The Vatican Museums Essay

The first piece of art work that I saw was the work of Frederick William MacMonnies (1863-1937) I felt it captured my attention as I first walked into the room. The unique sculpture “DIANA” really impressed me by depicting a Roman Goddess poised with her bow raised high and ready for the hunt. It was also interesting because the women of that time period were not known as hunters, they were known for being mothers and wives. The piece of art work was medium in sitting on top of a pedestal as you walked into the main exhibit room. There was lots of background information on the poster written below this artwork. It told a story of how MacMonnies and his contemporaries got their inspiration in ancient Greek and Roman culture, and it also took some of the Italian Renaissance into account when making the piece.

The study of Greek sculpture is a complex relationship of Roman sculpture. And a large number of Roman sculpture, especially in the stone, survives more or less intact, it is often damaged or piecemeal; life-size bronze statues are much more rare, because as most have been recycled for their metal. The

The scope of this report is to investigate how and why the Greeks influenced Roman culture. To achieve this, I will support my discussion with a set of specific examples. Lastly, as I have a personal interest in museum studies, I will briefly answer the question: 'Was it theft? Did the Romans really loot Greek art, and what for? '.

At first glance, Giovanni Paolo Pannini’s Picture Gallery with Views of Modern Rome (1757) reveals very little past the outsider-looking-in perspective we are given from Pannini’s perspective. In the center is the Duc de Choiseul surrounded by detailed views of Roman architecture including buildings, fountains, and monuments and several infamous sculptures from the 17th and 18th centuries. While looking at the painting, it is hard to pinpoint one focal point within the composition when the walls of the gallery are filled with paintings from the floor to the ceiling. The focus becomes about the space Pannini has created and it does not focus on one specific object or figure. Each view of Rome seen in the imagined gallery adds to the illusion of Rome as an ideal city and to the idea of its beauty. By showing a space that reflects this beauty through the numerous paintings, sculptures, and architecture Pannini’s painting transforms into an allegory. Even though this painting was commissioned to commemorate Rome, he is able to portray the city and its architecture through a well respected and scholarly environment uncharacteristic of any known space or time. These characteristics cause the which allows it by creating a fictitious These allegorical characteristics do not become known unless you take a closer look at Picture Gallery with Views of Modern Rome (1757).

The museum is in a mansion and has been since 1971. The museum use to have meeting and get-togethers. Federico Garcia Lorca, Maria Guerrero, Vicente Blasco Ibanez, Rene Dumesnil, and Eduardo Zamacois went to these. They are all famous artists.

Roman Gladiators were a highly trained group of people who fought against other gladiators and animals in the Roman coliseums. Most gladiators were slaves captured from other countries that Rome fought. Once Rome conquested their lands, the gladiators were taken prisoner and escorted back to Rome. Once in Rome, they went to the ludus gladiatorius, or Gladiator school, to be trained. Training was supervised by a lanista, or “butcher” who frequently abused the gladiators both physically and mentally, usually using a whip. Many thought that gladiators were only slaves. However, criminals, people in debt, and other rule breakers who were sentenced to death were also sent to the ludus gladiatorius. The gladiators were trained based on the

The durability of clay has brought forth an immense abundance of Greek pottery, a craft mastered by Athenian artists. Archeologists have found hundreds of varieties in creation, shape, function, style, and artwork in Archaic vases. The museum has been blessed with one of these priceless artifacts; it is the duty of this establishment to accumulate as much data as possible surrounding the vase. In first identifying technique, dimensions, and condition, as well as describing shape, ornament, and figural scenery, one may then begin to analyze the vase. This serves the general purpose of understanding where the artifact stands in Greek culture and history. Through the examination and research of figural scenes, it is then possible to compare

Roman art were not only influenced by Greeks but also influenced by Etruscans. The Etruscans were organized into a loose confederation of city-states to the north of Rome. Because of Etruscan attitudes toward the afterlife, most of the art that remains is funerary. They made Bronze reliefs and sculptures; they used frescoes to paint and decorate the walls; they were excelled in portraying human and delivered the

Each time I travel to the Appleton Museum of Art, the relatively large structure of the museum and the amount of art that has been gathered and displayed there never ceases to amaze me. Yet, this piece is one that draws my attention every time and I’m not sure if it is the size or the subject matter.

John Volk was the architect that designed The Museum of Fine Arts and explained the structure as such: “a museum should give a feeling of permanence and that is what I have tried to do with this building”. His plan was well executed, when I arrived to the museum I noticed two different designs. The front of the museum reminded me of the Ionic Order, the Volutes and the molded bases became my main focus. The beige paint seemed like a great fit as well, it added to the light and airy flow within the museum and gave me further evidence that the Ionic order outside represented what was displayed inside. However, the actual style of the building was a Palladian Style which originated from Europe in the 1500’s.

The Metropolitan Museum of Art or The Met, for short, can be described as a place of extraordinary value to the study of the fine arts. The Met was established in order to encourage the study, application, and practice of the fine arts. As a result, numerous professors advise their students to visit The Met. Thus, it is for this reason on the 18th of March that my brother and I traveled to the museum with the purpose to analyze artwork from the Italian Renaissance, especially those that were created in the fifteenth and sixteenth centuries. Upon obtaining entry to the Metropolitan Museum of Art, I was intrigued by the vast amounts of artwork present before me and immediately began bask in the beauty of the sculptures, paintings, and sarcophaguses.

The Museum of Ancient Egyptian Art collections, including artifacts and objects relating to the different periods of ancient Egyptian history, starting from the prehistoric period until the Greek roman period. The museum maintains an information system consisting of all the records pertaining to the museum’s collection. The principle components of this system are as following:

His hands work quickly and delicately to complete this work of art. Every chiseled muscle would be as smooth as silk, each hair a perfect curl. Sweat dripped from his face and his heart pounded rapidly in his chest as he stepped back to see what he had created. Two years- two long years to finish this piece. What will the result be? He worried that all his work would have been for nothing. Tears swelled in his eyes as he gazed at his work. It was spectacular. The marble seemed to faintly glow in the afternoon sun. Michelangelo's expressive and idealized works of art have been a major influence from his own time to ours.

On the museum’s website, it allows us to get a better insight into its art collection and provides us with essential information of the institution. The design of the museum’s

St. Paul’s Cathedral, in London, England, was designed by architect Sir Christopher Wren. Approval of this most significant architectural project took six years just for the plan. Construction, which began in 1675, took thirty-five years until finally complete in 1710. It was built to replace a church that had been leveled by the Great Fire of 1666. St. Paul's is the largest cathedral in England, and said to be Wren's masterpiece. He brought a range of new forms, and architectural combination into English architecture. Masonry, brick, timber, and cut stone were used to form the structure of the cathedral. St. Paul’s Cathedral has been one of the main socially significant buildings in London. Cathedrals all around, have always played a