Essay impressionism

One of the last topics we discussed in class turned out to be a form of art that probably interests me more than almost every other type of art that we have discussed this entire semester. That form of art is the impressionist style of painting. I really love all the different brush strokes that form different images for different people. I also enjoy much of the images that the impressionists painted, because they are usually very relaxed and mellow images that put you into a comfortable place. The post-impressionist period, especially very early post-impressionist, is even better I think. I think it’s better because it is just a little more refined and puts more emphasis on the figure and form of different objects. Since I enjoyed the post-impressionist’s

During his short life, Georges-Pierre Seurat was an innovator in an age of innovators in the field of art. This french painter was a leader in a movement called neo-impressionist in the late 19th century. Unlike the broad brushstrokes of the impressionist, Seurat developed a technique called pointillism or divisionism. In this method, he used small dots or strokes of contrasting color to create the subtle changes contained within the painting. Seurat was an art scientist in that he spent much of his life, searching for how different colors and linear effects would change the look or texture of a canvas. He was painstaking in his work, the technique he chose taking much longer to produce a work of art.

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

A Sunday Afternoon on the Island of the Grande Jatte, painted by Georges Seurat in 1884-6, and La Grenouillère, by Claude Monet in 1869, are both works that are on display at the Metropolitan Museum of Art, originally painted in France during the Impressionism period. These works are recognized today for the modernity embodied in their impressionistic painting styles as well as their depiction of leisure in modern life.

Art, according to Webster's Dictionary, is a human skill of expression of other objects by painting, drawing, and sculpture. People have used art as a form of expression for a long time. From the Mesopotamian era to the Classical Greeks and the present. Art is expressed in many different ways and styles, and is rapidly changing, one style replacing another. Impressionism and Cubism broke away from the traditional style of painting. They were both looking for a new way to express everyday life. Time is an important tool that is used in Cubism as well as Impressionism. This element is expressed in Claude Monet's Sunrise and Pablo Picasso's Man with a Violin in different ways.

In the 19th century, there was an artistic transition from realism to a new form called impressionism. This change originated in France, as the world underwent a transition to industrialization. The impressionist was able to understand how light and color operate hand in hand in a painting. Instead of seeing an image as a whole work, impressionist would see smaller images making up the entire piece. The style was primarily made of the use of intense colors, open composition, light and movement and brush strokes. They were mainly

In Paris in the late 19th century (1874-1882), several artists who called themselves the Anonymous Society of Painters, Sculptors, Printmakers, etc. organized an exhibit that launched the movement called Impressionism. These artists, such as Eduoard Manet, Edgar Degas, Claude Monet, Pierre Auguste Renoir, and Mary Cassatt, sparked worldwide following and revolutionized Western conceptions of painting. Appearing to other artists to be a group, these independent painters with quite diverse artistic approaches, were only unified in their rejection by the official annual Salon (the Académie des Beaux-Arts which is a French academic organization that

In early 19th century, the French government controlled the academies and salons of paintings. The impressionism took place in second half of 19th century, which was results of French artists rejecting the traditional government sanctioned academic painting that was dominating their arts at the time. The first independent art exhibition was held in 1874 for one month. Few of the famous artists’ who participated and help organize this exhibition was Claude Monet, Berthe Morisot, Pierre-Auguste Renior, Edgar Degas and Camille Pissarro along with 25 other artists. They displayed approximately 165 paintings during this exhibit. This group of artists referred themselves as

Every artist has his or her own style of painting. Each painting tells some sort of story or has some type of personal meaning to the artist. One of the most important figures in modern art is Pablo Picasso. Not only was Pablo Picasso a genius in the field of abstract art, but he also experimented with sculpting and ceramics. Pablo Picasso has taken the world to many places with his unique style of work which is why I believe he is considered to be a genius of the 20th century.

My event was the Dallas Museum of Art; “The Lens of Impressionism,” photography and painting along the Normandy coast 1850-1874. I went on Sunday, February 21, 2010. The class studied this era in Chapter 13: The Working Class and the Bourgeoisie. The term "impressionism" was coined by a critic interacting with Clause Monet's "Impression: Sunrise" painting in 1874. French impressionists depicted light and color and was often embellished with romanticism; usually conveyed scenes filled with light and joy (Sayer).

The year is 1888. The setting is Paris, France. Art is as popular as it has always been and people are looking for new ways to express their artistic opinion. A question looms over the people as they begin to view some of these new, revolutionary styles of art. Is it truly art. To the common folk art may be whatever a person perceives as beautiful. But to the true artists, art is something more. The people deciding what is true art and what is simply splatter on a canvas is The Academy. They are the true artist, or at least they believe themselves to be. Other artist and critics believe these new waves of style and expression are far superior to the archaic traditional style of art that the academy is so fond of. However, The Academy is government

Art has been part of our society since humanity existed. For countless years’ people been creating, observing, criticizing and appreciating art. Claude Monet’s piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was made in March or April of 1873. The piece’s present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas and is next to another piece made by Monet called The Portal of Rouen Cathedral in the morning light. Claude Monet was part of the impressionist movement that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinished painting,

During the Modern Era of the late 19th century and the early 20th century, many artists were turning away from the idea of painting realistic images. Photography, having just been developed for public use a few decades earlier, made artists of the day focus less on painting as an precise copy of what is seen, as had been done for centuries. Since the Middle Ages, most artists painted exact representations of life. Starting in the late 1800s, though, many artists were starting to embrace the theory of art as an impression of what is seen. Impressionism, the art movement that began in the 1870s in France, was the first real development of this new concept of painting. Impressionists, such as Claude Monet, sought to put on canvas how they

Modernism is an art movement that is characterized by a deliberate departure from tradition to a more expressive form that distinguishes many styles in the arts and literature of the late nineteenth and twentieth century. Emile Bernard was part of this modern art movement as can be seen in his painting, "Breton Woman and Haystacks", painted around 1888. Impressionists were modern artists who tended to paint outside landscapes and street scenes and were concerned with the effects of light. Bernard was a Post-Impressionist artist who considered Impressionism too casual or too naturalistic, and sought a means of exploring emotion in paint. Bernard's work, "Breton Woman and Haystacks", depicts a woman in

Impressionism as an historical art period is best described as a shift in thinking and focus. This paradigm shift, away from realism and toward individualism, began a centuries long transformation of self-expression in art as a whole. Impressionism is generally considered a French movement and is typically defined as spanning from approximately 1867 to 1886. Impressionism is best embodied by and was perhaps initiated by Claud Monet in such world-renowned works as Impressions: soleil levant which lent its name to the style and subsequently the art period as a whole.