Akron Art Museum The Akron Art Museum is an institute that combined a historic building heavily adorned with Italian Renaissance revival and classicism with a modern and radical steel and glass structure. The once 1899 Akron post office section of the museum houses the local and global pieces of Impressionistic art from the 1850s. The original building is wrapped with a deep red brick and limestone with triangular pediments and pilasters. In 2007, Coop Himmelb(l)au’s architect Wolf D. Prix juxtaposed a new structure titled the Knight building with an obvious theory of contemporary modernity. The knight Building was constructed directly beside the old post office. Instead of demolishing the history, the museum’s design is to embrace the past with the future. The original art museum was first opened on February 1, 1922. It was formerly titled as the Akron Art Institute. The institute was located in the basement of the Akron Public Library. The museum was run solely on volunteers due to limited economic funding and finances. The institute offered art classes and exhibitions of local artistry. In 1937, the institute moved into a historic mansion that was soon engulfed in fire. The fire ruined most of the collections and mansion. However, in the museum’s own words, the institute “phoenix-like, from the ashes with a professional staff and a new *Akron Art Museum.org
Focus: fine art and design. Strengthening the fine art collection became a goal,
My Humanities Art Experience took place at the Columbus, GA Museum, located on Wynnton Road. I really enjoyed my experience at the museum. It was my first time visiting an American museum. I saw many pieces of fine art, some of which I will list below.
On November 7, 1883, an exhibition organized by “May Wright Sewell, her husband Theodore, and a small group of art-minded citizens” (History, 2017) began what would one day become the establishment now known as the Indianapolis Museum of Art. Since that first exhibition, the IMA has gone through several identity changes. They were first named, the Art Association of Indianapolis. Their next identity was as the John Herron Art Institute, which opened a whole new chapter, as they became “a campus featuring both a museum and an art school.” (History, 2017) Today, the IMA is one of the largest encyclopedic art museums in the nation. The IMA has had various leadership and staff over the years that have lent to how the museum operates today.
On September 19, 2015 I visited the Blanton Museum of Art at the University of Texas in Austin, where I observed The Raising of Lazarus by Joachim Wtewael in the European Old Masters gallery. The piece recreates the biblical narrative of Lazarus’ resurrection and demonstrates the exorbitant style of Mannerism popular during the 16th century. Wtewael establishes the significance of the Christ with his application of form through the use of unrealistic contortions of the people, the lines following the exaggerated limbs of the congregation, and the abundant use of the color red on almost every article of clothing.
The Virginia Museum of Fine Arts in Richmond at a glance is a modern metropolitan building that displays a vibrant exhibition of Byzantine art found in the Medieval and Byzantine wing. They are grouped together because they share a progression of time occurring in the heart of Europe roughly from the 1300s until the fall of Constantinople in 1453. The exhibit begins with displays of medieval art of Western Europe. It further progresses to Byzantine art arranged in broad categories ranging from pre-Christian art, liturgical material, secular material and a display of coptic textiles. Although small scale, a few art pieces prominently featuring the human figure stood out in particular.
The North Carolina Museum of Art (NCMA) holds many works of art from all types of cultures from around the world. The Torso of an Emperor in the Guise of Jupiter from Roman culture and the Torso of Aphrodite from Greek culture, are but two of them. It is unknown who the artist was for either of them, but the work has lived on for centuries. During the time period the gods were known for their perfection- like body and extraordinary looks. Since the sculptures highlight only the torso of the body it represents that only image matters and the brain does not.
Cleveland has been fortunate enough to have become home several popular museums, including The Cleveland Museum of Art. The museum is filled with impressive masterpieces from the beginning of human documented time to today’s world. This free exhibit offers an exciting, enjoyable experience to those of all ages and those of all backgrounds. From the interactive futuristic portions of the building, to the delicate works of the past, there is something at this museum to please each person’s artistic mindset.
As Edgar Degas once said, “ Art is not what you see, but what others make you see”. The St. Louis Art Museum is a place for artist to display their art and give spectators the option to see art from a new perspective. This was the case for me. As we walked up to the beautifully structured building that stood so tall and wide, my expectations were extremely high. At first glance I notice the bronze statue of King Louis IX of France riding high on his horse. From this statue alone, my expectations of the art museum grew stronger. I have never been to an art museum before, so I wasn’t sure of what to expect. My first expectation was to see huge detailed sculptures right as I walked through the door. That expectation didn’t come true.
Among the many artworks I have seen, I decided to discuss about the “Sarcophagus Depicting a Battle between Soldiers and Amazons (Warrior Women)” from the Roman civilization. It was built sometime in between 140 A.D. to 170 A.D and is approximately forty and a half inches in length, ninety-one and a half inches in width, and fifty and a half inches tall in height (“Roman Sarcophagus”). This masterpiece appealed to me because of the unique approach that has been designed to honor the deceased. Many people are familiar with the formatting and inscriptions of a gravestone because it is usually engraved with an individual’s full name, birth date, and death date. During the Roman Empire, a sarcophagus, which is a coffin, was widely used to show decorative themes that includes: battle scenes, hunting scenes, weddings, or other memorable episodes from the life of the deceased individual. The most luxurious ones were made from marble surrounded by symbolic sculptures, figures and inscriptions on all four sides (“Sarcophagus”). Another feature that captured my attention was the large quantity of details used to bring out a lifelike aspect of the deceased individual’s favorable moments in their life. In this artwork, this sarcophagus was dedicated to a Roman commander. The exterior of the sarcophagus has been well-decorated and carved with exquisite details depicting a battle scene
Perhaps illness so influenced the artistic style of Van Gogh, but the picture turned out completely different to all that the artist wrote so far. This is not a Van Gogh, who was known. In the canvas, there is tension, anxiety, dense colors and warm shades of olive-mustard. On the contrary, here there is some kind of lightness, airiness, and transparent weightlessness. On the manner of execution, the pattern resembles Japanese prints: iris field full of peace, a lightness, and transparency. "Irises" are simple and unique, they are striking in their serenity and the ability to remove the internal stress of everyone who saw at least reproduction. Painting simply breathes watercolor, translucency and make to look at it more than one hour.
In Greenville, Illinois, the local college campus holds a hidden gem: the Richard W. Bock Sculpture Museum. The museum holds hundreds of pieces of work by Bock and those associated with him, including architectural drawings by Frank Lloyd Wright. The house itself is historical, as it is the home of the founder of Almira College, the predecessor (precursor?) of Greenville College (GC). Built in the mid-1850s, it went through a major renovation in 2005 in which efforts were made to remain true to the original design and decor of the home. One room of the home has been set aside to house artifacts from the founders along with items from the beginning years of the school.
The building at 111 South Michigan Avenue, home of the Art Institute of Chicago, was opened in 1893 as the World’s Congress Auxiliary Building for the World’s Columbian Exposition. The building was passed on to the Art Institute after the end of the exposition. Designed in the Beax-Arts style by Boston firm Shepley, Rutan, and Coolidge, building has become an icon for chicagoans an tourists alike. The Modern Wing, the Art Institute’s latest and largest addition to date, opened on May 16, 2009, and was designed by Pritzker Prize-winning architect Renzo Piano. The 264,000 square foot addition now houses the museum’s collections of modern European painting and sculpture, contemporary art, architecture and design, and photography. The new
The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.
The list of historical buildings that act as museums is endless. International style arose to reflect the modernist art style and the social sensibilities of the 20th century. This design was often composed of simple material and straight lines. The goal of international style was to act as a blank canvas on which to display artworks. It wasn’t until later in the 20th century that
With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.
The Wadsworth Athenaeum of Art has been in existence since 1842. Located in Hartford, Connecticut, it is the nation’s oldest public art museum. The founder, Daniel Wadsworth, was a world-renowned art patron who acquired many famous works that would put his museum at the forefront of all its competitors. The museum has a impeccable reputation as a leader for innovation and experimentation due to its previous Director, A. Everett “Chick” Austin, Jr. Austin always pushed the envelop by continuing to feature new styles of art and different mediums of art. Currently, the museum is home to almost 50,000 pieces that vary from paintings to historical artifacts. The collection features pieces from over 5,000 years and is a big piece of not only Connecticut’s, but also a part of American history.