week 3 20-21st cent
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School
University of Central Florida *
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Course
3713
Subject
Arts Humanities
Date
Feb 20, 2024
Type
Pages
4
Uploaded by MinisterFireMonkey8
1.
What phenomena of the late 19th century began to erode the singular status of the
professional photographer?
A. the rise of snapshot photography
2.
What criticism did Peter Henry Emerson launch at Henry Peach Robinson's
approach to photography, exemplified by the image below?
C. its subject matter and aesthetic were derived from painting
3.
Similar to how French Impressionist painters sought to capture the effects of light
on the human eye, Emerson sought to produce photographs that:
B. mimicked the processes and effects of vision
4.
Peter Henry Emerson sought to capture his subjects naturalistically through which
of the following?
All of these
5.
The photogravure is made by
D. chemically etching a photographic negative onto a metal plate, inking the plate and printing
the image in a press
6.
What characteristic of the photogravure appealed to Pictorialists and other art
photographers of the late 19th century?
D. it created subtle tonal effects
7.
The Pictorialist movement emphasized which of the following artistic values?
All of these
8.
The Secessionist movements in London, Paris, Berlin, Vienna and New York all
sought to:
B. enforce highly selective membership and exhibition standards for art photography
9.
Gum printing was popular among Pictorialists because:
A. it produced a hand-touched, painterly, and expressive image
10.
Which of the following modern artistic movements intersected with certain
Pictorialist ideas about photography?
All of these
11.
What features of Pierre Dubreuil's
Interpretation Picasso: The Railway
(1911) made
his work exemplary of early twentieth century modernism?
C. his emphasis on formal abstraction, two-dimensional flatness of the image, and fragmenting
space with repetitive geometric shapes
12.
Alfred Stieglitz promoted which of the following techniques in his early writing and
curatorial work?
All of these
13. Stieglitz introduced a U.S. audience to modern art and photography through his
influential publication:
D. Camera Work
14.
Stieglitz was populist in his beliefs about photography, believing that the media
could be accessed and used by all educational classes.
False
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