The Theory Of Deconstruction And Its Impact On Postmodern Architecture

Though the start of the modernisation may trace back to the beginning of Industrial Revolution. “Modernism in the design world did not exist in a fully developed form, until well after First World War.” (Wilk, 2006) Causing the great loss of lives and other countless damage to the world, it reshaped many people’s way of thinking the world. With the inspiration of early avant-garde movement, the modernism began to emerge advocating an utopian future and shared certain core principles by various styles of modernists: rejecting the past and applied ornament; forms follow function, a preference for

Architecture should not be separated from political and social life of human-beings. On the contrary, “throughout the history, architects have always been involved to some extent to politics, and have a nearly always sought positions of power and influence’’. Communist ideology in the Soviet Union had a huge impact on architectural development of many modern nations: Russia, Ukraine, Belorussia, Lithuania, Estonia, Latvia, Uzbekistan, Tadzhikistan, Kyrgyzstan, Bulgaria, Romania, Georgia, Armenia, Kazakhstan, Moldova and Azerbaijan. The amount of affected countries makes the topic of my analysis relevant and worth-discussing. My essay will be structured in a following way. I argue that communist ideology had an enormous impact on architecture

The main difference between these two schools is that the architects point of view to any design as a means of communication (Chan, 1997). Modern architecture, for example, focus on the aesthetics of architectural language, while post-modernity adjust in constant effort to achieve what is more than unity and focus on the traditional concepts, therefore both schools are in competition with each other. Second basic principle of modern school is the production beauty by basic technology (Chan, 1997), and this led to a contradiction on the post-modernism architects being attempted to use primitive technology. Their particular case is to access and change the impact of the traditional architecture through all people. Therefore, to achieve this goal they have addressed the issues of beauty and technology within the general concept of the design.

When I visited the De Young Museum, I found a lot of postmodernism architectures and sculptures. After took off the bus, the first sight is the full picture of De Young Museum and the twist tower. Through the analysis of the structure of twist tower, the designer cut off the entity, to add, to reshape and to deform the modeling. Then divided them into modules stratified, partially distorted, and eventually became a postmodern architecture. This is the so-called deconstruction. The main idea is to use nonlinear or non Euclidean geometry to form the deformation of the relationship between architectural elements.

Postmodernism is a universal movement, present in every art and discipline. In architecture, postmodernism is precise as well as ambiguous thereby in need of an explorative pursuit for a consensus of what is meant by the movement in this perspective - between the works of Charles Jencks, a primary theorist of this architectural turn; Heinrich Klotz, a leading architectural critic; and William Curtis, an architectural historian. The progression of this paper is highly influenced with Jencks’ studies as his works are often times referenced as well by both Klotz and Curtis in their individual interpretations and further accompanied with either supporting statements or contradictions.

While many practical issues interrupted due to Modernist language, Robert Venturi wrote a book of “Complexity and Contradiction in Architecture” and published in 1966. Book expresses the postmodernism and its rebellion to the purism of architecture. He respond to the quote of Mies van der Rohe “Less is more” as “Less is Bore” and discuss the architecture which should bow down to the complexities and contradictions. Architecture should be in touch with it in the creation of cities. After Modernisation, public spaces introduced into society and in the book of "The Society of the Spectacle” which is written by Guy Debord in 1967, criticize contemporary consumer culture and product fetishism which bring up the alienation of classes, mass media and homogenization of culture which

To begin with, to determine the meaning of postmodernism is possible only through the relationship with modernism. Modernism in modern science is understood as a kind of cultural consciousness, which is implemented in the artistic practice of symbolism, expressionism and acmeism. In the socio-historical context, it means the period of modernism in the development of culture from the late nineteenth to mid-twentieth century, that is, from Impressionism to a new novel and the theatre of the absurd. Modernism as a world based on the principles of urbanism (the cult of the city), technologism (the cult of the industry), primitivism (the cult of the underdeveloped role model), and others. Postmodernism simultaneously grows and is repelled by the picture of the world, established in modernism. Overcoming modernist tendencies, postmodern cult of the city replaces cosmism, values of industrial society - environmentalism, denying mindless nature and asserting the need for harmonious relations between society and nature. Thus, the ideological concept of postmodernism includes the principles of cosmism, environmentalism and post humanism in a culture of active includes sexual minorities, and the ideas of feminism. Art of modernism and postmodernism is the realization of a universal picture of the world, reflecting the human consciousness of the twentieth century, the main feature of which is the new principle of the relation of being and consciousness.

Postmodernism embraces many ideas in respond to its previous art movement: Modernism. Modernism’s concept “From Follows Function” encourages designers to put simplicity, legibility as first priorities, reject personal traits, aim at “impersonal creativity” like Jan Tschichold has described (Fiell, 2003). Modernism began at the end of the 19th Century and was influenced by the new technologies and the industrialized world which was a

Gropius traces the growth of the New Architecture and the work of the now well-known Bauhaus, with accuracy, calls for a new artist and architect educated to new materials and approaches as well as meeting the requirements of the age. It is also mentioned in The New Architecture and the Bauhaus that the intention of the Bauhaus was not to reproduce any “style”, system or belief, but simply to exert a revitalizing impact on design. Even though the outward forms of the New Architecture differ primarily in an organic sense from the old, it is the inevitable logical product of the intellectual, social and technical conditions of our age. A gap has been made with the past, allowing us to face a new aspect of architecture corresponding to the technical civilization of the age we live in. The analysis of the dead styles has been destroyed. Furthermore, the new building throws open the walls like curtains to allow an abundance of fresh air, daylight and sunshine. Instead of securing the building ponderously into the ground, it poises them lightly, yet firmly at the same

American postmodern architecture has more focus on culture, the specific theme of that moment, but the problem of formalization started to show up. Deconstructivism, a critical architectural movement in the postmodern age, usually has nice control on the structural surface as the building’s skin and use the randomly geometric shapes to show the twisting architectural elements.

This essay will critically discuss the development of Post Modernism as a reaction to Modernism and the growth of the architectural style as an individual movement.

To fully appreciate the differences and similarities between Postmodernism and Modernism, it is required to understand exactly what they are. Modernism is the term we give to the accumulated creations and activities of designers in the early 20th century, who had the theory that traditional forms of literature, religion, social organization, and most of all, art and architecture, had become outdated in the new social, political, and economic environment of a fully industrialised world. One of the main characteristics of Modernism is self-consciousness, which typically caused exstensive experimentations of form and function. The creative process of generating work was also explored, forming new techniques in design. Modernism rejected all ideology of realism and prefers to reference and parody works of the past. Postmodernism, on the other hand, is a radical rejection of Modernist design. Taking place in the late 20th century, it is a movement in art, criticism, and architecture that disputes the majority of modernist tendencies. The Postmodernist analysis of society and culture lead to the expansion of critical theory and advanced the works of architecture, literature, and design. This entire re-evaluation of the western value system of popular culture, love, marriage, economy, that took place from the 1950s and 60s, leading to the peak of the Social Revolution in 1968, is commonly referred as Postmodernity which influenced postmodern thought, as opposed to the term

Art Deco is still very prevalent in our society, and considered a gem in recent architectural history. It has its roots in the movement called ‘Art Nouveau’ (French for “new art”), which reigned from the mid early 1800’s to the century’s end near the start of World War I. The term originally stemmed from Siegfried’s art gallery; ‘La Maison

The concept of deconstruction, deconstructivism is a style, all styles have their previous menophistation. In the early modernism is the heroic period where the white architecture as it is known from 1917 to the 1950. The white architecture in intellectual basis was formed, like several people who where in this time were Le Corbusier, Mies Ven de Rhoe, and etc. The intellectual center was the thing was in this German design school called The Bauhaus, in its key and

Post modernity or post modernism as coined during the counter culture era of the 1960s and 70s has been highly contestant, ever since it was first used describe the death of modern architecture and art during the same period. It is this debate of being in a state of modernity or post modernity that will lead me to describe the shifts in cultural, economic and political views and values that demonstrates a shift in values from modern to post modern views sociy. This shift to post modernity has been highly influenced through the works of postmodern artists and architects and academics such as Focult (Venn, C., & Featherstone, M. 2006), Burroughs, Barthelme, Rauschenberg and Cage (Clarke, S. 2006), who all describe modernity being an exhausted idea, due to the shift of values changing society to a period of post modernity.