The Development Of Tragedy And Comedy

The play ‘The Merchant of Venice’ Shakespeare effectively engages the modern audience through the means of comedic conventions within themes and characters. Comedy conventions such as racial and cultural slurs don’t engage the audience as successfully as they did during the 16th century. Since then, our perceptions have changed because of the impacts of historic events. However, the use of double entendre and gender roles continue to amuse modern day audiences. The Merchant of Venice is classified as a problem play/comedy because it deals with contentious social issues between the characters on stage, who typically represent conflicting points of view within a realistic social context along with comedic conventions. Written by the illustrious William Shakespeare about a merchant of Venice who must default in a large loan provided by an abused Jewish moneylender. Shakespeare uses some of the fundamental aspects of society in conjunction with subtle comedic conventions in order to appeal to a modern audience.

The focus of this paper will be to compare and contrast the works of two playwrights. The works that will be considered are Molière’s The Would-Be Gentleman and Beaumarchais’s The Marriage of Figaro. Both considered comedies, Moliere’s is a short play that tells the tale of Monsieur Jourdain, a tradesman who desires to become a gentleman. Beaumarchais’s play, second in the Figaro trilogy, follows the series of event prior to Figaro’s wedding. Figaro and his companions scheme to ensure that his marriage occurs smoothly. Furthermore, the plays are dated 100 years apart from each other, and they deal with the representation of social hierarchy, social mobility, and gender roles in various ways. With that in mind, they become good sources to compare and contrast the changes in society that occurred within those 100 years. This paper will compare both plays to examine how Molière further endorses the social values and ideas of his time, while Beaumarchais’s presents a shift in attitude towards those values and challenges them.

Aristotle provided us with a Greek theory of what is tragedy; he defines it as “a form of drama exciting the emotions of pity and fear. It is the imitation of an action that is serious and also having with it a magnitude complete in itself. On the other hand the English, Elizabethan, Shakespearian culture had a total different perspective from the

Greek drama was performed in the late 6th century BCE in ancient Greece. Tragedians like Euripides wrote very influential and popular plays such as the Bacchae. Greek tragedies lead to Greek comedies such as Aristophanes’ Lysistrata. Many of the Greek dramas have similar concepts, one of being duality. Without duality, the nature of our lives and the environment around us remains unbalanced.

The task of tragedy is to bring ‘Catharsis’ to all its spectators, the belief of witnessing a spectacle consisting of tragic themes, is to provide the spectators a feeling of being cleansed and renewed which purges the spectators’ emotions. However, the idea was to strike pity and fear to all who go to see it. Tragedy is commonly defined as a play involving a main character who is born of royal blood with good intentions, the mistakes they commit leads to their downfall. However, what makes Oedipus The King a highly-regarded piece of Greek Theatre is due to Oedipus not realising that he has already fulfilled his fate by committing the deeds that were

In Greek mythology, Prometheus had a reputation as being a clever trickster and he famously gave the human race the gift of fire and the skill of metalwork, action for which he was punished by Zeus, who ensured every day that an eagle ate the liver of the Titan as he was helplessly chained to a rock. Prometheus, whose name means “Forethought” , was able to see into the future. He warned his brother Epimetheus not to marry Pandora; who’s dowry would eventually unleash evil onto the world. And when Prometheus forewarned Zeus that Thetis son Achilles was destined to be his rival, Zeus released him from bondage in gratitude, ordering Heracles to shoot the eagle and break the god’s binding chains.

When hearing the word Tragedy, it would not be surprising if several different individuals would immediately think of several unique examples of the word. Perhaps one is an opera enthusiast who immediately thinks of Puccini’s La Boheme. Another is a war enthusiast that thinks about History Channel’s new episode highlighting the harshest and bloodiest battles of World War One. Even a third one obsessed with Greek mythology could generate a handful of examples of tragedy. Tragedy, like love or comedy is a universal theme that can be used to entertain, enlighten and excite its audiences. William Shakespeare, a world renown writer, was a master of this genre writing works, including Romeo and Juliet, Othello, and Hamlet. Another lesser known

Theater has prevailed throughout the years, dating back to ancient times and still having importance in society today. Texts of ancient Greek comedy and tragedy have survived for over two thousand years, because a small handful of people thought they were worth preserving. It is a wonder that these plays are still around today, considering how much time has passed and the differences between society today and that of ancient times, also taking into consideration the difference in speech and language. Theater in the ancient world served as a source of entertainment for the people.

When one says the name Prometheus, most people recall vague details from the old Greek myth of the titan god who stole fire. Some may have only even heard the name Prometheus from seeing the movie of the same name about space voyagers. However, the most important version of Prometheus' story in literature is the classical Greek play Prometheus Bound by Ӕschylus. It tells the story of Prometheus standing up to Zeus on behalf of humanity. Prometheus endures Zeus' punishments and becomes a hero. Not only is it an entertaining play, but it also illustrates the dangers of tyranny and oppression on society. In this way, Prometheus Bound is an important piece of literature, a major contribution to theatre, and a warning for society.

The evolution of Drama happened as far back as 6th century BC in Greece. The Ancient Greeks took entertainment very grimly and utilized drama as a way of investigating the world they lived in and discovered what it is like to be a human. The Greeks composed dramas into three types which include comedy, satyr plays, and tragedy, the most important type of Drama. The most well-known plays include Everyman, Dr. Faustus, and Twelfth Night. These plays utilizes themes such as the struggle of good and evil for the human soul, power, society and class, and gender, all which represent humanism.

Ancient Greek Theater is the first historical record of “drama,” which is the Greek term meaning “to do” or “to act.” Beginning in the 5th century BC, Greek Theater developed into an art that is still used today. During the golden age of the Athenians plays were created, plays that are considered among the greatest works of world drama. Today there are thousands of well-known plays and films based on the re-make of ancient drama.

Prometheus Bound is an Ancient Greek tragic play that is one of three plays concerning the large-than-human figure, Prometheus. Zeus, the king of the Gods on Mont Olympus in ancient Greek religion, Prometheus, a Titan, he stole the fire from Mont Olympus and brought the secrets using fire to mortals, then punished by Zeus to a life bound in chains. This is where the title—Prometheus Bound—is given to the play. Prometheus myth is originated from ancient Greek poet Hesiod’s Theology. In Theology, Prometheus is an evildoer, a liar. However, In Aeschylus' works, he fights for human survival and against Zeus. Prometheus’s name means "anticipate," in the play, he had known that Zeus would punish him, but he declined to comment on the tales, instead, still doing the things under his willing. “It is painful to me to tell the tale, painful to keep it silent.” ---- Scene I “Prometheus Bound”. Prometheus violates the fate and against with it. This action is a tragedy but incredible. The image of Prometheus refers to the people's rebellion and noble. This revolution is intimately related to the progress of social civilization. It is rooted in the individual in the struggle with the fate, society, and itself. From time to time, people reading “Prometheus Bound”, Prometheus tagged as “iron-hearted” and “made of stone” but Zeus is “furious” and “arrogant”. However, the good

Greek theatre and medieval drama were both very popular artistic events in their own periods of performance. However, from ancient Greece to the renaissance, time has set them apart in terms of methodology; their practitioners use a creative process based off of different mindsets. Therefore, the significant time lapse between the two genres has had an evident impact on the way theatre was perceived and presented. In comparing aspects such as religious motivations, conditions of violence and character development, the distinct theatrical natures of Greek theatre and medieval drama will be made apparent.

Tragedy as a form works differently than modern drama when compared to the ancient Greeks. When it comes to modern drama, the main character is usually an ordinary person, someone who is middle class. Where as with Greek tragedy, the main character is someone important and noble, such as a king or queen. Modern drama revolves around everyday problems such as social, economical, or personal conflicts. Greek Tragedies seem to be very linear. It’s mostly about the hero making a bad decision from the beginning of the play, which leads to his or her downfall in the end. Although, they were of higher ranking, ancient Greek’s beliefs made the main character powerless to avoid their fate, which was controlled by the gods. As far as conventions go, Greek Tragedies are very unified. The tragedy of the royal protagonist will go through only one time span, a day or less, one setting, and one story. In a modern tragedy, however, the ordinary protagonist’s story goes through multiple realistic settings and a realistic time line. Also, the story would contain multiple plots, which may contain flashbacks.

Comedy was a popular type of play in Ancient Greece, only second to Tragedy. These types were described in many details in Poetics, by Aristotle. He expressed that a comedy is “an imitation of inferior people - not, however, with respect to every kind of defect: the laughable is a species of what is disgraceful. The laughable is an error or disgrace that does not involve pain or destruction” (Aristotle 9). In plainer words, Aristotle is saying that as long as no one becomes hurt, it can be funny, and that everyday misfortune is, or can be humorous. Comedies are also plays that deal with common folk, and common events. (Simpson). Tragedy is almost the exact opposite.