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University of the People *
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Course
1401
Subject
Arts Humanities
Date
Dec 6, 2023
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Re:
Discussion
Forum
Unit
8
by
Dharshana
Rajah
-
Wednesday,
1
November
2023,
9:02
PM
Thank
you
for
your
insightful
submission,
keep
up
the
good
work.
11
words
Permalink
Show
parent
.
Re:
Discussion
Forum
Unit
8
by
Foncham
Fomuso
-
Tuesday,
31
October
2023,
1:18
AM
For
many
years,
the
art
world
has
debated
the
death
of
painting.
Many
art
critics
and
theorists
thought
that
painting
had
run
its
course
and
was
no
longer
relevant
in
contemporary
art
throughout
the
1960s
and
1970s.
The
emergence
of
new
art
movements
that
questioned
conventional
ideas
of
what
art
should
be
and
how
it
should
be
made,
such
minimalism,
conceptual
art,
and
performance
art,
had
an
impact
on
this
belief.
Nevertheless,
painting
has
not
vanished
in
spite
of
these
forecasts;
rather,
it
has
persisted
in
developing
and
adapting
to
the
shifting
parameters
of
modern
art.
The
idea that
painting
had
become
monotonous
and
stagnant,
with
artists
just
recycling
previous
styles
and
methods,
was
one
of
the
primary
defenses
used
to
argue
for
the
art
form's
demise.
This
was
observed
because
of
painting
becoming
more
uniform
due
to
the
post-World
War
1l
dominance
of
abstract
expressionism.
This
argument,
however,
ignores
the
reality
that
many
painters
were
experimenting
with
new
methods
and
styles
throughout
this
period,
pushing
the
frontiers
of
painting.
Frank
Stella
is
one
such
artist
who,
in
the
1960s,
produced
a
series
of
paintings
that
subverted
conventional
ideas
of
form
and
arrangement.
Large,
geometric
forms
that
were
painted
straight
onto
the
canvas
in
his
"Black
Paintings"
eliminated
any
feeling
of
depth
or
illusionistic
space.
(Frank
Stella
|
the
Guggenheim
Museums
and
Foundation,
2023).
This
series
was
a
radical
departure
from
traditional
painting
and
helped
to
pave
the
way
for
new
forms
of
abstraction
in
the
following
decades.
The
emergence
of
new
media,
including
photography.
video,
and
installation
art,
was
another
reason
used
to
support
the
demise
of
painting.
Painting
was
considered
a
relic
of
the
past;
in
contrast,
these
media
were
considered
more
current
and
modern.
This
argument,
however,
misses
the
fact
that
painting
is
a
common
technique
among
modern
artists,
who
frequently
combine
it
with
other
mediums
to
create
hybrid
forms.
Gerhard
Richter
is
one such
artist
who
is
well-
known
for
combining
painting
and
photography
in
his
pieces.
Richter
utilized
images
of
the
German
militant
left-wing
group
Baader-Meinhof
to
inspire
his
paintings
in
the
"October
18,
1977"
series.
By
blurring
and
smudging
the
images,
Richter
created
a
sense
of
ambiguity
and
uncertainty,
commenting
on
the
role
of
images
in
shaping
our
understanding
of
history
(Gerhard
Richter.
October
18,
1977.
1988,
2019).
Additionally,
painting's
capacity
for
self-reinvention
and
adaptation
has
allowed
art
to
endure.
New
materials
and
technology
have
made
it
possible
for
artists
to
experiment
with
painting
techniques
and
produce
new
works.
One
such
instance
is
Julie
Mehretu's
art,
which
combines
aspects
of
abstraction,
architecture,
and
mapping
in
her
large-scale
paintings
using
stencils
and
digital
technologies.
Her
paintings
blur
the
lines
between
painting
and
other
media,
challenging
conventional
ideas
about
what
painting
is
(Mehretu,
n.d.).
There
are
innumerable
additional
modern
artists
who,
like
these
examples,
nonetheless
employ
painting
as
a
medium
for
experimentation
and
expression.
This
includes
artists
like
Kerry
James
Marshall,
whose
paintings
challenge
conventional
art
historical
narratives
by
focusing
on
the
black
experience
in
America,
and
Mark
Bradford,
who
uses
materials
like
paper,
string,
and
billboard
posters
to
create
large-scale
abstract
paintings
(Reinke,
2020).
Furthermore,
painting
has
endured
because
of
its
timeless
appeal
and
significance.
Even
with
the
emergence
of
new
mediums
and
technology,
painting
still
has
a
unique
niche
in
the
art
world.
It
gives
the
artist
and
the
audience
the
chance
to
interact
directly
and
intimately
while
also
providing
a
platform
for
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