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Daniel Orozco’s “Orientation”

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The new employee is unimportant in Daniel Orozco’s “Orientation”
The short story “Orientation” by Daniel Orozco is a unique story. Orozco never introduces the narrator or the audience. The story appears to be, just as the title specifies, an orientation for a person entering a new job. The story, however, delves deep into the lives of several employees throughout the story. The lives of these employees and their interactions become the most important part of Orozco’s work and the main character that is being spoken to becomes an unimportant observer in an intricate atmosphere.
The story is told in the first person voice. The narrator is talking to one particular person; He refers to this character in the second person voice. “This is …show more content…

Orozco painfully jolts the reader back to reality, the office setting, no matter how disturbing the described experiences of an employee have been. This is evident in the passage about Kevin Howard, the serial killer.
The carnage inflicted is precise: the angle and direction of the incisions; the layering of skin and muscle tissue; the rearrangement of the visceral organs; and so on. Kevin Howard does not let any of this interfere with his work. He is, in fact, our fastest typist.
The disturbing description of the serial killer is recited without any waver whatsoever away from the intent only to divulge information. The narrator makes no personal comment and expresses no opinion about Howard. After the narrator has given the information to the listener, the narrator leads the train of thought right back to the work environment. The idea of a horrible mass murderer is interrupted by his typing ability. This continued contrast now goes past unstable and borders on psychotic. The far-fetched is made believable only because of the narrator’s complete professional façade. By itself, speaking of a mass murderer’s typing ability does seem psychotic, but the narrator has so completely described every aspect of the listener’s new surroundings that any individual part of the surrounding does not seem overly important. The characters are merely present and described as they are. This description does not affect any character, so there is no real

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