He depicts people at a festival congregated at the town square. Amongst the living are the representations of the departed souls. These are represented by the traditional Mexican sugar skulls and crossbones. The people are chatting, drinking, celebrating and possibly welcoming the dead back to Earth for a day of reunion. It seems he painted this to
E SSAYS ON TWENTIETH-C ENTURY H ISTORY In the series Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig Also in this series: Paula Hamilton and Linda Shopes, eds., Oral History and Public Memories Tiffany Ruby Patterson, Zora Neale Hurston and a History of Southern Life Lisa M. Fine, The Story of Reo Joe: Work, Kin, and Community in Autotown, U.S.A. Van Gosse and Richard Moser, eds., The World the Sixties Made: Politics and Culture in