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Gothic Cathedral Analysis

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Gothic Cathedral by Joemanuel Carpio Gothic Cathedral, while most notable for its pointed arches, stained-glass windows, slendered piers, and flying buttresses, is also recognized by its lancets, rose windows, and triforiums, as well as other identifiers. Although most Gothic architects of the great cathedrals are unknown, those that we do know have a sense of fame attached to them and all those who worked on these grand projects. In reference, unlike “Romanesque”, whose name derives from modern architectural historians, the term Gothic was originally used in a derogatory manner by 16th Century Italian architect, Giorgio Vasari who viewed the style as “monstrous and barbarous,” accrediting its ugliness to the barbaric Goths, who are held accountable for the collapse of Rome and the break in classical art and architecture. However, during the 12th and 13th century the term “Gothic” was never used to describe the style of the time, instead it was quickly referred to as “opus francigenum” meaning “French work” or simply “opus modernum” meaning “modern work.” While Giorgio’s view resembles that of renaissance artist Lorenzo Ghiberti, of the previous century, most late medieval and modern views consider the Gothic era a high point in history for Western art and architecture. The shaping of Gothic Cathedral arrived during a time of great prosperity and peace which was due in part to the technological advances in agriculture and the expansion of cities in the 12th century. The

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