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Introduction and Rationale DV8: Homosexuality Within Dead Dreams of Monochrome Men and To Be

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Introduction and Rationale

DV8: Homosexuality Within Dead Dreams of Monochrome Men and To Be Straight With You

Throughout this dissertation I’m going to be focusing my work on two of DV8 performances; Dead Dreams of Monochrome Men which is loosely based on the story of Serial Killer Dennis Nilsen and To Be Straight With You which is based on the prejudice Gay and Lesbian individuals face every day by society, be that by Religion, Race or The Government.

Looking at theatre reviews and books such as Stephanie Jordan and Dave Allen’s Parallel lines: Media Representations of Dance and Ramsay Burt’s The Male Dancer: Bodies, Spectacle, Sexualities. I will find out more about the history of homosexuality in theatre and how DV8 defied the law …show more content…

In Britain, this took the form of clause 28 of the 1988 local government bill which made it illegal for the local authorizes of towns and cities to intentionally promote homosexuality or publish material with the intention of promoting homosexuality. At a time where there was a concern among gay people and social progressives about resurgence of deeply routed and age old prejudices against homosexuality, DV8 presented an uncompromising exploration of controversial ideas. While gay men were, of necessity, examining, Dead Dreams… focused not on a killer disease but on the extreme case of a homosexual who was a mass murderer. (Burt, 1995, P.172)

No person was to promote homosexuality; any promotion was punishable by law. DV8, On the other hand, sought to ignore said bill and continued to present uncompromising ideas. Page 178 of The Male Dancer… also tells of DV8’s 1987 piece My Sex, Our Dance and ‘also challenges homophobia, but in the process presents a bleak and chilling view of male-male relationships’. Both Never Again and Dead Dreams deal, to a greater or lesser extent, with the emotional Lives of gay men, although Never Again addresses a broader range of sexual relationships. Both are dark, oppressive, moving, and in some ways terrifying depressing works. They deal very clearly with the inner lives of these men, with their intimate thoughts, their fears, their insecurities. (Jordan + Allen, 1993, P.204)

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