EMI

MEDIA@LSE Electronic MSc Dissertation Series Compiled by Dr. Bart Cammaerts and Dr. Nick Anstead Why pay if it’s free? Streaming, downloading, and digital music consumption in the “iTunes era” Theodore Giletti, MSc in Media & Communications Other dissertations of the series are available online here: http://www.lse.ac.uk/collections/media@lse/mediaWorkingPapers/ Dissertation submitted to the Department of Media and Communications, London School of Economics and Political Science, August

INTUNES IN BRAZIL THE ITUNES ONLINE MUSIC STORE FEASIBILITY STUDY TABLE OF CONTENTS TITLE PAGE 1 TABLE OF CONTENTS 2 INTRODUCTION 3 MACRO ENVIRONMENTAL FACTORS 7 MARKETING MIX 5 HOFSTEDE MODEL ANALYSIS 6 BEHAVIORIAL IMPLICAITONS 7 CONCLUSION 8 INTRODUCTION The landscape of music industry sales has changed within the last 5 years with the changing technology

While conducting the analysis of EMI group’s dividend policy, one factor that stood out to us was the clientele effect. The clientele effect shows us who holds most of our outstanding shares. High tax-bracket individuals would prefer zero-to-low dividend payout to save on taxes. Low tax-bracket individuals would prefer a low-to-medium dividend payout, which gives them additional income while helping them save on taxes. An investing corporation would prefer a higher dividend payout because if they

[pic] MASTER OF MANAGEMENT UNIVERSITY OF GADJAH MADA 2009 Marketing Strategy For Digital Music Distribution within the scope of Indonesian music industry | | | | |Course |: |Marketing Management | |Lecturer |: |Prof. Dr. Basu Swastha

------------------------------------------------- Case report ------------------------------------------------- ITunes By: Pentinga, Steg & de Vries Case 1 Emergent strategy: who will stop Apple’s dominance of the music delivery business? Introduction In this report we “chessmind business” will tell you a bit more about iTunes a part of Apple inc. in this rapport we will formulate a strategy iTunes can follow for the next three to five years. In this report you will read parts about

Mission: To Scare Emi-Chan - PART 1 Her eyes slightly widened at what was undoubtedly long pointed crannies. So I was right.. How fun! An amused smirk plastered itself on her face. "Why isn't your face constricted in fear? Why are you smirking at me?! Are you mocking me?!! You worthless mortal!!" The violet haired boy screamed at the girl. "Tsk tsk; don't yell. It's troublesome and besides why would I be scared of you? You are merely a vampire that needs blood to sustain life. Nothing more and

In 1993, Elektra Records informed Sara Hickman that they were releasing her from her recording contract after three records. Getting dropped be her label was not the distressing part, Elektra also informed her that her recently finished album was to be shelved, never to see the light of day. Again, while disconcerting, Hickman felt she could go into the studio and record those songs on the shelved albums for a new record label or just release them herself. But that was when her manager, Kevin

Radiohead: Music at Your Own Price Introduction: Apple’s iTunes launched in 2001 transformed distribution and consumption of recorded music setting the trend for the future. The proliferation of online music subscription services and other music sharing services exerted a great pressure on the conventional music distribution business model. Combined with this transformation, piracy of digital music had a profound impact on the whole industry. These worsening conditions in the market place for recorded

• Illegal downloading platforms The recording industry estimates that it loses more than $4.6 billion every year to physical piracy (Lessig, 2004). The chart below shows that Spotify is helping to shift consumers away from piracy and towards their free, legal alternative. Due to the history of illegal music downloading in the digital age, consumer’s willingness to pay for the services provided by Spotify remains very low. • Free Versus Subscription Services Artists and record labels are

Introduction: Within this report, you shall find what a record label is, is it still relevant today and the structure of a record label. What is a record company/ label? According to Heather Mcdonald on http://musicians.about.com/, "Record labels are companies that manufacture and distribute recorded music and promote that music (or at least hire people to handle the promotion). There are two kinds of record labels; independent (indie labels) and major labels (aka big four labels). Indie record