Using The Alternative Option For Remedial Action

Through this use of language in their banter and witty exchanges, they would be more interesting to the audience as they are a unique couple who are ‘just them’ and their exchanges would fuel much speculation about their life, whether they love each other or hate each other.

At the beginning of the scene, we view Coral engaging in conversation with Leonie, another resident at the Hotel. The dialogue reveals a conversation that is unstable and awkward. Coral starts to become overpowering and questioning by asking, “Isn’t hard making contact with other people in this kind of place? Everyone’s enjoying themselves but, I don’t know, I feel it’s a bit forced, do you feel that? Are you really enjoying yourself? Or are you only pretending. To please your husband, perhaps?” The stage directions allow the audience to see that Leonie is “almost in tears” and asks “Why are you staring like that?” Coral ignores her questions and remarks and continues to question the woman. Corals language is cliché and proves she is still not coping. Coral starts to scare Leonie where she says “Let me go, please, I want to go” reinforcing Corals inability to make contact and communicate with other people and her lack of social skills. Rather than talking to the woman she starts to override the conversation and become overwhelming revealing her isolation and alienation. Coral continues to ignore the woman’s pleads to leave and Leonie begins to “struggle” and starts “crying” sobbing, “I want to go in. I’m hungry. Let me go”. This shows Coral is unable to concentrate on her own issues and decides to force herself upon someone else’s problems in order to take away her own pain.

Pat and Tiffany are flawed in ways that are more common in human nature than we discuss, or would like to believe, and offer more depth to the audience than the overly-stereotyped flaws of commitment phobia and unnecessary expression of feelings.

As Franny is observant, she is also over dramatic. Her emotions convey this beautifully on page 39 when she feels betrayed by Margie for going over the Gale’s house instead of hers. Franny and Gale don’t have anything against each other yet so Margie was just visiting another friend. Franny is being overdramatic even though the two live in a close proximity and are best friends so it isn’t like they never see each other. With these emotions of betrayal, Franny is not mentally allowing Margie to have many close friendships with any other classmates and is getting in the way of her own friendship. While Franny’s emotions can show a great deal about her being over dramatic, her words can as well.After Uncle Otts episode, Franny claims she is “embarrassed for life.” (49). Franny believes that everyone who knows her and her family are going to gossip about the episode at the dinner table and it will reflect badly on her. Franny doesn’t realize that Uncle Otts breakdown doesn’t reflect badly on her but only Otts since she wasn’t the one having the episode and was only a bystander. She even hid herself from the public so they couldn’t see her at all since she was hiding from Otts. Now words are just spoken thoughts and the final instance of Franny being over dramatic is seen through her thoughts. On page 109, Franny thinks the reason Mrs. R’s explanation of the science fair project doesn’t make sense is because Mrs. R hates her. Franny is taking this way too

Kat at the start of this film is socially repellent. In her English class, she portrays her intelligence within the class which Joey replies with ‘As opposed to a bitter, self-righteous hag who has no friends?’ which all of his friends laugh and high five him. As you can tell, much like Hortensio and Gremio, this is another dehumanising statement and his friend’s reaction emphasises the male disgust towards Kat. Additionally, her own sister Bianca tells Cameron how she feels about Kat, describing her as a ‘hideous breed of loser… unsolved mystery…a bitch.’ All descriptions of her sister highlight she is hated by all of her peers and HER OWN SISTER, even though in this context female individuality is acceptable. However, at the end, Kat has evolved from who she was once. Kat has a speech which is a clear parallel to Katharina’s monologue. Kat states ‘I hate the way you talk… I hate it when you stare… I hate it when you make me laugh, even worse when you make me cry… I hate it that you’re not around… I hate the way I don’t hate you, not even close, not even a little bit, not even at all.’ The anaphoric repetition creates a cumulative listing effect emphasising each statement intensively in which it is reversed due to the double meaning in the last few lines, making the audience question whether she ‘hates’ that list. As well as that, when she says ‘cry’, there is a medium shot

Bowman. Rule # 1, never mix business with pleasure. Feeling full of herself, Karry brags to her coworkers about the condominium, new car and new fur coat Dr. Bowman purchase for her. However, when the question ascends about a marriage proposal, Karry avoids the question by talking about her vacation. Nurse Nancy at once responded by telling her that she should be rejoicing over a marriage proposal and not over the frivolous possessions. While alone with Dr. Bowman, Karry speaks with him about her desire to marry him. He sings convincible sweet notes of music while extracting a warm embrace. Karry becomes fragile of his congruent voice she quickly becomes concealed with a belief of true love. As noted this far, women are easily lured in with gifts and the announcement of love. Is it the affection that hinders the thought process or is it the showering of gifts or both? As the film unfolds, the viewer is stunned to find Dr. Bowman to be married and Karry as the caretaker during the delivery of his child. In most cases, the victim subconsciously recognizes issues in a relationship, but cannot bear the thought of exploring in fear of the truth or more deceits. As a result, the victim stays content in what their counterpart can give. For some, the acknowledgment of the truth is not as devastating as leaving and finding true love. What this play detail is excuses how women manage to mask themselves in avoidance to grasp what is present. The

However, we must perform some analysis on this data to confirm that the results for our class really are significantly different from the average. To do this, we performed a chi-square analysis on our data. Our chi-square value is 14.733, and the degrees of freedom are 6. The resulting p-value falls between 0.05 and 0.02. Therefore, we conclude that the data from our class indeed does not fit the average.

Barb blames Janice for Anne's death to hurt her and make her feel guilty, not knowing that Janice already feels guilty but does not express it. However, Barb does not think about the challenges Janice might have endured but is angry because she is not the ‘ideal Janice’ that she had been expecting. Barb is too busy and eager wanting to express her anger towards Janice that she cannot relate to Janice’s problems and the struggles that she goes through. Barb’s lack of sympathy towards the unexpected changes in Janice’s life only results in a bigger gap in their relationship. Once Barb and Janice start talking, Barb is again angered by Janice’s quietness and her unwillingness to strengthen their relationship. However, she does not make an effort herself to understand why. Barb says to Janice: “You told us the facts. I don’t know one damn thing about you, the person” (36). Barb is annoyed and frustrated by Janice keeping to herself, she cannot understand her. Barb wants a strong relationship with her as sisters. For Janice, the sister relationship is too difficult and would rather prefer being friends. However, Barb does not acknowledge or accept Janice’s different views but expects Janice to want the same. Barb misunderstands the quietness of Janice and takes it personally, thinking that she wants to keep a distance from her and does not want to open up. Barb does not think of the opposite. What if Janice can’t

Caroline: How do you think it made me feel to have my boyfriend call me ugly and fat in front of all my friends?

Mrs. Dietrich often wants to ask Nola questions, but refrains from it. Nola does try to discuss the subject but initially she does not explain her feelings. Then she simply leaves in the middle of the discussion. The chance to communicate is lost. The two still do not understand the other person's side. They never close the gap if they do not recognize that good communication is a result of telling their feelings, listening, and understanding.

The time does affect the reliability because this source it was created over 300 years ago so, when the source got passed on, details may have been left out or even added.

Secondly, When Gerald tells Kat about Toronto her tells her that “she would have a free hand” (37) when it came to the magazine. Kat thinks she’ll love in Toronto, when in reality “she did not have the free hand Gerald had promised her” (38). Therefore Kat thinks she loves the fact that she’s

Avoiding typically leads to unsatisfying relationships, while avoiding isn’t always an atrocious idea. Accommodating is a lose-win it occurs when you allow others to have their way rather than asserting your point of view. If accommodation is a genuine act of kindness, generosity, or love, then the chances are favorable leading to enhancing the relationship. People from high-context, or collectivist backgrounds are likely to regard avoidance and accommodating as face-saving. Competing is a win-lose, and appears when there is a high level of self concern, and a low level of concern for others. Direct aggression arises when a communicator expresses a criticism or demand that threatens the face of another. Passive aggression occurs when a communicator expresses hostility in an obscure or manipulative way. Compromising is a lose-lose, and presents both parties a minimal fix of what they desire, although they both sacrifice part of their goals. Compromising actually negotiates a solution where both lose something, while leaving both parties

Defensive behavior from one party in a relationship evokes defensive behavior on the part of the other. This dynamic cycle of defensiveness can intensify as described In Gibb’s second category of defensive behavior, control in the film this is exhibited in the scene when Ben and katie return from a romantic holiday in Venice. Their first night back, they compose a cuddly letter to their two kids, who are off at camp. Within minutes, the conversation is dotted with grace notes of dissatisfaction, which grow steadily louder until they've drowned out everything else. Should Ben and Katie have sex now, or after they finish the letter? Was Katie more spontaneous in Venice? Was the vacation a charade? ''I just don't want us to get to the point,'' says Ben, ''where we can't make love unless there's a concierge downstairs.''(Reiner Rob, 2001)". The argument isn't really about sex, of course. It's

We feel terrible!” Leone glared at them, “Fine!” she replied, “But I’m doing it for Hattie, not you! And you’d better apologise to her when we fi nd her!”