Alleyway

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    Short Story: Foster Home

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    David looked around and saw nothing. The dog is just an idiot. The next day David walked the same path and saw someone his age in the alleyway. That kid is James. David noticed James was searching through a dumpster. He then realized a bunch of things that are all cliche. He is lucky to have lots of money, he shouldn't be a jerk to less fortunate, bla bla bla. Anyways this prompts David

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    Beeeep, beep, beeeep. Vogt pushed harder onto the horn button on his steering wheel. For fuck's sake I'm going to be late. "GET OUT OF MY WAY!" he shouted at the top of his voice to no-one in particular. In front of his car and for some way behind, there were columns of tanks, troop trucks, armoured cars and motorcycles. German soldiers were everywhere. Somehow he had managed to get caught up in a major troop movement through the centre of Paris. Briefly he considered getting out of his car and

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    West Side Story

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    sequence is one of the quieter scenes in the film, a contrast to the previous frantic, crowded scenes, such as the dance and the America number preceding it. Here, it is just Tony and Maria isolated in their own world, a feeling given by the enclosing alleyway. However, instead of feeling confining and claustrophobic,

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    I slowed to a stop and started down the alleyway. Running blindly into an alley after a demon didn’t strike me as smart. Alex and Rhonda were as out of breath as I was when they caught me. We were all trying to catch our breath when fox peeled, I mean literally peeled, out from the side of one

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    Grandma’s grave, tomorrow marks the tenth year of her passing. I want you to take this bouquet of flowers to her grave. Just a reminder, take the footpath through the city and not the shortcut through the alleyway!”, replied mother. Mother had always warned Rydie of the dangers that lurked within the alleyway. The kidnappings and killings that have caused mystery throughout the town. Still unsettled with pain and sorrow, Rydie shouted, “Why can’t you take them? She is your mother remember!” Growing up,

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    shimmered under moonlight. I sensed the movement of something behind me, but I carried on without checking, too petrified to discover what it could be. I quickly turned the corner into a dark alleyway in an effort to lose whatever was chasing me. Almost immediately, I watched as a dark shadow crept into the alleyway in my direction. The hairs on the back of my neck stood on end. The figure came closer and closer until I could smell the familiar, musky scent

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    Lexi froze in place as she heard the wolf in the alleyway growling at her. She had almost forgotten about him while facing the wolf guarding the entrance of the alleyway. She looked over at him slowly, scared to make any sudden movements in case they would find it threatening and pounce on her. But, despite her cautious movements, her nightmares still came to life. She suddenly felt razor sharp teeth sink into her arm. It felt like her bones were being flattened and that her arm would snap in

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    accompanied by the cries of the carriage driver and cracking of his whip. The dark street becomes dotted with glowing amber light as people begin lighting candles in their homes. Dark shadows slither across roads and down pathways, they slink down alleyways and drift up walls, towering above

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    Raise The Red Lantern

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    One of the conspicuous aspects of Raise the Red Lantern is Zhang Yimou’s usage of mise en scène to capture the confined, hostile environment of Master Chen’s palace. This film opens up with Songlian, the Fourth Mistress, walking, rather than being carried in a red sedan, to the master’s house in an open field, which demonstrates her reluctance of becoming a concubine. This scene is also the last scene where Songlian and the audience get a glimpse of the outside world. The rest of Raise the Red Lantern

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    Batman Begins Symbolism

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    bats and fog. A way in which the motif of a gun was used to show the idea of fear and corruption was when young Bruce and his family attend the opera. Bruce was afraid of the bats in the opera so they decided to leave out the back exit into an alleyway when they are confronted by Joe Chill. A close up shows the motif of a gun, that Chill possesses. This is used to show the corruption of the city

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