There has always been an interesting connection between Hollywood and Europe. Hollywood has dominated European cinema since the First World War and at present accounts for approximately 80% of market share in the majority of European countries, while European share of the American market is weak at 5.02% in 2001. The Hollywood advantage is concentrated in one very particular kind of moviemaking: films that are entertaining, highly visible, and have broad global appeal. The typical European film has about one percent of the audience of the typical Hollywood film, and this differential has been growing. American movies have become increasingly popular in international markets, while European movies have become less so. A great effort has …show more content…
American audiences have always had a distaste for subtitles. They are, on the whole, disapproving of art films and tend not to pay them much attention. Out of the 32,000 commercial cinemas across the United States of America, a mere 500 are allocated to the showing of foreign films as well as low-budget American productions. The question is not why Hollywood makes more movies than Europe, because it does not. The question is why Hollywood movies have more global export success, while European movies are aimed at small but guaranteed local audiences. European films in the United States are rarely box office hits (with a few exceptions). Instead, other methods are used to achieve substantial box office success. Such methods include European productions with American money on films such as Chocolat. Additionally, European writers, directors, actors, and film ideas are carried over to America where greater opportunities present themselves. Such celebrities include Fritz Lang, Ingrid Bergman, Charlie Chaplin, Alfred Hitchcock etc. A recent inclination has been the Hollywood remake of a European film or idea. Examples are Lucino Visonti's Ossessione (1942), which was re-made twice in Hollywood under the title of The Postman always rings twice, first in 1946 and then again in 1981 with Jessica Lange and Jack Nicholson. Another remake was Luc Besson's cult film
In chapter two of The Cultures of American Film, the main focus is the establishment of studios. As demand for films rose in the early 1900’s, production companies needed to expand; this lead to the creation of large scale studios.
The Revolutionary war, sparked by the colonist's anger towards taxation without representation, was a conflict between the United States and its mother country Great Britain. This event had been considered the most significant event in the American history. It separated the thirteen colonies from the tyrannical ruling of King George. The revolutionary war was not a big war, "The military conflict was, by the standards of later wars, a relatively modest one. Battle deaths on the American side totaled fewer than 5,000"1. However, the war proved that the thirteen colonies were capable of defeating the powerful Great Britain. Over the years there were many Hollywood films made based on the revolutionary
No less contested than the term big data is the question of what is meant by ‘Hollywood.’ For the sake of this essay, the term ‘Hollywood’ serves as a metonymy for the American motion-pictures industry. As Scott (2005) notes, Hollywood as a term has come to stand in for ‘the largest and most influential cultural-products agglomeration in the modern world’, though it is by far not the only one (2005: 10).1 Yet, Hollywood has become the centre of the international film industry. Thanks to a strong pre-existing cluster and agglomeration effects that reinforce its position, the United States role as one of the largest film markets, the ability to create products that appeal to both a domestic and international
Even though a vast majority of us wish that it was possible to turn back the hands of time and change or rewrite history. However, the truth of the matter is that we simply cannot. Everything happens for a reason, and we should learn to accept it. Accept it for what it is, rather than what we would like it to be.
Film makers use many historical events to spark up and idea for a movie. One historical event that is commonly used is war. One advantage a film maker has when using war as a movie plot is that there is already a lot of drama in war. This may seem like a good advantage for the film maker, however focusing on all of the drama of war leaves much of the actual info. When watching a war movie, you may feel like you have an understanding about the war, but when you really compare a war movie to an actual war you find that there is a lot of factual information left out. One may ask why would directors and film makers leave out the facts of war and focus on the drama? After reading The Faces of Battle by John Keegan and reviewing war movies
This essay explores the popularity of Australian film, both locally and internationally and asks the question: Is there a crisis in the Australian Film Industry? This essay will go through the current issues the Australian Film Industry and will demonstrate examples of those problems.
Hollywood has been well known for its famous movies that would be seen by millions all around the world. Hollywood has had major implications on the European view of what life is actually like. The
When people in Germany have a little bit of free time they choose to watch movies just like many Americans. Jan said that he really enjoyed watching “hollywood movies.” He said that hollywood movies were way better than the movies that are made in Germany. “Germany movies are terrible,” is what he had to say about them. After he said that I started to think about how American culture is slowly imperializing other countries. American culture is becoming the new normal for other countries.
1. Analysis of ‘Reseach and the Movies’, written by Buffy Shutt This article mainly talks about the alliance of research and movies. Since the Golden Age of movies in the 1930s and 40s, the Old Hollywood has used audience surveys to assist cast movies and determine the genres. Following that, from late 1940s and early 1970s, research has been done for the marketing of movies, including testing the effect of advertisements on television and looking into the main drive for the audience to visit the theatre (Buffy 294-295).
This research paper will cover the topic of the American film industry, globalisation and how globalisation has impacted on the change of the American film industry. I will also continue on to how the American film industry and its producers can integrate successfully internationally.
The costs, methods of distribution, and themes of Hollywood and Nollywood films reflect strongly their target audiences; how the target audience affects the production of a film and how the production of a movie is designed to capture a specific
Over the years, Bollywood has emerged as its own distinct identity in the global Film industry. Bollywood is the global leader in production of movies with a staggering 27,000 featured films and thousands of short films. ( Pillania 1) However, Hollywood is still the leader in revenues generated. Due to the growth of the Indian market and globalization, Bollywood has made its way to the international markets. Globalization is often misrepresented as the growing influence of the western culture in the world and so we tend to state that Hollywood is influencing Bollywood to a great extent. An argument can be made to justify the validity of that statement. However, this paper aims at presenting the influence of Bollywood on Hollywood in
Released in 1988 by director Giuseppe Tomatore, “Cinema Paradiso” follows the life of a young boy in Italy who dreams of being a filmmaker. The road the boy, who eventually becomes a famous Italian film director named Salvatore Di Vita, takes to reach his goal is difficult and includes many sacrifices and trade-offs. Today, the film is widely regarded as one of the most popular foreign films ever to be released in the United States. Given that foreign films are fairly common in America, it is fair to consider why “Cinema Paradiso” received such critical acclaim, as well as relative mainstream popularity. “Cinema Paradiso” received critical and popular praise because the film includes several timeless themes
Hess and Zimmermann mention that conventional categories have blurred and there’s demands for new political and aesthetic responses in transnational cinema (John Hess 2006). These transnational films I believe would be growing significantly in the film industry as a part of film history.
We see this phenomenon with Hollywood’s growth from a domestic American film industry to transnational corporation dominating international markets. With a global box revenue of 38.6 billion (Faughnder), Hollywood’s multimillion-dollar empire is largely sustained by capitalism. A system which maintains itself based on the production, distribution, and exchange of mass-produced commodities by private corporations, capitalism is the cause of homogenization. Its motive to profit from the public is manifested in the monotonous mechanical reproductions of popular cultural products such as Hollywood’s iconic blockbuster films: Titanic, Star Wars, and Avatar. Time and again, this