Medea Tragedy Analysis

Both Fifth century B.C. playwright Euripides and Roman poet and dramatist Ovid tell the story of Jason ditching Medea for another woman; however, they do not always share a perspective on the female matron's traits, behavior, and purpose. Euripides portrays a woman who reacts to injustice by beginning a crusade to avenge all who harmed her which she is prepared to see through even if it means resorting to the most contemptible methods. Ovid, on the other hand, tells of a much less extreme figure whose humble goal is only to persuade Jason to return. Despite these differences, both Medeas create trouble by acting with emotions instead of with reason, and as a result, put

The major trait that leads to Jason’s downfall is his overwhelming pride. Medea knows she can use his ego against him and says, “I have reproached myself. ‘Fool’, I said, ‘why am I so mad?’” (p.53). Medea toys with Jason’s need to be above others and always right. Jason doesn’t even think twice about Medea’s sudden change to a servile attitude and accepts how her “mind has turned to better reasoning” (p.54). The arrogance of Jason makes him blind to what is happening around him. Medea is obviously manipulating this weakness to work to her just like how everything works for her: the children work to kill the bride and the deaths work to exact revenge upon Jason.

Throughout the entirety of the play, Medea, there are multiple victims of other people’s actions as well as their own. This raises the question: out of all the people who suffer in this classic play, ultimately, who is the tragic figure? Although many people have to suffer slow, painful deaths in the play, the answer is narrowed down to the two main survivors: Medea and Jason. While Jason is the victim of his children getting murdered by Medea, the tragic figure still remains Medea due to how she is the one who suffers the most throughout the play because of Jason and societal expectations.

Medea’s strength is portrayed as her madness as she takes control and decides the fate of her enemies. She is a strong character and Euripides allows Medea to have a voice by allowing the audience to witness her break from the norm of what a woman of her time is expected to do. After giving up her family and former life to be with her husband, Jason, he decides to marry a younger princess while still married to Medea. Medea realizes that women are left to face the most miserable situations and says, “We women are the most unfortunate creatures” (229). Jason feels that Medea is to be grateful for what he is doing by marrying into royalty as it will afford all of them a better life. The representation of Medea by Euripides is powerful, manipulative, and extremely smart, yet because she is a woman she has limited social power.

Euripides was interested in how culture affected things. He was not the typical writer and his characters confirm this. In Medea, Euripides wanted his characters to participate in a culture that was under extreme stress, perhaps the same stress that his culture was experiencing. He exhibited this by writing as if his characters were transplanted into a different culture, unique from their own, as if to use the unfamiliarity as psychological strain. Therefore the strain would immortalize or distort them. The way in which Medea meditates the murder of her children is much admired, however Euripides' interest is in the collapse or derangement of culture that makes the murder both possible and necessary (Arrowsmith 357).

Revenge is a kind of wild justice. Throughout many texts, the notion of justice has been debated on whether it is an act that vindicates those who have been wronged or an excuse to pursue revenge. Through Medea, Medea’s actions have been judged and criticised whether her murders are an act of justice that she deserves or simply the idea of inflicting pain on those she loathes.

Once she learns that Jason has married another woman, Medea's personality turns completely around. The strong loving wife turns into a barbarian huntress in search of revenge. After plotting and changing the course of her revenge a few times, she perpetrates an attack that will certainly kill the new bride. Her method is focused on the woman, but it may or may not affect others around her target. Medea knows that the poisoned dress and head adornment will be lethal to Jason's bride, but she cannot possibly know what will come of Jason, their children, or the king. Her rage knows no bounds and she sends Antigone and Ismene on with the poisoned gifts. Weigel describes the revenge of Medea in his critique of the writing: "Jason becomes entangled with a force that crushes his dignity and detachment, that tears his successes to tatters. At the end he is in exactly the same position as Medea. Both are bereaved of mate, children, and friends. Both are free to grow old without comfort. And both are utterly empty inside, except that Jason is now filled with the same burning hatred that possessed Medea" (Weigel 1391).

Medea has sacrificed everything for Jason, yet he shows no gratitude. She has been abandoned without a home, seen as an outsider from a

Euripides' Medea Medea is the tragic tale of a woman scorned. It was written in 431 B.C. by the Greek playwright, Euripides. Eruipides was the first Greek poet to suffer the fate of so many of the great modern writers: rejected by most of his contemporaries (he rarely won first prize and was the favorite target for the scurrilous humor of the comic poets), he was universally admired and revered by the Greeks of the centuries that followed his death('Norton Anthology';). Euripides showed his interest in psychology in his many understanding portraits of women ('World Book';). Euripides choice of women support characters such as the nurse and the chorus is imperative to the magnification of Medea's emotions.

Euripides’ ‘Medea’ is a play based on the myth of Jason and the Argonauts. The play was

Euripides Medea is a play that largely embodies themes of sex and gender within Greek life, marriage and society. Lars Von Trier, Danish Screen writer, controversially took on and altered Euripides' classic Medea in the form of film. Although complex and compelling, Von Trier's film fails to capture major themes and qualities presented in the text version of the infamous Medea and relay them to an audience. Through the use of close reading and comparison, it can be proved that Lars Von Trier's film depiction of Euripides' Medea does not allow an audience to see the complexity and major themes of gender and masculinity that Euripides originally portrays to his audience, but rather depicts a story of lost love and femininity within the protagonist.

In Euripides' play the title role and focus of the play is the foreign witch Medea. Treated differently through the play by different people and at different times, she adapts and changes her character, finally triumphing over her hated husband Jason. She can feasibly be seen as a mortal woman, Aristotle's tragic hero figure and even as an exulted goddess.

Amongst Euripides' most famous plays, Medea went against the audience's expectations at his time. Indeed, the main character of the play is Medea, a strong independent female who neglected moral and . She was therefore in all ways different to how women were perceived in Ancient Greece. This essay will explore how Euripides' controversial characters demonstrate that his views were ahead of his time.

The poetic tone of Aristophanes' Lysistrata differs greatly from the poetic tone of the Greek tragedies we have read in class. However, after analyzing this Greek comedy, it seems to share some of the main characteristics of Euripides' Medea. Within these plays, we meet shrewd, powerful masculine women who use the art of manipulation to get what they want from others and to accomplish their goals. This theme of manipulation is employed through various means and techniques. The women of these plays also seem to contradict the stereotypical woman and have characteristics similar to the Homeric Greek warrior.

The language in this piece is very evident that it’s from the classical period which was known as the golden age of literature. This period was known for art, philosophy, architecture, literature and monuments. Socrates was the main philosopher known in that time due to his teachings to his student Plato that consist of dialogues. In the work, whether Euripides was trying to show women that they did have a voice and go against Ancient Greek culture or not, his piece showed women that they control their own body, and actions. The work doesn’t mention Medea and Jason’s children but maybe a couple times, but the children represented what was once a loving relationship between Medea and Jason. That is why Medea took revenge on Jason by killing them to satisfy herself for what he had done to her. Medea’s character plays a strong feminine role that shows a women standing up for herself and making her own choices even though some of them may have been wrong. At first she is portrayed as a sad lady who just got her heart broken because her husband left. Then she becomes a strong lady who takes charge of the situation and fights back for what she believed would heal her broken heart. Jason’s character can be considered evil, because even though he showed weakness, he was the one who abandoned his wife to marry a princess, so he basically started the whole situation even though Medea took her revenge too far. All in all, even though Medea killed her own children it was a