Chinese Jesuit Collaborations Before 1755

In the Cennini and Alberti modeling system have all of the three properties of color, which are the following; Hue, Value and Saturation. Through out the process of the art History class 385 we have been learning about how the modeling system worked. In this paper I will be breaking down both the Cennini and Alberti modeling system separately and then comparing how they are both similar. Using the texts from Marcia Hall called Color and Meaning: Practice and Theory in Renaissance and Martin Kemp’s reading called Part III: The Color of Light.

1. Trade rights and religious perceptions affected how Matteo Ricci viewed relations with china by taking a different strategy than the other missionaries. “…the Jesuit Matteo Ricci (1552-1610) encouraged his followers to immerse themselves in the language and to become conversant with the rich traditions of Chinese literature (Source 21.2, Ricci, Matteo, in Patterns of World History, Vol. 2, p. S21-4)”. Instead of limiting their training in Chinese language and culture and focusing merely on the conversion of the poor, the Jesuits instead immersed themselves in the Chinese language and high culture of the empire. They gained recognition through their advanced knowledge in mathematics, astronomy, military science and other European learning required by the imperial

People often confuse China with Japan, especially when it comes to their history together. Because of this, one might infer that the two have striking similarities. But in fact they have a multi duos amount of differences such as their economies, cultures and politics. As China and japan sport similar beliefs and curiosities towards Christianity and the European Missionaries, they feel threatened due to their underlying beliefs. Disagreements led to China and Japan's economy to launch by establishing grounds and Christianity also took a big toll onto their diplomacy.

Upon walking into Gallery 250 of Boston's Museum of Fine Arts, one will find on the wall a particularly eye-catching piece of art. The piece, set high on the corner of the wall encompassed by pictures depicting scenes from the life of Jesus Christ, is Giulio Cesare Procaccini's The Scourging of Christ. In this piece, Procaccini's masterful use of light and shadows in a technique called chiaroscuro dramatically portray the torturing of Christ, and it is this very application of chiaroscuro that immediately caught my eye. Through his masterful rendition of value, Procaccini successfully evoked within me a crushing sensation of agony. While I did not initially realize that the piece was one of Christ, research enabled me to witness how

Yan Liben was the politician and artist of Tang Dynasty. Tang Dynasty was a golden age of China, and chinese artists grew up at this time. Tang Dynasty developed three painting styles: the shuimohua style, the shan-shui style and sage of painting. In the Southern Tang (937-975), the artists reached the idea of elegant realism; Buddhist, included the paintings of Buddha, monks, and nobles; shan-shui, the landscape painting technique; and the sage of painting by Wu Daozi. These five ideas played a major role in the paintings of artists (Oxford Art & boundless).

The Next piece is an image form Guo Xi who was a master from the Northern

Another change that occurred during the Italian Renaissance was the artistic perspective of this world. People were no longer painting two dimensional art, and non logical portraits. A new technique, chiaroscuros a technique that involved light and shadows, gave their paintings more depth and a realistic imagery. They also made their paintings more realistic by making the objects relative to one another. They emphasised emotions and belief in a universe full of harmony.

1 in 6 adults residing in what was once among the most literate nations in the world have been deemed “functionally illiterate”. During the 1800s, over 90% of the former nations population could speak our native tongue. Currently, only about 0.2% of our population is fluent in the indigenous language. Welcome to Hawaiʻi!

At first, the Ming government thought of little of the arrival of the Portuguese. From the perspective of the emperor, the Europeans were only an unusual form of barbarian. To the Chinese ruler, the rulers of all other countries were simply “younger brothers” of the Chinese emperor, who was seen as the son of heaven. The Portuguese had little impact on Chinese society at first. The exchange of ideas between the Chinese and Europeans impressed both parties. Christian missionaries from Europe brought instruments, such as clocks, that impressed Chinese officials and made them more receptive to Western ideas. Both sides benefited from this cultural exchange. Chinese scholars marveled at their ability to read better with European eyeglasses. The

The people who ruled at the time loved the arts were often patrons of the art. Rulers like Taisu and Cosimo de Medici were very powerful, ruthless, cruel, and could destroy their enemies if needed. Another thing they have in common is their opinion of foreigners.

Another technique that was developed was perspective. Perspective was formed with the creation of the vanishing point to make paintings more realistic. Masaccio was one of the great painters of his time because of his skill of recreating lifelike figures and movement, along with portraying a sense of three-dimensionality. One of Masaccio’s greatest paintings is the Holy Trinity which was painted in 1427. This painting has a great use of perspective and chiaroscuro to show realism. Chiaroscuro was another technique that was formed to show light and dark intensities to give the impression of depth and texture as well as a source of light. With the use of different shades of colour, sfumato was a new technique that emerged during this time that produces soft, imperceptible transitions between colours and tones to show blending and oneness. These techniques established a basis of modern art. These techniques are still used till this day and have shaped the way art is currently produced.

This paper will employ close visual analysis of the The Vase that was created by skilled craftsmen [Tang dynasty (618–907)] describing how it’s minimalist design represents that it was a time when they focused on non-controversial themes when painting.

Many of this pictures contributed to studies of various emotions, which were later used in his religious and historical paintings. The may have also been used to illustrate his command of chiaroscuro, or the use of light and shade without color. In one painting deep shadows cover his face, leaving his features almost unrecognizable. In Protestant Holland during this time, religious art was valued as not being important. Even so, biblical and religious subjects accounted for about one-third of his work. Drama, as part of the Baroque period, was fully accentuated.

Another major idea during the Renaissance was discovering new techniques that allowed artists to portray more accurate and realistic works instead of fanciful and abstract supernaturals. Perspective was the biggest discovery of the time period, but many aspects went into such work. Proportion and foreshortening were two crucial skills needed to achieve perspective. Proportion is the correspondence of a singular part to the entire whole, and foreshortening is the shortening of lines used to create depth. Sfumato, the blending of varying tones, was also utilized in artwork to create depth. In the famous painting “Mona Lisa”, artist Leonardo Da Vinci used sfumato to project a three dimensional illusion to the viewer. Other techniques such as chiaroscuro, the contrasting of light and dark, were

The art of painting dates back to pre-historic times, the finger used as a paintbrush on the canvas of cave walls. When it comes to painting, artists have many mediums to choose from: acrylics, oils, gouache, fresco, and watercolors. Watercolors is one of the toughest mediums to achieve, its transparent streaks almost impossible to cover up and its various techniques prestigous and precise, but satisfying when accomplished. The incentive a watercolor artist has to get a taste of perfecting their talents is impecable; therefore, striving for perfection can only be accomplished with the understanding of the watercolor history, the use of the tools of the trade, the practice of techniques, and observation of former artists’ approaches.