Jamila Aberle
Tim Fairbairn
Shakespeare: Then and Now
Compare and Contrast: Claudio and Benedick
Shakespeare’s comedy, Much Ado About Nothing, is a play that follows a small group of friends from a high-class society in Massina. Two of this group are friends are Claudio and Benedick. In the beginning of the play they are seemingly similar, in that they both are of an upper-class upbringing and do their best to maintain their social reputation. The characters are made as to enhance their differences by the end of the play; they are foils to one another. Both Benedick and Claudio find themselves fooled by other characters in the play and have to decide what they are willing to believe is true and what is false, furthermore both
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Benedick is also concerned is his public image. He considers himself a ladies’ man of sorts and does not want to be tied down by any woman and would rather die than be wed because he does not trust women.
That a woman conceived me, I thank her; that she brought me up, I likewise give her most humble thanks. But that I will have a recheat winded in my forehead, or hang my bugle in an invisible baldrick, all women shall pardon me. Because I will not do them the wrong to mistrust any, I will do myself the right to trust none; and the fine is, for the which I may go the finer, I will live a bachelor. (Much Ado About Nothing 1.1.229-237) As if that did not make his point, Benedick goes on to say that he would prefer then to be bound by holy matrimony. He tells his friends that if he ever does anything so ridiculous as to fall in love that as his friends they should shoot him for his follies. “If I do, hang me in a bottle like a cat and shoot at me; and he that hits me, let him be clapped on the shoulder, and called Adam.” (Much Ado About Nothing 1.1.248-250) Because at this time Benedick truly believes that love is the worst fait for any man. In his attempts to find public acceptance, Claudio proves to be easily fooled into believing anything he is told despite obvious lack of proof of what he is being
In this Shakespearean comedy ‘Much Ado about Nothing’ two similarly obstinate characters of Beatrice and Benedick are presented between the rather normal relationship of characters Hero and Claudio. Shakespeare presents Beatrice and Benedick’s obstinacy towards the rather obligatory act of marriage and also their particularly similar personalities that cause reason for their familiar act of squabbling; he does this whilst also presenting two characters that are completely interested in marriage and who are hardly intellectually capable of squabbling in a similar manner. As the play unfolds both characters remain combative with one another but as love becomes the better of them, they begin to reveal that somewhat secretive sensitivity
"By my own spirit; for I should flout him, if he writ to me; yea
On the other hand Benedick and Beatrice’s relationship is different; their relationship is not superficial but deeply rooted within them. They enjoy insulting each other as Benedick says to her ‘what my lady disdain! Are you yet living?’
(pg 44-45 lll.1110-112) She believes that Benedick truly loves her, and is willing to marry her. “Hero’s account of Beatrice is when Beatrice is
In Much Ado About Nothing, William Shakespeare depicts both Benedick and Beatrice as characters with one major flaw: both are full of pride. With the use of the masquerade scene, as well as the orchard scenes, Shakespeare allows the characters to realize their awry characteristic. By realizing their erroneous pride, Benedick and Beatrice are able to correct this and not only become better citizens, but fall in love.
In the book the Bennets are considered and unhealthy couple. Reason is because Mr. Bennet shows no respect of love for his wife. There are many faults to this marriage, but that is the main reason. He also shows no love to her or even spend time with her, he spends most of his time in his study alone and does not want to be disturbed. “I would like to have the library to my self, as soon as maybe” (said by Mr. Bennett). I believe he seems to act sarcastically and arrogant to his wife. The way he makes rude comments to her is not really being a true man. Marriage means that you love the person that you have giving everything to, that you need to show them the care and compassion that they need. However, when we, the people from this time period, look upon this marriage, we see it as an unhealthy and a marriage that will go down the toilet basically, but back then to that time period is was a normal and typical marriage because back then, marriage was based on money, not love
Benedick’s attitude to love & marriage in ‘‘Much Ado About Nothing’’ In the play ‘‘Much Ado About Nothing’’ by William Shakespeare, the character of Benedick shows mixed emotions towards loves and marriage throughout. In the two extracts we studied, Benedick shows a large contrast of opinions: In Act 1 Scene 1, Benedick portrays strong feelings of contempt towards love and marriage, whereas by Act 2 Scene 3, Benedick has completely changed his views and he is prepared to make the commitment and marry Beatrice, a woman he appeared to dislike in the beginning of the play and who seemed to have mutual feelings towards Benedick. Act 1 Scene 1 portrays that Benedick has a very negative attitude towards love and marriage. When conversing with
In the play of Much Ado About Nothing, the characters of Benedick and Beatrice have a love-hate relationship. On the surface, it appears that their relationship is built on a war of wits and insults. However, in Benedick’s soliloquy, the reader discovers that at the core of their insults actually lie the true feelings of love. It is also apparent that Benedick even sees loving each other as a competition, in that he wants to love her to a point of outdoing her love for him. Not only is Benedick constantly warring with Beatrice, but he is also undergoing an internal struggle, which is made quite apparent in Benedick’s soliloquy in Act 2 Scene 3.
Much Ado about Nothing is a romantic comedy written by William Shakespeare. Deception is a repeated theme throughout the play and it performs an essential role in the matters relating to romance. There are two couples who unwittingly are participants in the matchmaking and the match breaking schemes of others. There is Claudio of Florence and Benedick of Padua who arrive at Leonato’s house in Messina with Don Pedro, after being away in battle. Then, there is Hero, Leonato’s daughter, and heir, as well as her devoted cousin, Beatrice. In Much Ado about Nothing Shakespeare uses language and literary devices to reassure the audience that love will persevere and prevail in the end. He achieves this by juxtaposing Benedick and Beatrice with Claudio and Hero.
The play Much Ado About Nothing by William Shakespeare consists of many themes which grow out of the game of love'. The two main themes consist of perception and deception. Through the plot complications, character development and dramatic techniques these themes can be explored. In the play deception is shown on both good and evil sides, the game of love between Beatrice and Benedick and the Don John plot to split up Hero and Claudio. Perception is a theme used in most of Shakespeare's plays. Perceptive views by the characters help portray the game of love. Hero is perceived as dead which then Claudio is sorry and feels for her. Beatrice and Benedick's loved is clouded by each other's perceptions and arguments.
All throughout the beginning of the play, both Beatrice and Benedick use sarcasm and hide their true feelings for each other, which is the first example of tricky in their relationship. Both of them have vowed never to marry anyone; Benedick stating: "Because I will not do them the wrong to mistrust any, I will do myself the right to trust none; and the fine is, for the which I may go the finer, I will live a bachelor." (1.1.232–35), while Beatrice says, "No, uncle, I'll none. Adam's sons are my brethren, and truly I hold it a sin to match in my kindred." (2.1.59–60.) Their friends see that they are the perfect match for one another, and plan to trick them into confessing their love for each other. When Benedick is in the orchard, he overhears Don Pedro, Claudio, and Leonato talking about how Beatrice is in love with him but is afraid he will mock her if she tells him. Benedick believes them, saying, "This can be no trick." (2.3.217.) He then goes on to say, "I will be horribly in love with her." (2.3.230–31.) Later, Beatrice hears Hero and Ursula talking about how they can't tell her that Benedick loves her because she is a scornful person. After Hero and Ursula leave, Beatrice states:
the rest of his life rather than marry a woman. Beatrice in a way is
In Shakespeare’s play, Much Ado About Nothing, written in the early 15th century, the relationships between Benedick and Beatrice and Hero and Claudio are the key to the play and create a lot of tension and comedy. The two relationships are interesting in different ways, and this essay will explore this in terms of the language used, the plot, characterisation and how the two relationships stand thematically.
Each of the main characters in Much Ado About Nothing is the victim of deception, and it is because they are deceived that they act in the ways that they do. Although the central deception is directed against Claudio in an attempt to destroy his relationship with Hero, it is the deceptions involving Beatrice and Benedick which provides the play's dramatic focus.
The fact that Benedick has feelings for Beatrice becomes clearer as the play progresses, despite his assertions to Claudio that he is 'a professed tyrant to their sex'. Benedick keeps this point of view while speaking to Don Pedro, making quite clear that he will never marry: