Pain-Recovery Complex: Pure Love in Criss-Cross of Time and Space in East Asian Romance films

The novel The Divine Wind (1998) by Garry Disher and the 2003 film, Japanese Story, directed by Sue Brooks both explore the common theme of 'love' through the use of novel and film techniques. Through the studying of the context and textual form of both of these texts, a greater understanding of the important ideas is achieved.

What is the ultimate form of a tragic love? For Wong, it is neither denial nor acceptance, but an eternal state of longing and waiting. Among Wong Kar Wei’s internationally acclaimed productions, Days of Being Wilde (1990), In the Mood for Love (2000), and 2046 (2004) are loosely counted as a trilogy of love. In the end chapter of his trilogy 2046, Wong continues to focus on Chou-Mu-Yun, a sentimental yet callous writer and womanizer. Revolving around the affairs of Chou, 2046 presents to its audience three pathways that love could possibly offer: to unite in happiness, to move on after the denial from the loved one, and to linger upon the unanswered love in perpetuity. Chou is undoubtedly chosen to be the bearer of the last pathway. As the

The novel The Divine Wind (1998) by Garry Disher and the 2003 film, Japanese Story, directed by Sue Brooks both explore the theme of 'love' through the use of novel and film techniques. Through the studying of the context and textual form of both of these texts, a greater understanding of the important ideas is achieved. This includes exploring the context, the characters and the key theme of love.

Have you ever wanted a bad memory erased? Is love erasable? These questions are attacked head on in the wonderfully complex drama Eternal Sunshine of a Spotless Mind. After working together on the film Human Nature, director Michael Gondry and screenwriter Charlie Kaufman discussed the possibility whether or not they would have their memory erased of a bad relationship should the opportunity present itself (dvdtalk). Out of that discussion a movie idea was formulated, pitched to a studio, and a film was created showing the potential impact of doing so. Through Kaufman’s brilliant and strange storytelling, Eternal Sunshine of the Spotless Mind takes its audience on a journey challenging us to ask: what would we do

Love is one of the most indescribable concepts that exist in one’s life experiences. Some argue that love is one of the most important things to have in life, which can shape and mold one’s interpretation of the world. Others may claim that love is an illusion, which serves as a distraction preventing individuals from being enlightened. The interpretation of love could be ambiguous, but the important thing is that love is very powerful and can severely affect an individual’s behavior, expectations in life, and sole responsibilities. Many writers have written about the power of love. Some of these works include, “The Love Suicides at Amijima”, “Death Constant Beyond Love”, and “Gilgamesh”. The most distinctive and comprehensive story involving

Before beginning of this quarter, I had no formal education on the topic of love or cinema studies which made this course seem the most intriguing. This was a completely new topic to me. Through the many assignments and group discussions, I have a much greater understanding of the world of film and understanding love in east Asian countries. With the help of my peers reviewing my assignments and providing a different perspective on my essays, I have honed my abilities in writing and thorough film analysis.

between love and hate. It begins with a narration ‘Never was a story a more woe than

The plans and narratives of the Kowloon Walled City have drastically changed through the years, as it has been an unrolled and unregulated enclave between the British and Chinese governments. It began as an officially planed Chinese military fort and afterwards witnessed three distinct stages of lawlessness, demolition and rebirth as an urban garden. It all officially began in the 16th century, when the Chinese built a defensive garrison town filled with soldiers, civil officers and their families (Carney, 2013). However, when Hong Kong was leased to the British in 1898, the Kowloon Walled City became a enclave in the colonized territory, where no laws of the official state applied and everything began expanding spontaneously. The first stage of the city’s unintentional self-organization began in the 1950’s. It is widely known as the time of three vices – gambling, prostitution and drug dealing. The official regulations of the British did work on Hong Kong and were reversely reflected in the Chinese enclave. As soon as something was forbidden in the city-state, people massively poured into the un-ruled territory and let the sins to flourish. This way the Kowloon Walled City became synonymous with violence, crime and disturbance. During this period, the city and people became one, the buildings were connected by piping systems and wires, the water poured through the holes and sunlight could barely reach the lower levels. Yet, in the early 1970’s the situation started changing

True love comes in all shapes and forms. Two different families were in a big feud for a while. The two main characters were in love with each other after a costume party, but their families dislike each other. By the tragedy the couple died for each other. William Shakespeare, theme is shown through use of syntax/ figurative language, The Tragedy of Romeo and Juliet.

The relationship between men and women is necessary and will be necessary for humanity itself. The traditional values teach us that in order to expand a life with a person of the opposite sex, it must have to exist love in the relation. However, society does not have all the approval of passion without love, and many individuals experience conflicts for practicing passion lacking of love. In order to gain a better understanding of how certain individuals deal with love and passion, circumstances in the short story in “My Life with the Wave” and the film “The House of the Spirits”, accurately analyze the necessity of love though symbolism, characters, and conflict presented.

movie had some flaws, it did closely represent the feelings of the era that was depicted. This paper intends to analyze and give

The 1993 movie directed by Kaige Chen, Farewell My Concubine, addresses the Chinese political issues during the war against Japan via interpersonal issues of an opera troupe of young male actors. The movie is as long as it is engaging. With two orphan boys who are raised to act in an Opera for their entire lives, dedication obtains a whole new meaning. Dieyi's training to act as a woman and to reflect femininity in his whole life increases the dissension that is observed within the film as well as its connections to the politics of China. The use of ghastly sound effects, close-up cinematographic techniques, and military involvement combine together in this movie to create a devastatingly dramatic experience.

The movies under this category have attracted the attention of many reviewers because of some reasons. The films are widely appreciated because of their wider exposition of culture as well as sophisticated and rich subject matter. The show of culture and emotional expression that the movie contains has drastically changed the description of the category from action films to relationship film. Additionally, the movies

Wong Kar Wai’s movies often have a particular style of murmuring, the movie “In the Mood for Love” isn’t an exception. Wong focuses on describing the regret and helplessness repeatedly during the movie time. Yet the background of the movie is based on the period of 1960s in Hong Kong, Wong keeps highlighting the city Shanghai and leaves many clues of it: the song singing in Shanghainese in the very beginning of the movie; the Shanghainese land lady, who is willing to sharing her room with the main character Suu, who also moved from Shanghai, and the traditional dress of Shanghai women: Cheongsam, which Suu wears it all the time during the movie. Wong shows his memory of Shanghai in this movie, reflecting his nostalgia by those symbols.

Today, romance is one of the most popular genres to watch on television. Unlike most, romance is a genre where the plot revolves around the love between two main characters as they experience the highs and lows of love. “Common themes that revolve around romantic movies are kissing, love at first sight, tragic love, destructive love, and sentimental love” (Taylor). These themes appear in many historical films and the pattern still continues in modern films as well. Watching romantic movies has a giant negative influence on the viewer's analysis of what love and relationships should really be like. These films give the wrong impression of reality when it comes to dating, marriage, having children, and even how to manage a relationship in