EAL [Chapter 2 Q's ]

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12EAL Holiday Homework – Unit 3 AOS1 Chapter 2: Whose History 21:26-33.23 https://clickv.ie/w/et2w 22.48 Moran explains why he’s back - Series of transitions that show the carnage caused by the mob seeking retribution. Fugitives - the wild mob. Baywara. Bastards are everywhere. This Baywara is a survivor from your mess. 12 : What do the ‘Wild Mob’ hope to achieve? In the movie "High Ground," the 'Wild Mob' is a gang of Indigenous warriors who are burning white settlements, with Baywara suspected of being their leader. This action by the Wild Mob seems to be part of a broader resistance against the backdrop of colonial violence and retribution following a massacre that occurred in the film's narrative. The mob's actions reflect the broader themes of the film which deal with the clash between Indigenous people and colonial forces, and it's part of the narrative's exploration of these historical tensions . 26.00 John preaching Mid shot of John conducting a religious service for a congregation of First Nations Peoples Welcome, what sorrow for you who buy up house after house and field after field until everyone is evicted and you live alone in the land. 13: Reflect on John’s sermon and its relevance to indigenous dispossession. What does the film suggest about the role of missionaries? we can infer a significant commentary on indigenous dispossession. On one hand, missionaries like John may have sought to provide spiritual guidance and support to indigenous communities. On the other hand, the presence and actions of missionaries are often intertwined with colonial efforts that led to the dispossession and cultural disruption of indigenous peoples. The film might be using John's character to explore these ambiguities and the impact of missionary work on indigenous societies. 29.19 Conversation between Gutjuk and Travis High angle shot of Gutjuk looking at Travis. Transitions from Travis (low angle) to Gutjuk (high You’re going to kill my uncle – Gutjuk

12EAL Holiday Homework – Unit 3 AOS1 angle). Well that depends on you - Travis 14: What is the internal conflict that Gutjuk must confront? Gutjuk struggles with deciding how much to trust his uncle as a family member and how much to believe that he may have done something wrong and should be held accountable. Gutjuk's sense of justice and morality are pitted against his familial ties in this confrontation. He struggles to trust Travis. 31.35 Magpie Geese Panoramic view of landscape. Evening. Honking of geese 15: Consider the symbolic reference to landscape and magpie geese throughout the film. symbolises the vast, wild, and majestic nature of the land that is central to the indigenous way of life and spirituality. The landscape represents the physical and spiritual home of the indigenous characters, embodying their connection to the land, their history, and their ancestors. 33.00 Moran talking Mid-shot of Moran against backdrop of bark hut Travis has no sense of duty, no sense of loyalty 16: What does Moran understand by the terms duty and loyalty? Moran's concept of duty might be rooted in the colonial imperative to expand European control and influence. From this viewpoint, duty involves carrying out orders and advancing the interests of the colonial power, regardless of the moral implications.

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