Analysis Of Rabbit Proof Fence

Since the European settlement of Australia, the Indigenous people have been represented in a myriad of ways. The Rabbits (1998), an allegorical picture book by John Marsden (writer) and Shaun Tan (illustrator) and Rabbit Proof Fence (2002), a film directed by Phillip Noyce, are just two examples of this. Techniques such as music, changing camera angles and symbolism are utilised in Rabbit Proof Fence to represent the Aboriginal people as strong-willed and spiritual and in The Rabbits, exaggeration, different colour themes and perspective are used to portray the Aborigines as technologically inferior and overwhelmed against the Europeans. In both texts, the Indigenous people are represented as

Symbolism is used in many different ways to represent the colonisation of Australia. Numbats are a benign native species and are used to symbolise the indigenous Australians who loved in harmony with the land for more than 50 000 years, whereas rabbits symbolise the British as a destructive pest that devastates the land. Towards the end of the story, kites are used to symbolise the stolen generations, the white kites with tails are those with baby numbats in them symbolise the destruction of

In the orientation of the film Blair uses techniques such as setting, this is an important technique as different settings can either show a rise of reduction of prejudice towards indigenous people. The film begins in the Australian outback, where the audience is first introduce to two characters Gail and Kay. The two girls are cousins and are running across the scene, they make up about 10% of the height of the screen. Blair uses long-shot contrasting their vulnerability. Establishment shots of the homes and buildings and also seen, we as the audience understand that the girls are relatively poor as there are many family member sharing minimal houses, they are living in close proximity to each other and live in a remote area. Already Blair has expressed the theme of prejudice by depicting the isolation indigenous people have with white communities. The aboriginal families seem to be living in a mission environment contrasting that they were disadvantaged from the European settlers. After seeing the earlier setting of the

Lives are lead with anxiety over certain issues and with apprehension towards certain events. This play, Fences written by the playwright August Wilson deals with the progression of a family through the struggles of oppression and the inability to obtain the American Dream. The characters in the play develop throughout the story and can be viewed or interpreted in many different ways, but one man remains constant during the play and that is Troy. Due to certain events that transpired as he was growing up, Troy is shaped into a very stubborn yet proud man. To be a man who was black and proud ran the risk of getting destroyed, both physically and mentally. The world of the 1950s and 60s was rapidly changing and

Rabbit Proof Fence is a movie directed by Phillip Noyce based on the novel by Doris Pilkington Garimara. In the excerpt, ‘The Stealing of Children,’ it shows the offspring of the indigenous people being taken away from their parents as the white settlers thought they weren’t being treated properly. Events like these occurred from 1910-1970 in Australia’s history. Many aboriginal children didn’t want to be taken away and the fictional story, based on real events, of Rabbit Proof Fence has been created from the point of view of those people living at this time. The director has created many representations of Aboriginal people through the use of language features, visual elements and the audio components.

Rabbit Proof Fence has been published both as a book and as a movie. Being a reader or a viewer entirely changes our point of view on the story. As a reader, we get descriptive insight on the situations and emotions of the characters. We are then able to re-create these visually using our imagination and have endless freedom doing so. As a viewer, our creativity is somewhat restricted. We do not imagine the characters’ physical appearance, the locations or the overall situations in the same way as in a book. These elements are already given to us. Throughout this essay I will be exploring how the music and the filming creates a contrast between reading the book with elaborate descriptions.

In the opening of the film, the three girls are learning how to hunt for lizards by their mother. It highlights the traditional Aboriginal culture in contrast with the Western culture (shown later in the film). When the children arrive back home, they are carefully observed by a police officer from afar. They are seen chatting to a man who is working on one of three rabbit proof fences. These fences were 3,253 kilometres in length and spans across Western Australia. It is here that we learn Molly’s father is white and has left their mother to work on another section of the rabbit proof fence. Suddenly, a white constable, under the command of the Chief Protector of Aborigines, A.O Neville, arrives and forces the three girls in an automobile with their family chasing after the car

Through symbols and camera angles, the audience can gain appreciation towards the viewer positioning of the film (specifically in the earlier scenes as Joel confronts his new school and his new issues). One clear example of this is as Joel and his family drive over the Sydney Harbour Bridge. This mass of steel is very overpowering and dominates the frame. The family car looks positively dwarfed in comparison to the overwhelming size of the bridge. The bridge could also allude to the steel age, when industrialisation and commercial availability of steel made the Europeans (in particular the Britons) a very powerful defending and attacking force within the world. The bridge could hold reference towards the original fleet that colonised Australia, thus emphasising the European influence within Australia and the grip it has on dominance. A similar scene seen in written text The Rabbits is the double page spread of 7-8. In this scene, the overpowering fleet ship is the main focus of the spread. This huge entanglement of steel is incredibly large and threatening, and it could forebode the dominance and disempowerment to come later. Not only is the ship very large in proportion to the page, taking up a large portion of it, but it is also proportionately very large in comparison to the numbats that are also featured on the

‘Rabbit Proof Fence’ was the story of a 3 young Aboriginal girls who were taken from their homes because they were ‘half castes’ and then their long walk home following the rabbit proof fence. The idea of the government taking children from their homes and placing them into the care of white people in the hope of them losing their cultural beliefs was stronger. This idea of them being changed was evident with quotes such as “This is your new home. We don't use that jabber here. You speak English” providing the idea of whites being dominant through their values.

The film Rabbit-Proof Fence by Philip Noyce takes place in 1931 in a small town named Jigalong in Western Australia. Along the town is a rabbit-proof fence that runs for miles through the Australian Outback. The film focuses on three aboriginal girls, 14-year-old Molly, her younger 8-year-old sister Daisy, and their 10-year-old cousin Gracie. The officers removed the girls from their family and forced them to assimilate into white society. The chief A. O. Neville legally removed the aboriginal girls from their family because they were half-castes which means they are half one white parent and one Aboriginal parent. In this case, the girls had an aboriginal mother and a white father who was a worker near their area, but the father in not take part in the girl’s life. The Chief wanted to take away all the half-castes from the Aboriginal homes so they could eventually breed the aboriginals out of existence as well as give the half-caste a better life in their modern society. These camps held lots of indigenous children and trained the children to become laborers and servants for the white families. Soon after arriving at the Moore River camp, the three girls escaped after the first night and made a 1,500-mile journey home. Molly, Gracie, and Daisy left as soon as it began to rain so their tracks could be covered. Although at the camp, the workers soon noticed the girls had escaped and sent the Aboriginal tracker to go find them and return them back to Moore River camp. The girls later found the rabbit-proof fence and followed it north to find Jigalong. On their way back to home, they met an aboriginal man who told the girls that Gracie’s mother was in Wiluna and she could take a train to meet her. Soon after Gracie parted ways, the tracker captured Gracie and they returned back to Moore River. Daisy and Molly continued to follow the fence and finally arrived home to meet their mother. Although, the family had to leave to go hide in the desert in order for the family to stay together. After the movie ends, there is a short clip of the real Molly and Daisy in 2002. The captions said that Gracie did not survive her way back to Moore River Camp and she was never seen again. Molly also stated that the government took

The ideas of borders, boundaries and border crossings are increasingly employed in a metaphorical sense that does not always refer to the physical border. These borders are progressively used to represent social and cultural boundaries. A cultural border indicates that a more powerful side constructs it’s own cultural knowledge and has added political power and privileges. When understanding the concept of borders, it is important to understand that borders are being referred to in a literal sense and in a figurative sense. The term literal can be referred to as taking words in their most basic sense without adding exaggeration or metaphorical meaning. The term figurative can be described to as departing from the literal use of words and adding metaphorical meaning. Figurative notions of borders within race have been a primary concern for the novels Follow the Rabbit Proof Fence by Doris Pilkington and Remembering Babylon by David Malouf. This essay will discuss and analyze the concept of figurative borders and what these borders represent. Lastly, this essay will explore in detail the concept of figurative borders within the two novels. Follow the Rabbit Proof Fence and Remembering Babylon have numerous

The recent Australian film, Rabbit Proof Fence, similarly condemns the social, political and cultural mores of colonial and post-colonial Australia in relation to its past treatment of indigenous Australians. Like To Kill a Mockingbird, it too, is set in the 1930’s and reflects similar attitudes and values whites have to black people. The film is a true story based on the book by Doris Pilkington Garimara, the daughter of one of the half-caste children in the film who, together with two other Aboriginal girls, was forcibly removed from her family in Jigalong, Western Australia. These children form part of what is now known as the “Stolen Generation”. They, like many others who lived in the first part of the 20th century, were the victims of the official government assimilationist policy which decreed that half-caste children should be taken from their families and their land in order to be made “white”. The policy was definitely aimed at “breeding out” Aboriginality, because only half and quarter caste children were taken.

Rabbit Proof Fence is a great film based on the real tale and experiences of three young Aboriginal girls, Molly, Gracie and Daisy, who were taken against their will from their families in Jigalong, Western Australia in 1931. The film puts a human face on the "Stolen Generation", an event which categorized links between the government and Aborigines in Australia for a lot of the 20th century.

The “Rabbit Proof Fence” plays two vital roles throughout the journey of Molly, Daisy and Gracie, and is reflective of the importance of the journey. The fence is a representation of a map, as it is a symbol of home for the girls and provides a way in order for them to get home (following the fence). What is later revealed is that the fence has actually proven to be an obstacle, and that they have followed the wrong fence, and must change direction to get home. The ability of the girls to overcome this hurdle, and arrive home is again indicative of the notion that it is the journey – not the destination – that matters when undertaking a physical journey.

When planning the escape, Molly knew that the fence ran from the north to the south. Therefore, she was sure it would lead them back home. In this context, the Rabbit fence symbolizes a map that would show them the way home. Throughout the movie the girls’ use the fence as a guide for their journey home. The existence of the fence is of great importance to the girls’ escape mission.