This essay is going to look at the term Bricolage and how it links to postmodernism and the term Retro. ‘Non-moderns use bricolage to fashion new tools from available objects...Consumers fashion new identities from the resources available to them’ (Ratneshwar, 2000:132). Fashion designers find their inspiration from the past and combine styles to create new designs that are seen as different and inventive. However, many people argue that so many designers use materials, looks and styles from the past that they are re using fashion in a continuous cycle and are no longer being original and creative. I will be looking at fashion designer Gareth Pugh to explain more about the term bricolage and the use of the past in contemporary fashion …show more content…
Figure 1 – Leigh Bowery Figure 2 – Gareth Pugh http://kitschnoir.blogspot.com/ http://www.freestylemagazine.co.uk/
Figure 3 - Leigh Bowery Figure 4 – Gareth Pugh http://www.akimbo.ca/akimblog http://andreasangelidakis.blogspot.com Leigh Bowery is a fashion designer and performance artist. Bowery’s work, figure 1 and 3 has influenced many fashion designers such as Gareth Pugh, Alexander McQueen, Vivienne Westwood and John Galliano. Figure 2 and 4 are fashion designer Gareth Pugh’s spring 2007 ready to wear collection.
Both designs are clearly inspired by the legend Leigh Bowery by the use of form, texture and colours. Strong shapes and exaggerated shoulder pads show Pugh’s designs have a lot of 1980’s
Have you ever wondered what people in the Elizabethan Era wore? Fashion was just as important in those days as it is to some people today. What people were wearing mattered to others, and even the government. During the Elizabethan Era clothing, accessories, and cosmetics were all a part of daily life.
There have been and still are hundreds of fashion designers in the world. But only a few of them have had any major impact on fashion industry today. And even fewer have revolutionised the fashion industry completely. One of these revolutionaries is the renowned Christian Dior. He reestablished Paris as the centre of the fashion world, and created his name as a symbol of elegance, quality, and modernity. I will be looking into how Dior’s context informed his practice, by using three of his most iconic and popular designs; The Bar Suit, Venus Dress and the Cygne Noir dress. And how these were a direct representation of 1945-1950 France.
This short story is about a young Indian woman named Sumita, her impending arranged marriage and subsequent trip to America, which is symbolized by the color and type of her clothes. The author utilizes color symbolism to express the emotional changes that Sumita is going through and how she uses colors to keep her grounded with her Indian beliefs during her transition from girl to bride-to-be to an Indian-American to widow. There are many examples of colors that represent established Indian beliefs and religion are mentioned throughout the story.
Contemporary art has a long history of appropriating material into new work such as Duchamp’s ready-mades where he recontexualizes found source material, the photo collages of Hannah Hoch and today’s remix culture. In Remixthebook, Mark Amerika (2011) argues that in Postproduction art, “the artist takes what has already been produced in culture and, through creative postproduction means, expresses a new cultural configuration that both speaks to contemporary culture as well as the source material that has been remixed”. Traditional crafts such as patchwork and quilt making have also contained ideas of transformation of old collected materials into new forms. By the frugally collecting and repurposing of these waste materials, Gower critiques
This essay will explore the effects social and political changes had on fashion in the 1980’s. This period was chosen because the new romantic fashions were so different to the punk fashions that had been before, this essay will therefore identify the changes that had taken place to influence this change. Primary evidence used to support findings will include interviews and photographs which will show a firsthand account of the period.
The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion
Pierce Balmain was born in 1914 in St Jean Maurienne, France. During his childhood he was captivated by design. He enjoyed playing with the different fabrics. He knew then he would be become a courtier. Pierce’s mother owned a ladies boutique and his father owned a small drapery business. Thereafter, pierce studied articheture at Ecole Des Beaux. At this time Pierce would meet designers Molyneux and Lucien Lelong. Balmain would work with the designers, molyneux from 1934 to 1939, and Lelong in 1939. Then he launched the fashion house Balmain is 1945, he featured the bell shaped skirt with the small waste. This style would be popular after Dior‘s new look.
1. Go to a public place and OBSERVE the community of people in that place for at least 30 minutes; perhaps as long as 60 minutes. In your report, describe the setting and note the date and time of your observation. Describe the element of “community” that you observed.
When you think of the word fashion, what do you think? Do you think about outrageous runway outfits? Cocktail dresses? Tracksuits? Whatever your impression of fashion, it is obvious that fashion plays an important role in today's society. We are judged by our clothing and appearance on an everyday basis, so why not make the most of our choices?
Society is constructed in such a way that some people become inferior to other people because of how society treats certain individuals. Fashion has become a catalyst that leaves a gap between the lower class and the upper class; this brings out the aspect of social structure as it ranks categories of people in a hierarchy,( Macious & Plummer, 2008).Bourdieu’s concepts of field, habitus, social capital and cultural capital gives an illustration of the elite and the lower class in terms of their fashion taste. This essay consists of three parts; the first part will look at the London Fashion Week applying Bourdieu’s concepts, the second part will describe the difference sorts of capital required for elite women to join the ‘secret club’ of
Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less
This essay aims to analyse the key role that the surrealist movement has played on fashion and the fashion industry. Both from a historical point of view, as well as its continued impact on fashion today, as a source of inspiration for contemporary fashion designers.
This essay will be considering the historical development of haute couture by analysing Charles Frederick Worth’s (father of haute couture) key factors in the success of haute Couture. I will then discuss Coco Chanel’s thriving impact on haute couture as well as ready-to-wear caused by the second world war. Saint Laurent’s drift to ready-to-wear and the high street fashion system will also be discussed in order to answer if haute couture is relevant in fashion today. The books I will be analysing and referencing are ‘A Cultural History of Fashion in the 20th Century’ by Bonnie English, ‘Couture’ by Ruth Lynam, ‘How Fashion Works’ by Gavin Waddell. Which will thoroughly breakdown the evolution and historical development of fashion by cultural, economic, environmental and social changes to finally come into a conclusion.
The passageway of modernism has introduced innovative components in the development of an individual's personality. The identity character as a social construct is highlighted through the effect that fashion has brought in, experimenting, producing and changing individual identity. The style and appearance of an individual is a portion of the fashion's period and usually refers to the possibility of people to utilize fashion industry products. This takes place just like any other consumer good that can be modified with respect to the prevalent societal codes. The modifications can be made either through surpassing or through copying them. Modern fashions are part of postmodernism. This is in the view of the fact that developments and growth in the fashion industry accompany and express development of the society through embracing postmodernism. Developments in the fashion industry offer options regarding styles, image and clothing through rejecting the options presented in modernism. This paper discusses Versace designs and their relationship to postmodernism.
What is Fashion? Fashion is a general term used to describe a style of clothing or practice used by people around the world. Fashion refers to anything that is a trend. Self-presentation is the most direct noticeable marker of fashion. Throughout history we have seen many changes in clothing, from the color, to the material used to make it. We have also seen the style in which clothing is made change drastically. Fashion communicates meanings that have individual and social significance. Society, cultures, gender and even political authority have impacted fashion over the years. Clothing styles characterize certain designs which represent the culture that wears the clothing. Designers continue to try to direct their ideas to a transforming