Sacred Ibis Of Thoth Research Paper

The coffin and mummy of Djedmaatesankh are known as one of the few unopened coffins, retaining the original seal. Currently, it has been decided not to open the coffin in order to examine the mummy within due to the fact that it would severely damage the artwork and hieroglyphs that have been painted on the outside. The coffin is made of cartonnage, which is created with moulded linen and plaster and is painted on the outermost layer. These paintings describe the story of Djedmaatesankh’s life, as well as references to the Book of Caverns in order to provide the body “with safe protection as it makes its journey through the underworld on its way to eternal life in the Field of Reeds”. The coffin is from the 3rd intermediate period of ancient Egyptian culture and has been dated to 945-715 BC, coinciding with the 22nd Dynasty in which Ian Shaw relays that the “Chief of the Meshwesh Sheshonq (King Sheshonq I)” ruled. The base materials used are linen and plaster to form the cartonnage, and the artwork on the outermost layer uses a combination of paint and gold leaf to create depictions of Djedmaatesankh’s life. Ancient Egyptians used paint made from a mixture of pigment and plaster to paint on coffins and sarcophagi, and the higher classes used increased amounts of gold leaf as well. Djedmaatesankh’s coffin would be classified as funerary art, which had been created to be of use in funerary rituals and practices. Djedmaatesankh’s coffin is an excellent example of the extensive

The ancient Egyptian god who patroned all things mercurial: the Egyptian called him Djehuty and the Greeks called him Thoth. This ibis-headed deity was considered as god of writing, knowledge, science, time-keeping, magic, and the moon (David 2002: 54; Wilkinson 2003: 215). This mercurial nature was also recognized by the Greeks, who syncretized him with their god Hermes (Pinch 2002: 44). Though they were not exactly similar in every aspect, these two gods were both patrons of the intellectual sphere and interactions with spirits or the deceased in the chthonic realms. It was also for this reason that Thoth’s cultic center was located in a city called Hermopolis, or the “City of Hermes”.

The Scarlet Ibis’ appearance is a symbol of Doodle. The bird looked disfigured and weak like him. The narrator recalls the Scarlet Ibis having “… a long graceful neck jerked twice into an S shape; a white

The coffin is well built with rich colors. It has a head like structure with long body. The head is drawn with the face, eyes and ears and hair too. It has a long chin. Moreover, the head resembles to that of a human. The coffin is in the form of a human.

In the Sarcophagus of Ramtha Vishnai (Figure 1)and Sarcophagus of Larth Tetnies and Tanchvil Tarnai (Figure 2) the sculpture represents a relief of a man clad in a bracelet and woman embracing on their marital bed. The couple covered by a sheet, possibly the husbands cloak or tebenna that serves as a symbol of their marriage. The sarcophagi are two generations of the same family. An inscription on the sarcophagus indicates that one coffin contains the parents the other sarcophagus contains their son and his wife. The parents sarcophagus, carved in a local volcanic stone, show the more naturalistic character of Etruscan art. The middle-aged man and his wife are pressed close together, their feet poking out beneath the covers. ("Conservation in Action: Etruscan Sarcophagi.") A long relief on the side depicts their wedding procession with the couple at the center. The son’s sarcophagus shows the influence of Greek art and styles in this beard and his wife’s hairstyle, as well as in their idealized appearance and prose. The sides of the sarcophagus are carved with less personal scenes of Greek and Amazon and horsemen attacking armed men on foot. Although the sarcophagus depict a couple on its lid the coffin is designed for a

Starting from the front top of the coffin, it has a sculpted head showing the face of the Pharaoh. It is covered in gold leaf to represent the color of the skin glowing in the sun. On top of the head is a headdress of wings and dung beetle in the center. The dung beetle placed in two places and both are to represent reviving Meret-it-es. Going below the neck is a picture of Meret-ie-es on the right dress in white asking the god to be let into the afterlife. Underneath the picture, it shows detailed patterns I believe to represent jewelry she would have worn. Moving down the body, another set of wings and a dung beetle are placed near her heart. The dung beetle is holding a circle which I believe is to represent the heart of reviving her. Next is a woman with her wings open. Rosalie mentioned that the woman would close her wings at night and open them to wake up Meret-it-es. Across the pelvis shows a dead Meret-it-es with two women on each side mourning for her. Underneath that is Thoth, god of wisdom and writing. He is using an instrument to write that her spirit may enter the next world. Towards the bottom of her feet is hieroglyphs and a man on a boat with papyrus flowers. Unfortunately, I don’t know what the hieroglyphs; however, the boat represents the man taking her to the

When some people are born they have disabilities like being weak or missing a limb. The Scarlet Ibis by James Hurst is about a young boy named Doodle who has a weak heart and body and has a small chance of living. In the story Doodle displayed strength and perseverance

James Hurst establishes “The Scarlet Ibis” by using multiple literary devices such as symbolism. Symbolism is the use of symbols to represent ideas or qualities. The main symbol utilized in the short story is the Scarlet Ibis itself. The bird, Scarlet Ibis, is not the only symbol throughout the story though. The color red is mentioned a couple times throughout the book linking it back to blood and death. Another symbolic object in the story is the coffin.

A symbol is an object an author uses to represent something within a story. It can move the story along, foreshadow what will happen next, and develop characters. In ¨The Scarlet Ibis,” James Hurst uses symbols like the scarlet ibis and the storm to show the progression of Doodle’s illness and foreshadow his death. The author James Hurst uses the scarlet ibis to symbolize the main character, Doodle.

A customarily symbolic creature used was the peacock, another sign of immortality, because of the myth that a peacock’s flesh doesn’t rot. This is displayed on the Sarcophagus of Saint Theodore (6th century A.D.), where two peacocks are placed on either side of an emblem containing the symbols chi and rho, the first two letters of Christ, in a circle signifying completion (Soltes, 11, 21:20).

In James Hurst’s writing of The Scarlet Ibis, he uses the scarlet ibis to represent doodle’s spirit throughout the story; James puts emphasis on this symbol by using the birds species as the title. Doodle’s father believes the bird “looks tired... Or maybe sick” when the family is looking at the scarlet ibis (Hurst 5) .Doodle doesn’t sleep well at night, and sometimes looks feverish. In this instance, both the scarlet ibis and doodle are ill and tired.

Two cults that had a significant impact in Pompeii were the Egyptian cult of Isis and the cult of Bacchus. The cult of Isis was the goddess of fertility and motherhood. This foreign cult is known to be in Pompeii due to excavations revealing the temple of Isis. The temple structure was complex and very large compared to other temples in Pompeii, this indicates that it was a very poplar cult and that it had a huge impact on society. The temple was surrounded by high walls and has what is believed to be an initiation hall and an underground basin of holy water retrieved from the Nile River.

I sat there kneeling beside the fallen Scarlet Ibis and I couldn’t help but feel sorrow. I understood its death, but I felt like it’s life should be honored. From a young age, I understood the concept because I was expected to be in that same position. No one expected me to live and I began to realize that life is a miracle and if you’re lucky enough to be blessed with it, you should celebrate and rejoice. At that moment, I felt like a piece of me died and all I felt like doing was honoring the bird’s death. So I began to dig a grave to bury it in. I wanted people to remember this magnificent form of life and respect it. I felt a deep connection to that bird and I began to think that it somehow resembled me. I know no one in my family understands

The shrine of Tutankhamun uncovers the burial customs of the New Kingdom Egyptians. The Canopic Shrine positioned on the east wall of the Treasury holds Tutankhamun's embalmed internal organs. A gold chest held four Canopic jars containing the dead pharaoh's internal organs in each jar. Undoubtedly, through the process of mummification, the embalmers must have removed the internal organs and preserved them in the Canopic jars, perhaps to be taken with the pharaoh to the next world. The third and innermost of three coffins of Tutankhamun is made of solid gold and is inset with semiprecious stones and coloured glass. It is covered with carved decorations and inscriptions inside and outside. It bears the names and epitaph of the deceased king and also protective texts. From this we discover the significance of the importance of the decoration of the mummy was, and the power the coffin was believed to hold. Originally, mummification was so expensive that it was a privilege enjoyed only by the Pharaoh and few nobles. Everybody else was given a simple grave burial in one of the vast cemeteries or "necropolises" of the time. But the promise of eternal life was so appealing that it wasn't long before other classes of Egyptians began signing up for mummification, too.

The Book of the Earth continues on the left wall of the chamber. Here there is a mummified figure that emerges from a huge snake. It represents a water clock, a device that the Egyptians used to measure time. Next to this water clock are twelve small figures that represent the hours. There are scenes of funerary equipment on the lower parts of the chamber’s walls. The pillars in the chamber originally showed Tausert offering to various deities. But just like throughout the rest of the tomb, her figures were replaced by those of Setnakht offering to Horus, Osiris, Anubis, and other deities.