Medea Tragedy Analysis

Euripides’ Medea is considered, according to Aristotle’s Poetics, a tragedy. The play centers on Medea, an outsider and wife to Jason, who seeks to punish Jason for taking another wife. The play is considered a tragedy because it contains the three unities as well as the six elements of drama mentioned by Aristotle. Despite the fact that the does the play fits the criteria of what Aristotle considers tragedy, however, Medea is actually not a tragedy but tells the story about a successful revenge

Euripides’ Medea defies many of the unofficial rules surrounding Greek tragedies. While most Greek plays follow a very rigid format that becomes obvious to the audience, Medea possesses a much more ambiguous structure. One of the most difficult to discern aspects of Medea is whom Euripides intended to be the tragic hero. Aristotle’s analysis of plays, which he articulated in his work the poetics, can be applied to Medea to determine Jason is the tragic hero. Aristotle believed that the details

2011 Medea Video Project Analysis The “Medean” Hillbillies Euripides’ Medea is classified an ancient Greek tragedy. However, this story is much more than a tragedy. The story of Medea is one that definitely grabs the reader’s attention through both its text and its themes. The themes that the story of Medea presents are very practical and still continue to exist in humanity today. The three largest and most obvious themes that a reader is most likely to find and relate to while reading Medea are

exemplified in the myth of Medea. Medea is a myth that has been endlessly retold and recast, but which in every instance still today, it invites retelling because of her inner conflict, which still compels the readers of contemporary authors as it once compelled the spectators of Euripides’ play in ancient Athens. The other reason for focusing on the myth of Medea is the particular “conundrum” at the heart of her story: a conflict of natures. In some versions of Medea, she is a sorceress of sinister

The Tragic Women of Tragedy Euripides and Sophocles wrote powerful tragedies that remain influential to this day. The vast majority of work recovered from this time is by male authorship. What remains about women of this time is written through the lens of male authors’ perspective and beliefs about the role of women in Greek culture. The works of these two playwrights frequently characterize women as unstable and dangerous. Agave, Antigone, and Medea are all undoubtedly the driving force behind

Comedic Violence in The Medea, The Oresteia, and Antigone       Almost no Greek tragedy escapes the use of violence. The Medea, The Oresteia, Antigone, and other classic works of Grecian tragoidia all involve huge components of violence in many prominent places, and for all of these stories, violent action is an integral part of the play. Medea, especially, is a character worthy of note in this regard; her tumultuous life can be plotted accurately along a path of aggression and passionate fits

‘Husband and wife may exchange roles but never escape the tyranny of roles themselves. Theatrical narratives appear to promote the very ideology of difference they expose as arbitrary.’ (B. Freedman) In both tragedy and comedy, conflict between male and female characters can often be found at the crux of the theatrical narrative. In plays that present on-stage opposition between men and women, it can be perceived that a typical set narrative structure is followed: the actions performed by male

spent many years studying human nature and its relevance to the stage. His rules of tragedy in fact made a deep imprint on the writing of tragic works, while he influenced the structure of theatre, with his analysis of human nature. Euripides 'Medea', a Greek tragedy written with partial adherence to the Aristotelian rules, explores the continuation of the ancient Greek tales surrounding the mythology of Medea, Princess of Colchis, and granddaughter of Helios, the sun god, with heartlessness to

Representation of Society in Euripides' Medea During the time of Euripides, approximately the second half of the fifth century B.C., it was a period of immense cultural crisis and political convulsion (Arrowsmith 350). Euripides, like many other of his contemporaries, used the whole machinery of the theater as a way of thinking about their world (Arrowsmith 349). His interest in particular was the analysis of culture and relationship between culture and the individual. Euripides used his characters

Euripides, an influential dramatist in Greek culture is celebrated for his famous tragedies which examine the shadier side of human nature. Many of Euripides’s plays present the audience with a dilemma. As one reviews the passages and unfolding story, the message causes the reader to dig deep and evaluate personal morals because the play is intended to be a tragic moral dilemma. In the play Medea, Euripides gives his audience many different situations to consider. One specific dilemma causes the