Margaret Atwood’s Alias Grace
Alias Grace is the most recent novel by Margaret Atwood, Canada’s most prominent modern novelist. The novel is, as Atwood writes in her afterword, ‘a work of fiction, although it is based on reality’(538) centred on the case of Victorian Canada’s most celebrated murderess, Grace Marks, an immigrant Irish servant girl.
The manner in which Atwood imaginatively reconfigures historical fact in order to create a subversive text which ‘writes back’ to both the journals of a Canadian literary ancestor, and to Canada’s nineteenth century self -image, illustrates what critic Linda Hutcheon has called ‘the use of irony as a powerful subversive rule in the rethinking and redressing of history by both the
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James Mac Dermott , Kinnear’s farmhand, was hanged for the crime; Grace’s youth and sex meant that her death sentence was commuted.
As Atwood makes clear in the novel, no one except Grace really knew what happened on the day of the murders. The co-accused gave several differing accounts of the event in question, and contemporary newspaper reports were riddled with contradiction and speculation, some of which probably influenced the manner in which the accused themselves framed their accounts. The case, with its potent mixture of sex scandal, class tension and extreme violence became a cause celebre in nineteenth century Canada
Atwood’s novel is set mainly in 1859, when Grace, having spent some time in an asylum, is now a thirty something, long serving inmate of a Toronto Penitentiary, so trusted that she is permitted to works as a seamstress and servant in the adjoining home of the governor. Enter (fictional) American Doctor Simon Jordan, a young psychiatrist who is determined to probe the depths of Grace’s psyche through a series of detailed interviews, intended to help him decide if she was sane or insane at the time of the killings. The bulk of the novel is taken up by Grace’s ‘recollections’ of past events
Grace is one of Canada’s white settlers, a Protestant immigrant from the North of Ireland. Forced from
Margaret Atwood is once of Canada’s best known literary composers. She is best known for her ability as an author of novels such as Alias Grace, Bodily Harm, Hairball, Rape Fantasies, and the highly acclaimed The Handmaid’s Tale, which was later made into a movie. These works establish her as a feminist writer, raising issues of women in literature, the difficulties associated with being female and the role of women in society.
Margaret Atwood, Survival: A Thematic Guide to Canadian Literature. McLelland and Stewart, Toronto, 1972. “Canadian Nationalism in Arts and Science.” The Royal Society of Canada, Ottawa: 1975.
In the short story “A Good Man is Hard to Find” O’Conner, tries to make us understand the meaning of grace. The Misfit and the Grandma are the two main characters that show us what grace is and how it can be applied to a person’s everyday life. In Flannery O’Conner’s “A Good Man is Hard to Find,” the Grandma tries to save her family by convincing them to visit a place she recommends to keep them away from the Misfit, whom with they later come in contact. Neither the Grandma nor the Misfit deserves grace but it is given to them anyway.
Atwood displays her feelings about not only the art of creative writing, but also the equally artistic act of living one's life to the
Also birth rates and sex are satirised in her novel with the same tactical precision as in the earlier satires. Margaret Atwood uses an indirect style comparable to an allegory to highlight important issues. “I am alive, I live, I breathe, I put my hand out, unfolded, into the sunlight. Where I am is not a prison but a privilege.”
First of all, Margaret Atwood is well known for writing fiction with strong female characters that critics categorize her as feminist. Her initial works, ”The Edible Woman”, “Dancing Girls”, “The Robber Bride”, and “The Handmaid’s Tale” are some of examples of her works that are categorize as feminist. Those novels of strong woman describe, “The main characters variously indulge in self-invention, self-mythologising, role-playing, and self-division, while identity is presented as unstable and duplicitous throughout the novels” (McCarthy 3). Atwood has that unique style to describe her characters. She elucidates the woman as their own self to invent their life and their environment through the entire novel. Atwood has a twisted technique for giving her work a jubilant name when the words describe the opposite. One example of that is her short story collection, “Dancing Girls”, Atwood, “bears a surprisingly joyful title for a series of narratives shot through with anxiety and fear, with images of death, deformity, lifelessness and contained rage” (Murray 1). Atwood has an incredible way to write stories where the characters go through gruesome obstacles or experiences that define
“A Good Man Is Hard to Find,” one of O’Connor’s best works, describes a family on a trip to Florida and their encounter with an escaped prisoner, The Misfit. Although “A Good Man Is Hard to Find” is an early work in O’Connor’s career, it contains many of the elements which are used in the majority of her short stories. The grandmother, a selfish and deceitful woman, is a recipient of a moment of grace, despite her many flaws and sins. A moment of grace is a revelation of truth. When the grandmother calls The Misfit her child and reaches out to touch him, the grandmother has a moment of grace that enabled her to see The Misfit as a suffering human being who she is obligated to love. The grandmother realizes that nothing will stop The Misfit from killing her but she reaches out to him despite this. The Misfit rejects her love and kills her anyway. This moment of grace is very important
Child labor and poverty are inevitably bound together and if you continue to use the labor of children as the treatment for the social disease of poverty, you will have both poverty and child labor to the end of time.”
Today's world is filled with both great tragedy and abundant joy. In a densely populated metropolis like New York City, on a quick walk down a street you encounter homeless people walking among the most prosperous. Unfortunately, nine times out of ten the prosperous person will trudge straight past the one in need without a second thought. A serious problem arises when this happens continually. The problem worsens when you enter a different neighborhood and the well-to-do are far from sight. Many neighborhoods are inhabited only by the most hopeless of poverty - ridden people while others downtown or across the park do not care, or are glad to be separated from them. Such is the problem in New York City today and in Mott Haven in Jonathan
Through the setting of the novel, Atwood examines a woman’s role and contribution to society. Throughout history, oppressive regimes
I started reading Graceling as a novel study, but the more I read the more I wanted to know!
"All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal."—Flannery O'Connor.
Though set in entirely dissimilar countries at different points in history, Margaret Atwood’s ‘Alias Grace’ and Hannah Kent’s ‘Burial Rites’ possess significant comparisons. Both for instance, are fictionalized historical novels following the tribulations of a female protagonist convicted of murder and both have been widely acclaimed for their incredible literary style which merges classic poetry, epigraphs, folklore and historical articles with fiction. The most striking parallel between each novel that can be drawn, however, is the way in which authors masterfully craft the stories of untrustworthy, cunning and deceptive criminals to elicit sympathy from their audiences. Readers of the novel and secondary characters alike are gradually pulled into sympathising with ambiguous and untrustworthy female leads, Grace Marks (Alias Grace) and Agnes Magnusdottir (Burial Rites). Despite the heavy suspicions of others and a lack of evidence to support their claims of innocence, these characters present artfully manipulated features of their defence stories to provoke empathy, sympathy and trust from those within the novel, and those reading it.
Grace’s motives seem to be fairly simple, as they are based mostly on a love interest of Mr. Kinnear. Mr.
Margaret Atwood creates a haunting and beautiful piece describing the experience a sad child goes through. She structures her poem by using five stanzas; two stanzas consisting of five lines, then one stanza with ten lines, and ending with two stanzas consisting of five lines. She uses simple yet powerful diction, tone, metaphors, similes, symbolism, and imagery to show the unknown speaker giving advice to a sad child. Her message/theme is sadness is a part of life and there are different ways to deal with it, but when death comes the thing that one is being sad about doesn’t matter.