1) EVOLUTION OF FILM In 1873, Leland Stanford, a former California Governor needed help in winning a bet that he had made with a friend. Stanford was convinced that horse in gallop had all four feet off the ground and was bent on proving it. Since it was impossible to prove such a thing by merely watching a horse race, he employed the services of Eadweard Muybridge, who was a well-known photographer. Muybridge worked on the problem for four years and finally came up with a solution in 1877. He arranged a series of still cameras along a stretch of race track and each camera took its picture as the horse sprinted by. The result of the photographs proved Leland Stanford right thereby making him win the bet. But rather than …show more content…
celebrities, weight lifters, jugglers etc, and they were shot in fixed frame because they never moved their cameras. This also means that their films were never edited. French film maker Georges Melies was the first to make narrative motion pictures in 1896. This he did by using his movies to tell stories. Melies is often called the “first artist of the cinema” because he was the first to introduce creativity into movie making by using different frames, changing sets and telling stories. The movie industry has since then passed different other stages in its developmental journey till it has come to become what it is to be today.
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A forerunner of the modern movie projector, the zoopraxiscope was an invention of the 19th-century photographer Eadweard Muybridge. The zoopraxiscope used light to project sequential images from a rotating glass disc, producing the illusion of animation. The principle was much the same as in earlier projection devices, such as the zoetrope. Retrieved from http://encarta.msn.com/media_461518398/Zoopraxiscope.html
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Retrieved from http://masters-of-photography.com/M/muybridge/muybridge_galloping_horse.html
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|Kinetograph (W.K-L. Dickson-Thomas Edison) |[pic] |
|Camera (the first to use perforated film stock) for
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,
Edwin S Porter was an expert builder of photographic equipment and a film projectionist, he worked for Thomas Edison. In 1901, Porter began operating the camera, and was responsible for directing film, from there, Porter was credited with almost all of the innovations of the pre-1908 period by making first story film titled Life of an American Fireman. Porter was also the one who is credited with editing, he also successful in creating models. Porter’s biggest contribution to cinema, is concentration on fiction filmmaking.
The first place to look when you are looking into the history of film is the 1900s. The 1900s to 1910 is when the very first film machine was invented and used for the first time. The early technology of film was invented by and demonstrated by Raoul Gromain-sanson. Raoul presented his Cineorama system in the early 1900s. “Cineorama featured an enormous panoramic screen, onto which were projected ten simultaneous images side
“Insidious” is a 2010 horror movie centralizing around the lives of protagonists Renai (Rose Byrne) and her husband Josh (Patrick Wilson). The movie mainly focuses on the supernatural activity going on within the house, and it is later revealed that the cause of the hauntings is due to demons attempting to take over the body of their unconscious son, Dalton (Ty Simpkins).
It was Thomas Edison who was also responsible for the invention of Motion pictures . Thomas created equipment that would record and playback images so that they could be watched later on.
Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film
Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).
Early movies were shot and viewed as slide shows. With narrations like The Life Of An American Fireman, where instead of cutting we would see full clips linked together. When the filmmakers brought us from one action to the next they, repeated actions instead of cutting and letting
Méliès was one of the first directors to progress cinematic technology, which paved the way for narratives as style of film (Leveridge, 2012: 98).
The first film that showed early signs of a rise in the quality of technology was the Western “The Great Train Robbery.” When this film first came out the audience were so amazed at the fact that they could watch something on a TV or at the cinema. Although this film was very good for the 1900s it still lacked some key features that make films much easier to understand such as dialogue, sound and camera shots. The one feature of a film that developed the quickest over the period of time was sound. Sound was introduced in October 1927 in the film “The Jazz singer”, which had three song numbers and a few lines of spoken dialogue. Apart from these few songs and words, the rest of the movie was silent, but the audience still thought that it was amazing that words had been spoken in the film, they used to call it “the movie that talked”.
The modern film industry was born around the beginning of the twentieth century. On April 23rd 1896 Thomas Edition showed the first publicly-projected motion picture at Koster and Bial's Music Hall in New York City. From there the film industry had an explosive growth rate. In fact,
How does it feel starting over in a completely new place? In the movie “The Karate Kid”, Daniel, the main character, and his mom moved to the California from New Jersey because of his mom’s new job offer. Daniel started going to school in California and met a girl named Ali, whom he started to like. He started going out with her. Daniel was getting beat up by some bullies; one of them was Ali’s ex-boyfriend. They knew karate very well, but Daniel did not. So Daniel decided to learn karate. Daniel and his mom were living in an apartment and one day he discovers that the handyman at his apartment, Mr.Miyagi, knows karate very well. He asked Mr.Miyagi to teach him karate, and Mr.Miyagi became his karate teacher.
“If Georges Méliès was the first to ‘push the cinema toward the theatrical way,’ as he claimed, then Edwin S. Porter was the first to push the cinema
Released in 1988 by director Giuseppe Tomatore, “Cinema Paradiso” follows the life of a young boy in Italy who dreams of being a filmmaker. The road the boy, who eventually becomes a famous Italian film director named Salvatore Di Vita, takes to reach his goal is difficult and includes many sacrifices and trade-offs. Today, the film is widely regarded as one of the most popular foreign films ever to be released in the United States. Given that foreign films are fairly common in America, it is fair to consider why “Cinema Paradiso” received such critical acclaim, as well as relative mainstream popularity. “Cinema Paradiso” received critical and popular praise because the film includes several timeless themes
No matter who a person thinks invented the motion picture camera, whether it was Louis Lumiere or Thomas Edison, I'm sure they had no idea what it would become at the turn of the century. Motion pictures, has become an entertainment medium like no other. From Fred Ott's Sneeze to Psycho to Being John Malkovich, the evolution from moving pictures to a pure art form has been quite amazing. Different steps in filming techniques define eras in one of the most amazing ideas that was ever composed. Silent to Sound. Short to long. Black and white to color. Analog to Digital. All were important marks in the History of Motion Pictures. "It's different than other arts. It had to be invented"