“I don’t stick my neck out for anyone,” famous words of the male lead, Rick, in Casablanca. He constantly reminded us that no one else is worth sacrificing for, or at least that’s what he wanted us to think. Is it wrong to care only for oneself? Is it necessary to show compassion and understanding to others? Rick is great example of to practice what I do and not what I preach. He tells us that he doesn’t want to stick his neck out for anything, he contradicts himself throughout the whole movie. I find this to symbolic because we should be willing to help others and accept help from others. He helps many different people. In the beginning, we are drawn to this dark character in a bar, and at first, you might think he is going to be the antagonist. He proves to be much more than that. We find out soon after the movie starts that someone will be arrested soon. This man held the transit letters for a very important activist coming to Casablanca on his way to America. A German general is trying to keep them in Casablanca as it better benefits his government to do so. The general, who’s in charge of the arrest, asks Rick if there will be any funny business on his end. Rick assures him; he has no intention of getting in their way. The man was approached and chased around, and finally ran to Rick. He demanded that Rick help him, but Rick told him he doesn’t stick his neck out for anyone. The man, …show more content…
He shows us that being selfish gets you nowhere. However, he is modest about his actions, so one shouldn’t get full headed about doing those things for others either. I honestly find the film to be well done, and it had a lot of answers to modern and past society. “I don’t stick my neck out for anyone,” famous words that faded behind the action of Richard
Rick’s hubris, as previously mentioned, is his self-centeredness and adamancy, which is resolved through his Ultimate Boon. Rick’s boon is selflessness and the first time that Rick truly shows this selflessness that he has received in his journey occurs when he decides to help Annina and Jan Brandel receive their travel visas to America. It represents a change in character and is a pivotal point in Rick’s character arc. This also fits in well with the cosmogonic cycle, as the Ultimate Boon is received by the hero directly after the apotheosis stage, which in Casablanca is represented by the resolution of Annina’s predicament (Campbell
Rick struggles with his feelings of love for Ilsa and his loyalty and admiration for Victor and his cause. Rick recognizes how important Victor’s work is to the world, and sees that Ilsa is a necessary part of this mission. Rick admires Victor’s selfless devotion to Ilsa, and knows that he (Victor) is the better man. He tells Ilsa, “...inside of us we both know you belong with Victor.
The characters in Casablanca all contribute to the political allegory, for example Rick is strong and isolated like America, Strasser is the typical Nazi general representing Germany, and Renault is compliant with the Germans like France. American Rick and European Louis look out for each other's interests throughout the film, just as America and Western Europe did once the United States entered the war. Renault had to obey and follow the Strasser?s demands until he had leverage and the knowledge that he could defeat or overcome
In a quest for a sense of belonging and success in life as well as a need for survival and money from a steady job, Richard attempts to conform to the social rules of those around him and the expectations of how he must behave like a second-class citizen. To feel like a part of the community and to please his family in hopes of improving his home life, Richard begins to attend a Protestant church. He consents to become a member of the church and is baptized, but he does so to please his mother and because his need for association and acceptance with a group is immense. After the church service that night, Richard reflects, “I had not felt anything except a sullen anger and a crushing sense of shame. Yet I was somehow glad that I had got it over with; no barriers now stood between me and the community”. In addition to these expectations from his family and the black community he associated with,
A constant need for love and care develops in Richard when he is young. One of the first major events that occur to Richard during his autobiography is the abandonment by his father. As soon as his father leaves him and his mother, Richard begins to be deprived of the love he needs most
Ray points out that this concealing of the necessity for choice also governs the thematic paradigm in Casablanca. The film invites the audience to identify with Rick rather than Laszlo even though official American wartime sentiments are consistently voiced by Laszlo. Rick regularly insists upon unmediated self-interest,"I stick my neck out for nobody", "I'm the only cause I'm interested in", a position that Ferrari explicitly identifies with a discredited American tradition: "My
In the story, Richard had mentioned about the loss of his identity, his speaks of language and his family. We can see that when he said, “I did not know that I had a family, a history, a culture, a source of spirituality, a cosmology, or a traditional way of living. I had no awareness that I belonged somewhere. I grew up ashamed of my Native identity and the fact that I knew nothing about it”. This shows he was angry that there was no one tell him about where he belonged and his culture.
1. What is the setting for Casablanca? How does the film establish this setting? If you were creating a theatrical production of the play upon which the film is based, how would you establish the setting on stage? The setting for the movie looked as if it was around the 1980’s. The movie has a sort of mellow feeling to it because of how calm all the actors and actresses are performing. If i were to do a theatrical performance on this i would have set all the scenes in a way where it would fit the 1980’s attitude, such as clothing and accent.
In the film, “Casablanca”, it showed us that America was neutral in the war as Rick said, “I stick my neck out for nobody.” Rick is portrayed as America, although he seemed as if he was neutral he started to show that he was caving in for the underdog, just as America did when we started to get involved in the War. During the film when the Germans come into Rick’s café, Rick shows that he is aware of what is going on in the War, just as we Americans knew about all the concentration camps. Also, when someone offered to buy Sam’s contract from Rick, Rick said “I don’t buy or sell human beings.” Casablanca shows that America is aware of what is going on and that we are above all of it.
Ambition is an earnest desire for achievement. Both texts are self reflexive and emphasise Richard’s obsessive ambition, desire and longing for the throne. Each Richard strives towards capturing the throne regardless of consequences and bloodshed. Richard is depicted in both texts as an ambitious character who strives to gain power and independence through deception and self confessed villainy. ‘Since I cannot prove a lover. . . I am determined to prove a villain’ This obsession which drives Richard to commit horrific evils to gain and then protect his claim to the throne. His ambition, power and evil blinds him and inevitably is responsible for his downfall in both of the texts. A connection is formed between Looking for Richard and King Richard III in the final scenes Al Pacino’s interpretation and ‘Hollywood’ background influences an ending which can be interpreted as portraying Richmond as a coward. Elizabethan audiences
Throughout Casablanca, there is a definite sense of patriotism and nationalism from the American side. Although the marketing team focused on the action, romance, and movie stars, the underlying political themes of Casablanca are eminent; the film’s intention was to get people to support the war. Rick, played by Humphrey Bogart, is the representative of the Americans in the film. He is, after all, called a patriot by Captain Renault after the murder of Mayor Stasser. In the film, America is shown as a safe place for refugees; this further promotes American involvement in the war, because Americans should want to keep fighting for their land to stay safe.
Later on, Major Strasser meets with Victor Laszlo to force Laszlo to release the names of revolutionaries, but he refuses. Afterwards, Laszlo and Ilsa talk about leaving Casablanca for their safety and realize that Rick may be the one with the transit papers. Laszlo tries to calmly convince Rick to give him the papers, to no avail. Shortly after, Ilsa also attempts to convince Rick to change his mind. She tries passively at first, then holds a gun to his stomach and demands that he give her the papers, after which she begins to break down about how she still loves Rick and never wanted to leave him in Paris. They spend the night together and Rick promises to get Laszlo out of Casablanca. The next night, as Rick gives the papers to Laszlo, Captain Louis Renault shows up to try to arrest Laszlo. Rick turns a gun on Renault, forcing him to clear the airport
In the film Casablanca they show various different aspects of American culture during the wartime forties. These things are cumulated in the films sole American, whose name is Rick. However this film not only shows the culture of Americans but also shows a look into what Americans viewed the war as. The values of people and what was considered obtuse for society are ever changing, and you can see this as plain as day within the movies and films of the time. Casablanca is an amazing example for this because it is special in the fact that it’s the only play written during the time that was never played but was instead turned straight into a movie. Now let’s take a more in-depth look into the movie and how it’s connected to the people who were meant to watch it.
The main conflict presented in Casablanca was the love triangle between Victor, Ilsa, and Rick. Victor and Rick loved Ilsa at the same time, however she was married to Victor yet was still in love with Rick. In this situation, love seems like the opposite of a solution, and is more so the factor causing any issues and tension. Looking into the film’s flashbacks, this is still a common theme. Ilsa’s love for her husband was not enough to save him from the war when he was believed to be dead, as it would be unrealistic to think so. If love truly “conquers all”, theoretically it would even be able to transcend death. If love was the one true answer, wars would not happen and all conflict would essentially not exist. Had Ilsa chosen to leave with Rick instead of staying with Victor in Paris, she could have never redeemed herself in the eyes of anyone she may have known, or to herself. Love could not save her from those consequences, so she made the wiser choice. The
Both Rick Grimes and his actions are moral and unselfish. Rather than being self-centered, Rick puts his life on the line to protect the group and his family with the best of his ability. The well-intentioned actions and selfless motives of Rick is evident in these three examples. In the early events of