St. Paul's Cathedral in London, England Essay

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St. Paul’s Cathedral, in London, England, was designed by architect Sir Christopher Wren. Approval of this most significant architectural project took six years just for the plan. Construction, which began in 1675, took thirty-five years until finally complete in 1710. It was built to replace a church that had been leveled by the Great Fire of 1666. St. Paul's is the largest cathedral in England, and said to be Wren's masterpiece. He brought a range of new forms, and architectural combination into English architecture. Masonry, brick, timber, and cut stone were used to form the structure of the cathedral. St. Paul’s Cathedral has been one of the main socially significant buildings in London. Cathedrals all around, have always played a …show more content…

The walls hold much significance and stories dating back to the beginning of established religion.
Sir Christopher Wren’s design of St. Paul’s Cathedral, is not only the largest cathedral in England, but one of the most significant stylistically architectural combinations into English Architecture.
After the Great Fire, parts of the remains of Old St Paul’s were patched up as a temporary cathedral. The structure, however, was in a very bad shape, and in May 1668, after a fall of the remains of the building materials fell; Wren was asked to submit proposals for a new cathedral. Wren’s first proposal, “The First Model”, was quickly neglected, because it was said to be too modest. His second proposal was a mimic of the Greek cross. It was a classical style of the Italian Renaissance, it was centrally planned, and the main interior space was set beneath an enormous dome, and auxiliary spaces were located around the sides. But the clergy, who were only familiar with cathedrals whose designs, were Romanesque or Gothic, and were not familiar to classical architecture in his design, quickly through out the new design. His third design, “The Warrant Design”, was still classical architecture, but it was based on the criticisms of the Greek cross design. The plan was longitudinal, the nave and choir were bordered by lower aisles, and the towers and spire suggested the shape of medieval England. This design was approved by King Charles II, but Wren

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