Animal Imagery In The White Tiger By Aravind Adiga

In Thomas Wolfes’ story “The Child by Tiger” Dick Prosser a deeply religious veteran from the South begins working for a white family after serving in the United States Army. Prosser was well liked by the Shepperton family and the boys of the neighborhood, until the day that Dick Prosser’s  PTSD was triggered and killed many people of the town. The boys of the town looked up to Dick,  they thought that he was able to do everything. He was also considered to be very smart for an African American. Thomas Wolfe uses George L. Dillon’s styles of reading in “The Child by Tiger”. Wolfe uses two out of three of  George L. Dillons styles of reading, one of the styles is the Anthropologist style. In Thomas Wolfe’s story Anthropologist style is a way of looking at the social norms and values of the story. Dillons Anthropologist style of reading is represented in Wolfe 's story by showing the effects of PTSD and the way African Americans were viewed and treated. Wolfe uses another one of George L. Dillon 's styles of reading. Digger for Secrets is also used in “The Child by Tiger.” Digger for Secrets style is how the readers go beneath the surface of the story to uncover things that are not directly stated. George L. Dillons Digger for Secrets style can be uncovered in the way Thomas Wolfe describes Dick Prosser 's physical appearance and how deeply religious Prosser was for someone who served in the army.

Edgar Allan Poe who wrote The Black Cat along with a bunch of other literary works is naturally a master at creating imagery as well as a certain mood that he wants his readers to get into their minds. The mood of this story would definitely be fright and uneasiness, Poe develops this mood by adding certain characters, events, places, and describing words to the story. Examples of these would be the black cat, murders, the cellar in the old building, and words such as swooning to bring certain effects into the scenes. “I took from my waistcoat-pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut one of it’s eyes from the socket.” (7) This scene really gives us a vivid description of what goes on at this time.

During the progressive era, 1900-1920, Chicago had a growing population due to the vast number of European immigrants settling there. By the 1900s, nearly 750,000 people, almost half of Chicago’s population was having to live in the central park. Trying to produce enough food to keep the city feed was grueling. It was about meeting the demand. When The Jungle by Upton Sinclair was published in 1906, which revealed the stomach turning ways of the meat packing companies, it caused the people to become enraged. In The Jungle, he uses disturbing visual imagery to describe the filthy conditions of the meat packing industry in Chicago during the progressive era, in order to get the public’s attention, henceforth gathering the public along his side to fight for better health codes.

In Upton Sinclair’s novel “The Jungle” the use of animalistic terms and connotations in the depictions of both the people and the politics created persuasive arguments for socialism and against capitalism.

Authors may use this item to tell the story with different items and by using symbolism many

Relationship between servant and master is found in the Aravind Adiga’s novel The White Tiger. With the rise of capitalism, the growth of economy and political corruption in India led to a change in lifestyle of the wealthy, who now live in a hedonistic way. However, the protagonist of the novel, Balram Halwai belongs to a low social class that is prevented from the luxuries of the rich’s world. He is employed by Ashok Sharma, a landlord, to be his chauffeur. Thus, we can assert that Balram represents the working class whereas Mr. Ashok, the bourgeoisie of the country. Adiga focuses on the experiences of Balram under the Mr. Ashok’s domination to exemplify the master-servants relationship in India.

In Ernest Hemingway's “Hills Like White Elephants”, the use of imagery and symbolism in the landscape of surrounding Ebro Valley, as well as the use of language and tone, shape our understanding of the conflict between the two main characters. The man referred to only by “The American”, is trying to convince Jig to get an abortion. Though the word (abortion) is never stated directly in the entirety of the story, it is conveyed by the use of symbolism and imagery in the surrounding landscape. Furthermore, we can conclude that the topic at hand will come to a final and abrupt solution that Jig will, in fact, get the abortion due to her tone and language at the end of the story.

In the novel, The White Tiger, by Aravind Adiga the main character, is Balram, one of the children in the “darkness” of India. Adiga sheds a new light on the poor of India, by writing from the point of view of a man who was at one time in the “darkness” or the slums of India and came into the “light” or rich point of view in India. Balram’s job as a driver allows him to see both sides of the poverty line in India. He sees that the poor are used and thrown away, while the rich are well off and have no understanding of the problems the poor people must face. The servants are kept in a mental “Rooster Coop” by their masters. The government in India supposedly tries to help the poor, but if there is one thing Adiga proves in The White Tiger,

Recently, I’m reading a book named The Tiger Rising; it is a fictional book, which means all the names, characters, places, and incidents are author’s imagination. And I like to read this book because this book is fictional.

The novel show about Mumbai culture, tradition, Landscape and behavior of the people. While reading the novel “The White Tiger” there is a urge that due to poverty the protagonist who is from pelor family his master. Not only poverty

Over the years, the moral values of society has gradually been tainted by a history of desire for economic and social empowerment. What we have today is a result of mankind’s greedy everlasting chase after the materialistic, and like Abraham Polonsky once said, “money has no moral values”, so how can we expect to have any such values ourselves? This essay explores the extent to which uprising financial and social mobility conflict with Balram Halwai’s moral values in The White Tiger, in terms of family and religion, violence and sex, darkness and light and politics. Aravind Adiga’s The White Tiger, an astounding novel with likewise literary value, tells the story of Balram Halwai, a poor sweet-maker turned ruthless businessman, depicting throughout

It cannot fairly be said that in Aravind Adiga’s novel, The White Tiger, the only way to escape the Darkness and advance in society is through violence, as an alternative route to the Light is presented in the story arc of Vijay, the pig herder’s son turned politician. Balram asserts that the murder of Ashok is not only the direct cause of his new wealth and status, but also the only possible trigger for his newfound social mobility. Yet, this is contradicted earlier in the story when he presents Vijay, the bus driver, as his role model for a successful person. Vijay, in order to achieve his elevated position, resorted to prostitution; despite not being a desirable alternative to violence, it is an alternative all the same and therefore violence is not the only way to escape the Darkness. Following this logic, it is Balram’s story and the immediate increase in wealth that results from the murder of Ashok that best supports violence as the only means of moving into the Light, and Vijay’s story is the best evidence against that point of view.

The narrator of the novel, “The White Tiger,” by Aravind Adiga writes in first person. This particular narrator is Balram Halwai, who tells about his own journey throughout the book. The writer uses the style of the narrator, Balram, writing letters to the Chinese Premier. This particular narrator is telling the story because it is him that is writing the letters. This style of letter writing helps to tell the story because through these letters Balram tells of how he came to be a success in life. The reason he started to write letters to Mr. Premier was in response to something he heard on the radio. He heard the statement that said, “Mr. Jiabao is on a mission: he wants to know the truth about Bangalore” (2). Balram, the narrator, knows he is a man with little formal education, but considers himself an expert on the hidden truth of the India culture. Mr. Premier also wants to meet with Indian entrepreneurs and hear about their success and Balram wanted to tell about his. He considers himself an expert because of his life story. Balram grew up in a rural area in poverty. In school an inspector calls him “The white Tiger,” because he said “it is the rarest of animals” (30). He called him this because thought Balram was the brightest kid in the village. He was forced to drop out of school and start working to help support his family. He ends up getting a job as a chauffeur to the Stork’s family. The Stork is one of the bosses that have control over Balram’s village where

In order to address the conflict between the rights of local people and the Bengal tiger, a conservation project was issued in 1973, turning a large proportion of the Sundarbans into a refuge. It is in this context that the story takes place, and through this context that Ghosh evaluates the extent to which such a utopian ideal is possible.

He has killed, he has lied, and he has stolen. In simple terms he is the corruption he hates about the government. What Adiga was trying to represent with having a character like this, is to show what needs to be changed about india. India has so much potential and if “The White Tiger” shows us anything it's that the caste system is whats holding India back and one of the only things, besides governmental corruption. The caste system is putting a damper on the hugely untapped potential of india economic might. As explained in Deswals critical analysis of The White Tiger “religious or economic differences, but due to the mental slavery that is inflicted upon the Indians in Darkness. The writer employs the “rooster coop” analogy to his vision of enslaved Indian masses. He compares them with roosters in old Delhi, behind Jama Masjid where they are stuffed tightly in wire-mesh cages” (284 Deswal (4)). The cage that the caste system has caused India’s economy to grow slowly, and the only way out of it, is through ‘Governmental’ plans to help the poor, break free of the master-servant