Description Of A Visit To Visit A Museum

One of the main sources used in this essay was a general historical overview from the end of the 15th century up until the French revolution. The source is subdivided into essays and gave detailed descriptions apropos to France’s political, economical, and social circumstances during the time period of 1715-1789. Apropos to artwork, Vigée Le Brun’s, ‘La reine en gaulle’, was looked at in order to have a better understanding as to what the chemise à la reine was like and since this painting was done during the time period by the artist, it seemed appropriate to incorporate this painting as source to the essay. With regards to museums

Although a cultural center for entertainment and education, a museum is, at its core, a business. Being such, it must operate as such. Obtaining and maintaining valuable artifacts is expensive; procurement, transportation, upkeep, and security are some of the many costs involved. The revenue generated by the museum has to be sufficient enough to cover these large expenses. For that reason, the cost-effectiveness of a piece must be considered. A famous piece, such as the Mona Lisa, will

As Edgar Degas once said, “ Art is not what you see, but what others make you see”. The St. Louis Art Museum is a place for artist to display their art and give spectators the option to see art from a new perspective. This was the case for me. As we walked up to the beautifully structured building that stood so tall and wide, my expectations were extremely high. At first glance I notice the bronze statue of King Louis IX of France riding high on his horse. From this statue alone, my expectations of the art museum grew stronger. I have never been to an art museum before, so I wasn’t sure of what to expect. My first expectation was to see huge detailed sculptures right as I walked through the door. That expectation didn’t come true.

If there is a travelling exhibition, it’s always a good idea to see it while you have the chance. Then, if you have time, you can look at other things in the museum.

Three weeks ago I visited the Art Institute of Chicago. It was established in 1879 and has since expanded its collection to approximately three hundred thousand works. Attracting over one and a half million visitors annually, it is one of the largest art museums in the United States. The reason I chose this site is that I read that it displayed Georges Seurat’s A Sunday Afternoon on the Island of La Grande Jatte, and I wanted to see it in person because it is so iconic.

Another aspect that I found to be very interesting was the way in which each of the museums offered different multimedia formats to facilitate the visitor’s experience with the artwork in display. I noticed that both museums offered applications for smartphones and tablets, free of charge, to assist the visitors with getting the most possible out of the museum. Visiting a museum can be a very distracting task because there is so much to see and without a plan or a navigating system that helps you make your way towards the museum, it can be hard to gain something from your visit. Both apps are accessible to most people and very easy to navigate through. These apps included audio guides, exhibition information, calendars, events and so on. However, I noticed

The museum is in a mansion and has been since 1971. The museum use to have meeting and get-togethers. Federico Garcia Lorca, Maria Guerrero, Vicente Blasco Ibanez, Rene Dumesnil, and Eduardo Zamacois went to these. They are all famous artists.

To me, museums serve as trains that deliver goods that are arts to people. Art can be perceived as a mean to entertains our life, reflects customs and communicates thoughts, ideas and emotions and it’s museums job that bring them closer to people. There is a huge difference when it came to seeing the artwork in person and seeing the artwork from a book or website and magazine. You will never be able to feel a piece properly when you see it in the textbook, you will never understand how the color was put together and what is the meaning behinds it, you won’t see how the lines and curves are blend together to make the painting look perfect and how strong that art can affect you in emotion. Many people nowadays don’t even bother watching the art themselves, they rather listening to what critics have to say about the works in their own perspective and can’t even make a decision themselves whether or not they should see the arts. “An ounce of image is worth a pound of performance”, in my opinion, I think we will never know what is good until we see it

The Florence Griswold Museum’s Mission statement, that is found on their website, is “The Florence Griswold Museum fosters the understanding of American art, with emphasis on the art, history, and landscape of Connecticut.” I feel this accurately describes the location I visited. The Florence Griswold Museum is not only an art museum it is also the house Florence lived in, and the grounds that many artists stayed on. The purpose of the house was too board many artists that wanted to come to the artist colony and by doing so impacted many lives. The art museum is a building of four rooms. There are three rooms that house the museum’s collections and the current exhibitions. The other room is the visitor amenities, the orientation film, and a small little shop. My favorite piece of art in the art gallery was the “Peony Window Panel, Richard Beatty Mellon Mansion in

Before I went to the museum, my prospective about a museum was poor expectations. What can a museum will offer? , this was one of the questions that I always had in mind. For these reasons, I never thought that I could enjoy a museum tour. However, everything change after visited the Phoenix Art Museum. I went to the trip with poor expectations, but since I arrived in the lobby with all of my classmates and the professor. I started feel that this trip will be sash an educational experience.

There are different types of exhibits, current, traveling, and online. Current exhibits are part of the museum that will never change or move, may be improved but will always be there. Traveling exhibits could stay at any museum for about a month and move to another. Some examples would be The Nazi Olympics: Berlin 1936, which is currently in the Holocaust Museum d.c Online exhibits are articles/information on a specific topic that you can find online.(free) The greatness about all it is that all leave a lasting informative

One of my favorite things to do when traveling in a new city is to visit the museums. I

I had the opportunity to visit this museum before and I was very impressed and overwhelmed by the quantity and quality of the things I saw, however, this time during my visit, I gave critical attention to the East Wing Building of the art gallery. I was utterly amazed by the new pieces in the East Wing, which led

The manner in which a spectator responds to art and objects in a museum will differ, but what remains true is that each individual’s experience will undeniably remain their own (pg. 30). Conversely, the viewer may not be aware that the items on display have been carefully curated, sometimes in a way that places emphasis on visual interest rather than cultural significance. In Svetlana Alpers essay, The Museum as a Way of Seeing, she argues that museums establish their own way of seeing an object, something she refers to as the Museum Effect (p. 27). When an object is removed from its original provenience and placed in a museum, for display and consideration by others, the museum attaches artistic value and context to that item by making it an object of visual interest, rather than focusing on cultural importance (p. 25). In contrast, Carol Duncan and Allan Wallach’s reading, The Universal Survey Museum, contend that early museum models were built similar to ancient Roman temples and cathedrals becoming places of public spectacle that took great consideration to recognize state power. (p. 52). As a result, museums today continue to share these important characteristics, displaying works of art in a ritualistic manner, with their primary function being to impress upon those who visit it society’s most illustrious beliefs and values (p. 52).

The Louvre was not founded as a museum, and the road to attaining today’s program expanded across six centuries of monarchies, wars, treaties, and revolution. Dating far back to the 12th century as a fortress for King Phillip II, the Louvre laid foundations with protective walls, and underground crypts to function not as a gallery for the public, but rather a stronghold for the private. As the decades turned, the old Louvre acclimated to the needs of the monarchies, undergoing usage as both a stronghold and a retreat, but entirely defense-based nonetheless (Deitz). Two centuries passed when Charles V altered the program from a bulwark of protection, changing it into a residency. Here the program shifted towards a notion of more public structure. Several French kings after, Francis I decorated the bulky fortress with a French renaissance style, further changing the Louvre’s appearance and adapting the architecture to the art style of the time. This move would be seen again in I. M. Pei’s controversial addition. Under King Henry IV, the Louvre underwent reconstruction (Kostof). During the rise of Versailles, artisans resided within the Louvre’s halls, giving way to the notion of an art influenced program for the building