Film Director Essay

Annotated Bibliography: How do French, Italian, Japanese, and Indian arthouse-auteurist films affect the development of New Hollywood auteur films. Bondanella, P. (2002). The Films of Federico Fellini. Cambridge, UK: Cambridge University Press. The Films of Federico Fellini examines the career and work of Italy’s most revered filmmakers. By analyzing the masterpieces of Fellini, the book attempts to categorize the influence of his work, and explain some of his interests in fantasy, the irrational

which ignited the careers of director Doug Liman, and actors Vince Vaughn and Jon Favreau. Set in mid-1990s Los Angeles and Las Vegas, the cities become as much as a lead role as the actors. Revolving around a young comedian/actor named Michael (Mike) played by Jon Favreau, the plot follows the difficulties Mike has been dealing with regarding the romantic and career consequences of leaving New York to becoming a success in Los Angeles. During the course of the film, we find Mike confiding in his

Film Autuerism Auteurism is a term first coined by Francois Truffaut to describe the mark of a film director on his films. A director can be considered an auteur if about five of his film depict a certain style that is definitely his own. In other words, much like one can look at a painting and tell if it is a Monet, a Renoir, or a Degas, if a film director is an auteur, one can look at his film and tell by style and recurring themes that it was made by a certain director. In auteur films, the

prevalent uses of LGBT themes in the film. He tends to explore the boundaries of sexuality and sexual chemistry between different kinds of people and imposes in his film. Just as all the auteur directors such as “Alfred Hitchcock”, “Tim Burton” and “Penelope Cruz”, the most important factor that indicates Pedro Almodovar is worth the titled of “auteur” is that Almodovar uses certain actors and actress repeatedly in his films and these actor often helped him to mark his film as an original creator of the

Miyazaki the Fashion Icon of Film Many people may have a specific style in which they like to dress. A woman might have a signature lipstick she enjoys wearing, a man might have a distinct cologne that stands out from the rest. Movies are not too far apart in comparison. Sometimes people find films more enjoyable than others, and often do not realize they come from the same director. The Auteur theory is a that defines the director as the sole author of the entire film, adding his or her own personal

of Africans as savages is a common stereotype seen in American and European films that show Africans as barbaric and primitive creatures. Specifically in these films, a savage is an African who is constantly portrayed and characterized as a worthless, lazy, blood-thirsty, cannibalistic beast “who probably deserves to die” (158). This is because Africans don’t fit the stereotypical cookie-cutter mold of what the directors consider “normal” (i.e. being a great white hunter), and therefore, they are

Known as one of the greatest and most famous films of all time, Jaws was recognized as a summer blockbuster after its release in June 1975. Jaws, directed by Steven Spielberg, was highly known for its outstanding cinematography, scenic music, as well as the effect it had on filmmaking history with the tremendously small budget they had of 9 million dollars. This film created a summer blockbuster by being the start of great suspense, action, and strong effects and explosions. Movies these days have

Cassidy 12B 2015 Sir Alfred Hitchcock, director of several of the very first thriller films including his silent film The Lodger (1926), is believed to be the “Master of Suspense” (Ramirez Berg, 2015). Hitchcock was integral in creating the codes the codes and conventions of the thriller genre. These codes and conventions can be seen in some of Hitchcock’s films such as Vertigo (1958), Rope (1948) and Psycho (1960) as well as in every other thriller film. Some other conventions of the thriller

In cinematography, as Quentin Tarantino talks about in an interview, the director is the conductor and the audience’s feelings are the instrument that directors utilize to evoke emotion. Directors have to hone this skill in order to evoke the viewer’s emotions and properly captivate the audience. One of the tools directors use to control the audience, in addition to special effects, is dialogue. Dialogue has the power to push an audience to tears when a character dies, or make them laugh at the same

relationship between Gatsby and Daisy. In the film adaption, the Director, Jack Clayton (1974), mimics the plot of the setting, and quotes the novel precisely, however fails to capture the spirit of the themes being portrayed from the novel due to, some of the aspects of the novel that differ from the movie. For example,the general expression of the settings does not match and the characteristics of Gatsby is portrayed different compared to the film and the novel. The general setting of Gatsby’s