museum visit essay

From the immense stone coliseum to the intricately carved marble statues of deities, Greek has long been known for its arts and architecture. The beauty of these artifacts has been preserved and admired for centuries; however, as with most things humans find beautiful, these artifacts have been worn down, ripped apart, and abused over the centuries. Christopher Hitchens’ article addresses this long history of neglect and argues against further destruction of these grand and ancient treasures, and

It is a huge thought that artwork is famous from the emotions it shows. People can feel happy, sad, and mad just by the way art piece is represented. These artists are more interested in expressing emotional experience and less focused on realism. The art work is about the feeling at the time. The two artists Edvard Beardsley, and Shen Zhou created two pieces that expressed the emotions they felt about someone or themselves. Emotions are a huge part of people and also art. In the two art work, it

and I began my visual learning exploration. The first exhibit I experienced when I walked into the museum was a jazz quartet playing music, so I stopped to listen, while I planned my schedule using the provided map and itinerary. I allowed myself time to stop and appreciate all of the art exhibits and paintings on my way to listen to a lecture located in the Gold Rush Gallery. The Crocker Art Museum was eye candy for me and I was able to view a large variety of art pieces created from a variety of

Criticism and Theory Saddik Gouhar 201200350 Haifa Abdulla Report Summary Introduction In 1798 when Napoleon invaded Egypt opened the door to the western cities such as Britain and France, sparked of the beginnings of Egyptomania, the innovative modern scholarship on ancient Egypt, Jean François and the birth of the science of Egyptology. The best period for Egypt extended beyond the nineteenth century and it retched to the 1922 with the discovery of the tomb Tutankhamun. The text above

Greek Pottery Ceramics has played a substantial role throughout history, so that is why the Greeks made sure to make a sizable imprint on ceramics through their intuitive approach on clay objects. Before we can learn about the ancient Greek ceramics we must first learn about ancient Greek itself. The culture is believed to of had its first evidence of burials in 7250 BCE, and the culture lasted all the way to 146 BCE. Ancient Greek culture has influenced the present day more than most people

How does one re-work history? Do they re-work the message around it or do they re-work culture that surrounds it. In this essay we will look at two artists that reshape and re contextualize historical works. They create a meaning that forms a new genealogy around the image, creating a new subject of discussion. Kehinde Wiley works with historical paintings. He re-shapes the imagery to re-work the influence historical works portray; a rich aristocratic power and influence. He re-works this by replacing

this claim. What we do have, however, is many archaic fragments of sculpture and architecture obtained from the site through careful excavation. Every significant fragment that was found on the site of the temple has been transported to the British Museum. A single column still remains on the site of the temple in Ephesus, which was built in modern times for remembrance. Because of the discoveries of John Wood, information about the architecture of the Temple of Artemis has become available. It was

Looking like a scene out of a horror movie, The Scream is one of the most famous Expressionist paintings in the world. During the end of the nineteenth century, Expressionism arose as an art movement, wherein poets and artists began to use their works to express their inner feelings and emotions (Wolf). One of the influential expressionists at that period was Edvard Munch, who was a Norwegian artist and who painted The Scream in four distinct versions, from tempera to pastel to crayon (Shabi). After

is the inner most decorative piece on the outside ceiling of the Parthenon. Its construction finished in 447BC and it was built by Phidias on the orders of Pericles. (1) The Frieze today is situated in multiple museums around Europe. The majority of the Frieze is located in the British Museum where the 80m’s of Frieze has its own room in the Duveen Gallery that was built to replicate the position from where it was taken from on the Parthenon in Athens. In 1938 Duveen and his associates undertook a

in many European museums and, of course, in Greece. Those locations—other than Greece—have been the center of a long going debate regarding whether the sculptures should remain in those places or if they should be sent back to whence they came. The sculptures are a part of Greek history, and they were once attached to The Parthenon, created as a temple for Greek goddess Athena. Greece should have the right to put all their pieces from this creation on display in their own museums and buildings. The