Blackfish Film Analysis

In terms of pathos, Blackfish is also strong in delivering an argument appeal to emotion. These SeaWorld trainers gave their personal stories in the documentary, all sharing how they were so excited to work with the animals when first applying and getting the job. They all explained how they truly were able to develop relationships with Tilikum and the other orcas during their time at SeaWorld. When talking about the incidents between Tilikum and trainer Dawn Brancheau, the trainers’ emotion is shown when they stutter in their words, cry, and give their deepest regrets

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

One of the most effective strategies that the director amplifies in the film is pathos. Pathos is shown by phone calls that have been made to dispatch when attacks occurred, actual footage from attacks and baby orcas crying when they were separated from their mothers. This allows the audience to see and hear all of the incidents regarding the killer whales and be able to feel more connected. When the director uses pathos the appeal is to have the sympathy directed for the killer whales. A claim that ties in with all of this is in the documentary when they are saying killer whales are normally peaceful in the wild, and they only attack while in captivity. Detailed facts about how the whales are to an extent, tortured and become agitated with no outlet support this reasoning, since there are documented reports and footage of this as well.

Gabriela Cowperthwaite’s activist documentary, Blackfish, spurred a significant public dialogue following its 2013 premier. The film centers on the role of Tilikum, an orca whale at SeaWorld, in the deaths of three SeaWorld trainers, including, most recently, Dawn Brancheau. Cowperthwaite follows a suit brought against Sea World by the Occupational Safety and Health Administration (OSHA), weaving together testimony of scientists, former trainers, and family members of the deceased, among others, to make a compelling case against SeaWorld’s practice of holding and performing alongside orcas. Nevertheless, after its release, the film drew criticism from some of its participants as well as Sea World itself. Cowperthwaite claims not to have tried to vilify SeaWorld. However, this claim seems dubious given the film’s fairly evident anti-SeaWorld bias.

In beginning of the film, the appeal to pathos affects the audience as we listen to what these former trainers have to say about how they became interested in the job and what made them realize that a trainer was what they wanted to be. As a little kid each of these trainers were inspired by commercials, TV channels, and visiting SeaWorld for the first time. It seems that this job is perfect for them until they realize that they do not know where and how these killer whales were captured. According to the SeaWorld of Hurt website, “Dr. Newby tells the story of the horrific captures

One of the first examples of any fallacy being used in Blackfish would be when the audio recording of the 911 call regarding Dawn Brancheau’s death is paired with video footage of a killer whale and trainer performing during a regular show. By pairing these two unrelated events together the audience is manipulated into believing they are witnessing the accident that took Ms. Brancheau’s life and that the accident took place in front of an entire crowd of people during a show. This is not true, seeing as the show had been stopped at the time of the accident and a only a few park goers were witness.This is not the only example of video footage being manipulated to assist in convincing the audience to see their point of view. In a montage of whale related accidents, injuries, and deaths, a video depicting John Hargreaves with blood running down his face is featured. Having this included allows the audience to believe that his injuries were caused by his interactions with a whale; it is not until, or if, the audience looks further into the matter that it is revealed that his injuries were in no way related to an incident involving orca whales and in no way applies to the

Black Fish uses the death of a recognized Killer Whale trainer at SeaWorld, Dawn Brancheau who was one of Tilikums trainers thorough his twenty years in captivity, almost as a framing device to explore the theory that possessing Orcas in captivity is corrupt and unnatural for the whales. In Black fish, there are many different tragedies that went on while the Orcas were in captivity. Fisher men separated the young from the mothers and took them into SeaWorld. Many of the workers were unaware of all of the immoral actions they were taking part in. Tilikum was the Killer Whale that ended up killing Dawn Brancheau and causing a stir in SeaWorld. Having Orcas in captivity damages them but, the trainers were scared to leave because they want to continue to care for the whales. There is a relationship shared with the trainers and the whales yet it is obvious that very little was taught in the SeaWorld industry about these intelligent mammals.

“Blackfish” the documentary film was created to reveal how confinement of killer whales can lead to dangerous behavior toward human trainers. The main claim this film displayed is how the captivity of Killer Whales triggers aggression and is unsafe for humans and other marine mammals. Blackfish uses the story of Tilikum (most aggressive killer whale who killed the most amount of Sea World trainers), interviews of previous trainers, and court hearings regarding OSHA and Sea World to support their claim.

The whales showed human emotion that the audience could relate to and therefor creating much more worry and care for them. The interviews in these documentaries can be used to find both sides of the topic as well or prove a point by making the opposing side seem evil or silly. In Blackfish, you’ll find that it only contained one interview for the opposite side, which, in my opinion, was intentional. Mark Simons was made to look insignificant compared to the favoured side of the topic. The same technique was used in The Cove, except it put Hideki Horonuki, the deputy of fisheries on the spot when he was shown controversial footage of the slaughtering that he ignored and had him ask on

The claim further argues that said stress can be directly blamed for the violent outbursts of the orcas against the training staff. When whales are taken away from their families in the wild waters, they grieve the pain and suffering that is associated with that parting, thus making the whales an emotional time bomb. The documentary provides grounds to argue that orcas suffer the emotional repercussions of separation, much like humans do by with the fact that scientists have proven them to be conscious of human-like relationships and feelings via MRI’s. Moreover, included in this documentary was a commercial of a killer whale giving birth to baby Kalina. Much like our society, killer whales value their relationships with their offspring. Once Kalina was taken from her mother, Katina, is shown being immobile in the corner of the tank, audibly screeching and crying. Being able to see and hear the tragic response of the mother makes the audience empathize with the orca and want to cry for her. Incorporating this event shows how holding orcas in captivity can negatively affect them psychologically. This vivid scene gives the audience the ability to sympathize on a personal level with a mammal other than

Cowperthwaite wastes no time in establishing an emotional connection between viewers and the subject matter. Cowperthwaite uses pathos in the form of an actual 911 emergency phone call related to SeaWorld incidents, interviews given by former SeaWorld trainers, and video clips of killer whales behaving in nature and in captivity. Within the first few seconds of the documentary, viewers are exposed to not one but two horrifying 911 emergency phone calls. In one of these phone calls, a man calls and communicates to the

The film is directly targeted at the general population, with the intent to notify the public about the cruel management and the inhumane practices of SeaWorld. They use Logos to assure that Orca whales are more than a simple creature. They inform the audience that Orcas are intellectual, and are capable of understanding emotion. The film supports this claim by further saying that orcas have a limbic system that is more complex than that of humans. Additionally, Blackfish supports its argument by claiming that scientists have used MRI's on the whales, proving them to be conscious of human-like relationships and feelings. This source of Logos becomes very apparent when the film shows the Orca whales being taken from their ocean environment. They become lethargic and show signs of depression while captive in their tanks. Another sign of the whales having the capacity to understand emotion and human-like relationships is when one of the mother Orcas gives birth. Form research, it is found

Sea World rebuttal was not considered in the documentary of “Blackfish” which clearly defines the bias views of the creator. So without choice, viewers are marked to take the side of the creator or leave the documentary feeling like a kid in a fine china shop, unable to touch or lose your balance for fear of shattering the look of the shop. Unfortunately, the problem with animal activist groups is that they force their religious views of animals on others with no other biases to consider. Hence, their real arguments are skewed and we are unable to clearly see the real poignant side without the opinions.

The death of Dawn Brancheau made national news back in 2010. Dawn was working as an orca trainer at the SeaWorld of Orlando when the tragic accident occurred. While doing a relationship session with Tilikum, the largest orca in captivity, Dawn was pulled into the water and drowned. It was a story that not only shocked the nation but left people wondering how something so horrible could happen. Gabriela Cowperthwaite‘s use of the accounts of retired SeaWorld trainers exposed the harsh reality of captured animals in her documentary Blackfish. In creating a piece focused on the life of one orca, Cowperthwaite has allowed viewers to look into the lives of captured animals and has shown the greater social issue of animal rights, the treatment

On July 19, 2013, Cnn films released the documentary Blackfish. A documentary that covers the killer whale Tilikum who killed his trainer Dawn Brancheau in February. This film has gotten the attention of the public and Seaworld has to face the backlash of it’s effects. The public has good reason to be mad. Putting whales in captivity for entertainment is wrong and is a dangerous and inhuman practice. In the trailer to the movie Blackfish it was stated that when they caught these whales from the wild “we stored them in what we call a module which was 20 ft across and 30 ft. deep and the lights were all turned out”. From being completely free in the sea to being stuck into the equivalent of a bathtub is very cruel to an