1401

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University of the People *

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1401

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Arts Humanities

Date

Dec 6, 2023

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1

Uploaded by RamenMaster

g % UNIVERSITY ¢~ OF THE PEOPLE My Courses Resources v @ Discussion Forum Unit 6 @ Learning Journal Unit6 @ Self-Quiz Unit 6 @ Graded Quiz Unit 6 19 October - 25 October Learning Guide Unit 7 @ Discussion Forum Unit 7 @ Learning Journal Unit 7 ® Self-Quiz Unit 7 v 26 October - 1 November Learning Guide Unit 8 ® Learning Journal Unit 8 @ Self-Quiz Unit 8 v Final Exam (Days 1-4) Learning Guide Unit 9 @ Review Quiz @ Final Exam Links v Instructorsv My Media Re: Discussion Forum Unit 8 by Dharshana Rajah - Wednesday, 1 November 2023, 9:02 PM Thank you for your insightful submission, keep up the good work. 11 words Permalink Show parent . Re: Discussion Forum Unit 8 by Foncham Fomuso - Tuesday, 31 October 2023, 1:18 AM For many years, the art world has debated the death of painting. Many art critics and theorists thought that painting had run its course and was no longer relevant in contemporary art throughout the 1960s and 1970s. The emergence of new art movements that questioned conventional ideas of what art should be and how it should be made, such minimalism, conceptual art, and performance art, had an impact on this belief. Nevertheless, painting has not vanished in spite of these forecasts; rather, it has persisted in developing and adapting to the shifting parameters of modern art. The idea that painting had become monotonous and stagnant, with artists just recycling previous styles and methods, was one of the primary defenses used to argue for the art form's demise. This was observed because of painting becoming more uniform due to the post-World War 1l dominance of abstract expressionism. This argument, however, ignores the reality that many painters were experimenting with new methods and styles throughout this period, pushing the frontiers of painting. Frank Stella is one such artist who, in the 1960s, produced a series of paintings that subverted conventional ideas of form and arrangement. Large, geometric forms that were painted straight onto the canvas in his "Black Paintings" eliminated any feeling of depth or illusionistic space. (Frank Stella | the Guggenheim Museums and Foundation, 2023). This series was a radical departure from traditional painting and helped to pave the way for new forms of abstraction in the following decades. The emergence of new media, including photography. video, and installation art, was another reason used to support the demise of painting. Painting was considered a relic of the past; in contrast, these media were considered more current and modern. This argument, however, misses the fact that painting is a common technique among modern artists, who frequently combine it with other mediums to create hybrid forms. Gerhard Richter is one such artist who is well- known for combining painting and photography in his pieces. Richter utilized images of the German militant left-wing group Baader-Meinhof to inspire his paintings in the "October 18, 1977" series. By blurring and smudging the images, Richter created a sense of ambiguity and uncertainty, commenting on the role of images in shaping our understanding of history (Gerhard Richter. October 18, 1977. 1988, 2019). Additionally, painting's capacity for self-reinvention and adaptation has allowed art to endure. New materials and technology have made it possible for artists to experiment with painting techniques and produce new works. One such instance is Julie Mehretu's art, which combines aspects of abstraction, architecture, and mapping in her large-scale paintings using stencils and digital technologies. Her paintings blur the lines between painting and other media, challenging conventional ideas about what painting is (Mehretu, n.d.). There are innumerable additional modern artists who, like these examples, nonetheless employ painting as a medium for experimentation and expression. This includes artists like Kerry James Marshall, whose paintings challenge conventional art historical narratives by focusing on the black experience in America, and Mark Bradford, who uses materials like paper, string, and billboard posters to create large-scale abstract paintings (Reinke, 2020). Furthermore, painting has endured because of its timeless appeal and significance. Even with the emergence of new mediums and technology, painting still has a unique niche in the art world. It gives the artist and the audience the chance to interact directly and intimately while also providing a platform for
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