History has shown that environmentalism and capitalism do not go hand-in-hand. Hayao Miyazaki’s Princess Mononoke demonstrates this principle by highlighting the ideals of dominance versus coexistence, the industrialization of Japan, and the unconventional feminism exhibited by Eboshi, who stands at the forefront of industrialization in the film, and Mononoke, who works against Eboshi to protect nature. Such a juxtaposition displays Japan’s westernization process and transition from traditional Shintoist ideals, which encourage peace and respect of the environment, and ultimately conveys that humans must find balance between our consumption and habituation of the environment. A fine line exists between maintaining nature and using it to further capitalistic ambitions, a theme that stands as the main idea of the film. In the beginning, the film addresses the …show more content…
In many instances, the film contrasts nature and industrialization, showing the former as a peaceful entity that stays pure and uncorrupted. However, Okkoto, Nago’s cousin, leads his clan to fight Irontown, under the guise of protecting the forest and avenging Nago. Okkoto’s desire to protect the forest has taken hold of his mind and self-justifies his rigid values of honor and loyalty, motivating him to act irrationally. This rigidity prevents Okkoto from seeing the repercussions of acting so rashly and ultimately takes form when Okkoto’s clan loses in the fight against Eboshi. No survivors are left and those who wish to preserve the forest have lost another ally. Secondly, Okkoto’s extreme values and unwillingness to keep an open mind contrast those of Ashitaka, who initially upholds the traditional Shinto values but incorporates what he sees in Western Japan and reaches a middle ground on his views of maintaining nature and
Upon an initial reading of Chinua Achebe’s Things Fall Apart, it is easy to blame the demise of Okonkwo’s life and of the Umofia community on the imperialistic invasions of the white men. After all, Okonkwo seemed to be enjoying relative peace and happiness before then. He did have a few mishaps; one of them resulted in him being exiled for eight years. Nonetheless, he returned to his home town with high spirits and with prospects of increased success. However, everything has changed. The white men have brought with them a new religion and a new government. Okonkwo’s family falls apart. The men in his village lose their courage and valor; they do not offer any resistance to the white men. Consequently, Okonkwo kills
1. What are the main themes, politically and socially, that are portrayed in the film?
The Luhrmann version opens with the prologue being read by a newsreader on a miniscule television screen. This immediately suggests to the audience that the film is going to be situated in the 20th century. This also tells the audience that this whole affair is a big event - the main fact being that it's a
To begin, Okonkwo's response to the Europeans shows how differences in customs and values can lead to conflict. When Okonkwo returns to Umuofia, he is surprised that his clan has been taken over by the Europeans and that people were starting to give up preserving their own religion and customs. When he confronts Obierika, Obierika explains to Okonkwo, “‘How do you think we can fight when our own brothers have turned against us? … Now he has won our brothers, and our clan can no longer act like one. He has put a knife on the things that held us together and we have fallen apart.’” Okonkwo feels betrayed as many of his clan members have left and joined the Europeans, showing the clash between Ibo culture and Western culture. The Ibo people value staying true to their own traditions while the
Okonkwo’s adherence to a tradition of cruelty that harms large groups of minorities leads to a pronounced division once Western missionaries establish their church: a church which allows for aspects of life that tribal law did not. His adherence to traditional law and inability to compromise — rigidity in a culture of flexibility — alienates family members, members of his community, and furthers an internal pressure which ultimately helps the pressures of colonialism. Okonkwo’s inflexible interpretation of tribal law, borne of a need to escape his father’s seemingly feminine weakness, leads to morally bankrupt decisions. Unable to settle on a compromise between law and morality, he murders Ikemefuna: although correct in the eyes of law, the action lacks morals, is purely driven by a need for social power and fear of seeming weak. Such personal conflict culminates in intense inner pressure on both Okonkwo’s part and on the part of the community as a whole, leading to a collapse of long standing unity when faced with the external pressure of missionaries, providing a “way out”. This culminates in a scene in which tribal leaders call for an attack on colonialist forces, including other tribal members which have joined the
The intro informs the reader that the
The film begins with a rant between the characters on stage with little relation to the topic of the film. It does provide a better understanding to the viewer that these characters are going to disagree on the topic that follows. This diatribe between characters also reveals their political stance, which is very important when understanding the upcoming criticism. After the opening rant is completed the audience should be informed that on stage there is a liberalist, conservative, moderator, and a news anchor, Will McAvoy.
The film first
Okonkwo has a tragic flaw, dark downfall, but does not recognize his flaw as the cause of his downfall. This conveys the theme that one’s insecurity will lead to their demise, regardless of their intent. First, Okonkwo’s flaw is his insecurity rooted in his need for masculinity. Okonkwo fears the idea that “he should be found to resemble his father” and was a “man of action, a man of war. Unlike his father he could stand the look of blood” (13, 10). Given how Okonkwo’s father was a man of no wealth or status, he was seen as feminine. Refusing to resemble his father, Okonkwo becomes a strong, masculine man. Additionally, Okonkwo’s downfall was the result of multiple events that threaten his masculinity. Okonkwo’s first major offense was killing Ikemefuna out of fear of weakness despite being told to “not bear a hand in his death” (57). Additionally, the crime that forced Okonkwo into exile is when his “gun had exploded and a piece of iron had pierced the boy’s heart” (124). Furthermore, Okonkwo’s need for power causes him to kill a messenger as his “machete descended twice and the man’s head lay beside his uniformed body” (204). As a result of his need to appear masculine, Okonkwo makes one foolish decision after another that culminate to his downfall. His refusal to not kill Ikemefuna was done out of fear of seeming weak, his crime that sent him to exile was deemed
The first aspect used in the film pre any visual imagery was the use of narration in the form of a news presenter. This news broadcast is used to show the audience the setting of the film, this is done through the use of quotes such as “Day one thousand of the siege of Seattle.” and “British borders will remain closed. The deportation of illegal immigrants will continue.” these illuminate that the
At the beginning of the movie we are shown an opening sequence introducing the main characters in the movie. We are briefly introduced to each character’s situation and the goals they are trying to achieve but we soon
1. What is the true subject or the theme of the film, and What kind of statement, if any, does the film make about the subject? Which elements and which themes contributed most to addressing the theme of the film?
Starting from the film’s cover, one can already know what the film entails. The cover has
Some clan members, however, do rebel and burn some of the preachers’ shelters. This results in a big meeting, both European and African. At the gathering the tribe members are told to decease from any future acts of destruction or rebellion. Expecting his fellow people to support him, Okonkwo kills their leader with his machete. However, when the crowd allows the other Europeans to escape, Okonkwo realizes that his clan is not willing to go to war. Soon after the murder, Okonkwo prideful character, and inability to accept defeat, results in his suicide.
The film’s first introduction to God is after the first brutality that happens. This is also the introduction to Marketa. Throughout the film, Marketa, the