, the idea that truly determination can allow for an individual to achieve what they desire is conversely depicted through Romeo’s disposition earlier in pay as his decision on giving up consequently destroys his goals and desires of ever

story of betrayed love is ironically woven into the bedcover on the marriage bed of Peleus and Thetis. Although the poem is supposed about the story of Peleus and Thetis, which is a happy one, the ekphrasis of Adriane dominates most the poem. In stark contrast to the happy tone of Peleus, The story of Ariadne centers around betrayal and abandonment. Ariadne's expression of grief (lines 132-201), is arguably the focus of the

which Gatsby gets sucked into.’ Through the constant objectification, such as with the ‘greenlight’, Daisy is presented as a somewhat vacuous character as she is incapable of feeling desire due to her position in society. Daisy gave up her chance of love for wealth and status by marrying Tom; “she vanished into her rich house, full life, leaving Gatsby” (8.142). The use of listing emphasises Daisy’s shallowness and vacancy in a world which she has always been sheltered by wealth and prosperity. The